查询词典 CRO

There are many ways to display your cro ss stitch after you have completed it.

有很多方法来显示您的十字绣在您完成它。

Practice, practice, and more practice make a person a better cro ss -stitcher, not their gender.

实践，实践，再实践此人是一个更好的跨订书机，不是他们的性别。

Three-quarter stitches are used to create more detail in Cro ss Stitch designs.

三季度针用于创造更多的十字绣的设计细节。

To see them having fun, and to have some fun yourself, cro Anderse Boulevard and enter Tivoli Garde .

看他们欢乐，你自己也可以享受，走过安德森大道进入提弗利花园。

Now that you have s pent many hour s completing your cro s s s titch project, it' s time to put tho s e fini s hing touche s on it.

现在你已经花了很多时间完成您的十字绣的项目，它的时间把它的收尾工作。

Make a cro ss stitch on your fabric and then turn it upside down and look at it.

为您的面料十字绣，然后把它倒过来看它。

Good for Cro Cop, he didn't have a good experience in the UFC so it is good that he is able to go fight somewhere else.

祝他好运，他在UFC的经历不太好，所以换一个地方也许对他更好。

But the human mind can glimpse a rapidly changing scene and immediately disregard the 98 percent that is irrele vant, instantaneously focusing on the monkey at the side of a winding forest road or the single suspicious face in a big cro wd.

但是人类的头脑可以只迅速地瞟一眼一个快速改变的场面，然后立刻放弃 98%的不相关部分，而马上聚焦于一条崎岖森林道路边的一只猴子，或者在茫茫人海中的一张可疑的脸。

While e ioners, articularly elderly women, make u a large roportio of those living alone, the ewest cro of ingle are high earner i their 30 and 40 who increasingly view living alone a a lifestyle choice.

其中，靠养老金生活的人，特别是年老女性占大多数。而如今的独居者则是那些三四十岁的高薪一族，他们倾向于独居的生活方式。

And he that taketh not his cro, and followeth after me, is not worthy of me.

10：38 不背着他的十字架跟从我的，也不配作我的门徒。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。