查询词典 C.I.O.

B: k This is a theory that derives speech from involuntary cries.

这是一种认为语言源自无意识叫喊的理论。5 O% 6 C， y8 l- i* n

2 P C* O; G0 d0 S' Q I would not waste my time pursuing that.

如果是我的话，不会将时间浪费在这里。

As insurer and not as reinsurer as in other European countries.

O.I.N.C。作为保险人，而不像欧洲其他国家一样，作为再保险人运作。

Hello, I am Severn Suzuki speaking for E.C.O - the Environmental Children's Organization.

大家好，我是Severn Suzuki，代表ECO（Environmental Children's Organization）。

On the way back to his cell, Lincoln kneels, allowing a C.O. to unshackle him. Lincoln sees Bellick down the hall and calls him over."I want some extra time outside the next couple weeks."

在回牢房时， Lincoln 跪下好让狱警打开他的手铐和脚镣，他看见 Bellick 在走廊尽头，就叫他过来，"余下的几星期我想要更多的活动时间"。

A is for Apple B is for Ball C Candle D is for Door E is for Egg F is for Fall G is for Grass H is for Hall I is for Ice J is for Jam K is for Kite L is for Lamb Mmmmmmmmm M Moonlight N Night O Orange P is for Pie Q is for Queen R is for Rain S is for Smile T is for Train Mmmmmmmmm U Umbrella V is for Vell W is for Whale X X-ray Y Yo yo Z is for Zero Mmmmmmmmm 持田香织是日本当红组合ELTEvery Little Thing

的主唱。持田香织早在中学时代便已加入艺能界，以玉女形象出道，但并不受人瞩目，后来毅然转变形象，简单自然的细肩带上衣配短裙的打扮使其成为不少日本女歌迷模仿的对象。凭借着悦耳清甜的嗓音及"随性而不随便"的整体形象，持田香织接连夺取了各种不同类型的杂志评选出的日本最受欢迎女歌手、最漂亮女歌手等奖项。

C/ o-{I bucked at your suggestion.

我坚决反对你的建议。

Or fum bling t o f i nd yo u r tick et for in sp e c tion.

或者乱摸到找到你的票为检查。

Now I screw conveyors the company's products have been across the c o u n try.

现在我公司的螺旋输送机产品已经遍布全国各地。

Q# R! P/ E: _0 t |4 w ·Separate flammables or combustibles from oxidizers by at least 20 feet or a half-hour firewall.

' O$ I+ j： g ''|# A9 h5 V2 W7 C 把易燃或可燃物和氧化物隔开至少20英尺或半小时的防火墙。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。