查询词典 Calvaire

He might, athwart this revery, have also reproached himself on the subject of that insurgent who had been taken to the Rue des Filles-du-Calvaire; but he never even thought of that.

在他的沉思中，他本来也可以责备自己在把那个暴动者带到受难修女街去的这件事上是失了职，但他没有想到这一点。

He lived in the Marais, Rue des Filles-du-Calvaire, No. 6. He owned the house. This house has since been demolished and rebuilt, and the number has probably been changed in those revolutions of numeration which the streets of Paris undergo. He occupied an ancient and vast apartment on the first floor, between street and gardens, furnished to the very ceilings with great Gobelins and Beauvais tapestries representing pastoral scenes; the subjects of the ceilings and the panels were repeated in miniature on the arm-chairs.

他在二楼占用一套宽大的老式房间，一面临街，一面对着花园，大幅大幅的哥白兰①绒毯和博韦②绒毯挂齐天花板，毯子上织的是牧羊图，天花板上和壁框里的画缩成小幅，又出现在每张围椅上。

There he walked at a slow pace, with his head strained forward, seeing nothing, hearing nothing, his eye immovably fixed on a point which seemed to be a star to him, which never varied, and which was no other than the corner of the Rue des Filles-du-Calvaire.

到了这里他就放慢脚步，头冲向前，什么也看不见，什么也听不到，目不转睛地注视着一个目标，这对他是一个星光闪烁的地方，这不是别的，就是受难修女街的转角。

CHAPTER II LIKE MASTER, LIKE HOUSE Chinese He lived in the Marais, Rue des Filles-du-Calvaire, No.

二 有其主，必有其屋英文他住在沼泽区受难修女街六号。

Little by little, this old man ceased to go as far as the corner of the Rue des Filles-du-Calvaire; he halted half way in the Rue Saint-Louis; sometimes a little further off, sometimes a little nearer.

慢慢地，这老人已不再走到受难修女街的拐角上，他停在圣路易街的半路上；有时远一点，有时近一点。

China Photographers Association; Guangdong Photographers Association; Hong Kong Photographers Union; Guangzhou Photographers Association; Guangdong Young Photographers Association; Zhongshan University School of Communication and Design; Zhongshan University Anthropology Department; Press Photo Office of the State Council; Shenzhen Professional Photographers Association; Mois de la photo; FotoFest; The Photographers' Gallery; Moscow Photobiennale; World Press Photography Foundation; German Photographers Association; La Maison européenne de la photographie; The Federation of Asian Photographic Art; Royal Photographic Society; Drik Photo Agency; The University of Michigan; VU Agency; EVE Photographers; Robert Klein Gallery; Poc Project; Agence France-Presse; The University of Kansas; Otterbein College; The University of Massachusetts Lowell; O'Connor Studio; FotoFreo; NB Pictures; John Stevenson Gallery; Photography Criticism CyberArchive; Photographie.com; Les Rencontres d'Arles; Photo Swap; Museum of Fine Arts, Houston; Chris Boot Ltd; 'Aperture Magazine'; PHotoEspaa; Rhubarb-Rhubarb; Seeing the Light; Grazia Neri Agency; cole nationale supérieure des arts décoratifs France; Tendance Floue; Les Filles du Calvaire Gallery.

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We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。