查询词典 China one

There is only one China, and Taiwan is an integral part of that China.

世界上只有一个中国。台湾是中国不可分割的一部分。

The Scientism caused an educational revolution in China, and forced China to turn our educational idea from "cultivate one's morality and character" to "specialist education", our educational content from inanition and inutility to practicality, our educational manner from closing to open, our pedagogy from nonexistence to existence, our educational study from roughness to fine.

在我国引起了一场教育革命，促使我国在教育观念上由"修身养性"转向"专才教育"，在教学内容上由空疏转向实用，在教育方式上由封闭转向开放，在教学论上由无到有，在教育研究上由粗旷转向精细。

One of the main reasons for Ismail's coming to China is his persistent interest in the history and culture of China.

被文明古国吸引，这曾经是Ismail Gurkan Ucar来中国的原因之一，到了绍兴之后，生活中自然少不了游山玩水。

Up to the present, we have not be so close to world pulses jumpiness and such deep feel the global competition and various culture. The Dec 11th 2001, the protocol of China be a member of WTO took in effect, China became to be the one hundred and fourty third member of WTO in due form.

时至今日，我们从来没有与世界脉搏的跳动如此地接近，从来没有如此深切地感受到全球化的竞争和各种各样的文化。2001年12月11日，中国加入世贸组织议定书生效，中国正式加入世界贸易组织，成为第143个成员。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即"天人和一"、"弦外之音"以及"以象立意"等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

Ai was raised in a labour camp in China's remote northwestern region of Xinjiang, after his father, Ai Qing -- himself regarded as one of China's finest modern poets -- was purged in the 1950s after being denounced as "an enemy of the state and a rightist".

奥运会在中国掀起了民族自豪感的高潮，这同艾未未所做的批评形成了鲜明的对比。尽管他的言论同国外主要民权组织专门选择在这一时刻发出的批评声音达成了统一。

At first sight, the figures seem to justify huaxi's boast to be the "number one village in china". Since 1995, when huaxi became the first commune in china to list shares on a stock exchange, local businesses, mostly in textiles and steel, have taken off. Their spectacular expansion has made even the national average growth rate of 9% a year seem laggardly in 2003, the village reported the combined turnover of its companies at 10b renminbi (about ￡640m).

第一个感觉是，这些数字证明华西村为中华第一村是货真价实的。1995年华西村成为中国第一个出现在股票市场的公社组织，，那个时候起，本地经济，主要是纺织业及钢铁行业，开始腾飞，华西村取得的巨大成就从今天看来，即使是2003的增长率9%也显得不值一提，2003年全村生产收入为100亿元人民币。

About 12 species: China, Indonesia, Laos, Malaysia, Thailand, Vietnam; one species in China.

大约12种：中国，印度尼西亚，老挝，马来西亚，泰国，越南；中国有一种。

Although Uni-President is a relative latecomer to the China market, it is still able to apply its thirty -six years of experience operating in Taiwan, and has become one of China's top ten brands.

虽然统一进入中国大陆市场的时间较晚，但充份运用在台湾累积三十多年的经验，已跻身为中国大陆的十大品牌之一。

With the development of the reform of the financial system in China,the bank deposit insurance system,which is regarded as one of the three essential factors (the other two are the prudent supervision of financial supervision administration and the final loaner function of Central Bank),is eagerly demanded to be set up in China.

在我国金融体系改革不断深入进行的背景下，与金融监管当局的审慎监管及中央银行最后贷款人功能一起被公认为金融安全网的三大基本要素之一的存款保险制度在我国呼之欲出。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。