查询词典 Calvino

In The Road to San Giovanni, the originality, grace, wit, and wisdom that we have come to associate with Calvino are everywhere on display.

在《通向圣吉瓦尼之路》中，原创性，优雅，机智和智慧这些被我们认为与卡尔维诺联系在一起的东西，随处可见。

Reminiscent of Voltaire's satirical romances, The Baron in the Trees displays to dazzling effect Italo Calvino's sure sense of the sublime and the ridiculous. Originally published by Einaudi in 1959. Published by Random House, 1959. Translated by Archibald Colquhoun.

对比伏尔泰讽刺性的虚构作品，卡尔维诺的《树上的男爵》在对崇高和荒谬的把握上展示了非凡的效果。1959年Einaudi出版社第一版。1959年兰登书屋英文第一版， Archibald Colquhoun翻译。

Reminiscent of Voltaire's satirical romances, The Baron in the Trees displays to dazzling effect Italo Calvino's sure sense of the sublime and the ridiculous. Originally published by Einaudi in 1959. Published by Random House, 1959. Translated by Archibald Colquhoun.$ b. k5 b8 t w r! i" m; \" v% j

对比伏尔泰讽刺性的虚构作品，卡尔维诺的《树上的男爵》在对崇高和荒谬的把握上展示了非凡的效果。1959年Einaudi出版社第一版。1959年兰登书屋英文第一版， Archibald Colquhoun翻译。

A major literary event: this enchanting collection of diabolically brilliant stories, fables, and "impossible interviews" confirms Italo Calvino's stature as one of the essential writers of the twentieth century.

这本优美的选集收录了一些才气横溢的小说，寓言和"不可能的访谈"，它的出版是一个重要的文学事件，进一步巩固了卡尔维诺作为一个二十世纪必不可少的作家的地位。

The spatial narrative structures in Calvino's fictions can be divided into three types :"the building of two worlds "is the main way in the earlier writing phase of Neorealist and Fairy tale .Dimidiation and mergence is the art feature .It signs that the sense of the world and the creative ideas of the writer start to form;"Synchrony and Juxtaposition "and "Crystal pattern "are the prominent characteristics during his Postmodernism writings phase. The writer takes the complex and diverse form of space art, such as segments、juxtaposition、defamiliarization、crystal's combination and derivatives, ect. to represent the essence of the world, and to exprsee the writer's confusion and efforts to understand and build a sense of it.

卡尔维诺小说的空间叙事结构具有阶段性，可以分为三种不同的类型："两个世界的构建"是早期新现实主义和童话寓言创作阶段的主要方法，二分和弥合是其艺术特点，标志作家世界感和创作观念开始形成；"共时并置"和"晶体模式"则是后现代主义小说创作时期的突出特征，作家以片断、并置、陌生化、晶体组合衍生等复杂多样的空间化艺术形式来表现世界的本质以及自身理解世界、构建意义的困惑和努力。

Some of the stories turn out to be authentic folk myths and legends—Parsifal, Oedipus, Hamlet—but others are entirely Calvino's own.

一些故事是真正的民间神话传说--帕西发尔（亚瑟王传奇中寻找圣杯的英雄人物），俄狄浦斯，哈姆雷特--但其他完全是卡尔维诺自己的创造。

Two of Calvino's first fictional works were inspired by his participation in the Italian Resistance: the Neorealistic novel Il sentiero dei nidi di ragno (1947; The Path to the Nest of Spiders), which views the Resistance through the experiences of an adolescent as helpless in the midst of events as the adults around him; and the collection of stories entitled Ultimo viene il corvo (1949; Adam, One Afternoon, and Other Stories).

卡尔维诺最早的作品都与他参加抵抗组织的经历有关：新现实主义的小说 Il sentiero dei nidi di ragno （《通往蜘蛛巢的小路》，1947年出版）通过一个未成年人的经历审视了抵抗运动，这个少年人面对周围的成年人和一系列事件，感到无助；名为 Ultimo viene il corvo 的短篇小说集（《亚当，午后和其他故事》，1949年出版）。

S8 o The two novellas, together with Calvino's previously published The Baron in the Trees, make a witty trilogy of allegorical fantasy.

这两个中篇，加上早先的《树上的男爵》，组成了一套充满智慧的寓言似的幻想小说三部曲。

The spatial narrative structures in Calvino's fictions can be divided into three types :"the building of two worlds "is the main way in the earlier writing phase of Neorealist and Fairy tale .Dimidiation and mergence is the art feature .It signs that the sense of the world and the creative ideas of the writer start to form;"Synchrony and Juxtaposition "and "Crystal pattern "are the prominent characteristics during his Postmodernism writings phase. The writer takes the complex and diverse form of space art, such as segments、juxtaposition、defamiliarization、crystal's combination and derivatives, ect. to represent the essence of the world, and to exprsee the writer's confusion and efforts to understand and build a sense of it.

卡尔维诺小说的空间叙事结构具有阶段性，可以分为三种不同的类型：&两个世界的构建&是早期新现实主义和童话寓言创作阶段的主要方法，二分和弥合是其艺术特点，标志作家世界感和创作观念开始形成；&共时并置&和&晶体模式&则是后现代主义小说创作时期的突出特征，作家以片断、并置、陌生化、晶体组合衍生等复杂多样的空间化艺术形式来表现世界的本质以及自身理解世界、构建意义的困惑和努力。

The streets are eerily silent; with its people gone, the area takes on the appearance of one of the Italian novelist Italo Calvino 's fantastical string cities, chock-a-block with the shells of human habitation but no living souls remaining.

没有了人的存在，这个地区宛若一座意大利小说家伊塔洛。卡尔维诺笔下虚构的城市，虽然挤满了人类居住的蜗居，却没有一点人烟。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。