查询词典 Brecht

By wen yau in collaboration with Shu Ning Presentation Unit and Ken Cheung, inspired by Bertolt Brecht's "The Seven Deadly Sins". Starting from May 2004, 6 live events and installations have been taken place in different unconventional venues in the building of Hong Kong Arts Centre such as main entrance, atrium, closet under the staircase, etc. Parts of the serial work have been presented in live art festival in Beijing and Taipei.

由 2004 年 5 月起。魂游与许树宁及经纶合作，以德国当代剧场家布莱希特剧作《七宗罪》为蓝本，在艺术中心的不同空间堙A十三个月内以六次的不同形式的演出和装置，不断进行探索、实验，与观众互动间寻找更开阔的演出可能性；系列作品并曾应邀往北京及台北的艺术节作演出。

Here I suggest that the question of how to unsettle spectators to the extent that they, true to Ibsen's initial radicalism, are forced to participate in the final closure can be usefully answered by turning to the theatre methods of Antonin Artaud and Bertolt Brecht.

本文主要探究易卜生於《玩偶之家》中所埋设的「意象」动作，并试图以亚陶「残酷剧场」〈弃用名剧〉('No More Masterpieces')的剧场理念，诠释《玩偶之家》；再者，此剧所激起的社会批判效应，亦可透过布雷希特辩证剧场的导演理论加以阐释。

This thesis tries to take a research on his"Vengeance Trilogy": Sympathy for Mr.Vengeance ,The old boy, Lady vengeace, focus on his defamiliarizatiion. The thesis composed by three parts: Chapter one: From a Review of Park Chan-wook's experience in film industry to find out his ideas that guiding artistic creation. Chapter two: Recalls the historical progress of Defamiliarization , which involves Aristoteles, Georg Wilhelm Hegel, Bertolt Brecht's aesthetics theory.

全文共分为三个部分：首先，是从朴赞旭的从影经历来分析他在后现代语境和消费主义潮流中创作心态；第二，从美学的历史上回溯陌生化的概念，从亚理士多德、黑格尔、什克洛夫斯基到布莱希特的陌生化理论；第三，从三个方面就作品本体来分析导演的创作技巧。

Terry Eagleton absorbs the spiritual core of some thinkers, such as Williams, Louis Althusser, Freud, Macherey, Walter Benjamin, Bertolt Brecht, etc. and reinterprets the concept "ideology" critically. Through the enforcement on the productivity of ideology, he initiates Marxist cultural esthetics which takes ideological production as its core.

伊格尔顿吸收了威廉斯、阿尔都塞、弗洛伊德、马舍雷、本雅明、布莱希特等一些思想家的精神内核，对"意识形态"这个概念作了批判性重释，通过对意识形态生产性的强化，提出了一种以意识形态生产为核心的马克思主义文化生产美学。

ABSTRACT This thesis is on the parables of Brecht which are an important part of his plays.

本文旨在探讨作为布莱希特的戏剧作品的一个很重要的组成部分的寓意剧的写作特点。

Mr. Brecht, I just cut you a break.

布莱希特先生我这是给你一个改过自新的机会

We can see clearly the trace of the interaction between Chinese drama and Brecht from the research between them.

通过布莱希特与中国戏剧的研究，我们可以更加清楚地看到二者相互影响的痕迹。

Some 80 percent of Americans say they encounter a speaker of another language regularly, Brecht said.

80%的美国人说他们经常碰到说另一种语言的人。

But I was one of the few who stayed. Brecht, Mann, they all left.

但我是少数留下来的，布莱希特，托马斯。

Brecht provided Chinese innovation with more contemplative space, and he did a lot of contribution to the development of Chinese drama.

布莱希特给中国的戏剧革新者提供了更多的思考空间，他为中国戏剧的发展做出了不可磨灭的贡献。

The basic concept of FOP can be summarized as to further optimize effective prescription according to the standard of curative effects and with the aid of modern science and technology and theories of traditional Chinese medicine.

其基本内涵可概括为：以确有疗效的中药复方为研究对象，以现代科学技术和传统中医药理论为技术支持，以该复方所治病证的药效响应为评价标准，以优化重组疗效更优的新复方为研究目的。

Ever since our world has been a world, native forests have been indiscriminately exploited by man.

自从我们的世界一直是世界原生森林被任意剥削人。