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Brahms相关的网络例句

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与 Brahms 相关的网络例句 [注:此内容来源于网络,仅供参考]

Spring Symphonies has the intensity of Barber's Adagio, the wit of Gershwin's Rhapsody , the harmony of Beethoven and Brahms the space and reflection of Faure and Debussy .

Spring Symphonies》有其Barber's Adagio的紧凑,Gershwin's Rhapsody 的睿智,贝多芬和勃拉姆斯在作曲时乐谱表上的线间空白与倒映同福莱与德彪西如此的步调协调。

Beside the art tradition from European maestros, such as Ludwig Van Beethoven, Johannes Brahms, Gustav Mahler and Dmitry Shostakovich, who depicted major subject mater with magnificent movement, Mr. Bao Yuankai also inherited the explore of Chinese culture and spirit manifested in the symphony of Chinese composers such as Ma Sicong and Chen Peixun. Free-minded but precise in structure, unique style.

鲍元恺的交响曲创作,一方面继承了欧洲交响曲大师贝多芬、勃拉姆斯、马勒、肖斯塔科维奇等以宏大的一泻千里式的戏剧化展开表现社会重大社会题材的艺术传统,一方面继承了马思聪、陈培勋等前辈中国作曲家在交响音乐创作中表现中华民族文化形态和精神世界的探索。

When Jorg Demus was 14 years old he made his debut at the famous Brahms-Saal for the prestigious "Gesellschaft der Musikfreunde" in Vienna. In 1950, he gave first coucerts in Zurich and London, and in 1951 he went on his first extended tour to South America.

1950年他在苏黎世和伦敦首次举行演出,1951年首次在南美举行巡演。1953年在巴黎的Salle gaveau的演出极为轰动,著名评论家克拉朗东发表了题为约尔格。

Well-known works include the opera "Onegin,""The Queen of Spades", ballet "Swan Lake "," The Nutcracker,"" Sleeping Beauty "and" Fourth Symphony "," Fifth Symphony "," Pathetique (6th) Symphony,"" drop b flat minor Piano Concerto No. 1 ","D Major Violin Concerto on a" symphonic poem "Romeo and Juliet" and other .18-189's visit to Germany, the Czech Republic, France and Britain, and Brahms, Grieg, Dvorak, Gounod, Masi Nie and other famous musicians have formed friendship .1893 year awarded an honorary doctorate in June. In the same year in October in St.

著名的作品有歌剧《奥涅金》、《黑桃皇后》、舞剧《天鹅湖》、《胡桃夹子》、《睡美人》和《第四交响曲》、《第五交响曲》、《悲怆交响曲》、《降b小调第一钢琴协奏曲》、《D大调上提琴协奏曲》、交响诗《罗密欧与朱丽叶》等。18—189年访问德国、捷克、法国和英国,与勃拉姆斯、格里格、德沃夏克、古诺、马斯涅等著名音乐家结下友谊。1893年六月授予名誉博士学位。

Brahms , who was living in the late period of Romantic music , maintained the classical ideality well and followed the histrionic and oneness of sonata or symphony .

而生活在晚期浪漫主义时期的勃拉姆斯仍旧沿袭奏鸣曲和交响曲的戏剧性和统一性,维系着古典主义的理想,却在19世纪被定论为浪漫主义时期牛保守的,落后的"古典主义者"。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962)and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯(Richard Strauss,1864-1949)正是欧洲人文发展空前灿烂的年代,无论在哲学思想、文学、美术以及音乐方面,都有辉煌的成就。在他音乐学习历程中,结合了古典时期及浪漫时期两种音乐风格,发展出独特的作曲风格。本论文分成五章:第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨;第二章则从对理查史特劳斯生平的详实记载中,了解他创作作品的时代背景和心情;第三章则就浪漫时期艺术歌曲作家舒伯特(Franz Schubert1797-1828)、舒曼(Robert Schumann1810-1856)、布拉姆斯(Johannes Brahms1833-1897)、沃尔夫(Hugo Wolf1860-1903)及马勒(Gustav Mahler1860-1911)等,以诗人、旋律、伴奏型态及曲式和声,稍加整理并说明,以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整,藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析,则探讨此部作品诗人赫塞(Hermann Hesse 1877 - 1962)及艾辛朵夫(Joseph von Eichendorff﹐1788-1857)的生平和作品特色,以及诗的结构与格式,和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法,创作出一组宁静感人又深刻的终曲。

In the piano music creation in his lifetime, only Op.10, Op.76, Op.116, Op.117, Op.118 and Op.119 use the "Intermezzo" However, in terms of time, these creative works, ran through the Brahms'career life.

在勃拉姆斯一生的钢琴曲创作中,只有Op.10、Op.76、Op.116、Op.117、Op.118和Op.119中运用了"间奏曲"这一体裁。但从时间上来讲,这几首作品的创作,贯穿了勃拉姆斯一生的创作生涯。

Brahms ; piano intermezzo ; classical sonata ; romanticism; creative characteristics

勃拉姆斯;钢琴间奏曲;古典主义;浪漫主义;创作特点

The thesis contains two parts, the first part discusses the life of Johannes Brahms in chapters two and three for a better understanding of the background and motivation of the work.

本论文可分为两个部分:第一,在第二章与第三章对布姆斯的生平做文献探讨,以解当时布姆斯的时代背景与创作,藉此有助於探讨其音的与内容。

Johannes Brahms is that great master in 19 centuries composers,his work come down to the various music type except opera.

约翰内斯。勃拉姆斯是19世纪作曲家中的巨匠,他的作品涉及除歌剧外的各种音乐体裁。

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