查询词典 Berlin

Multicoloured, s haded, painting-like pattern s a s we know them today are a recent development, deriving from s imilar s haded pattern s of Berlin wool work of the mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛的工作模式产生类似的阴影。

Multicoloured, shaded, paintin g -like patterns as we know them today are a recent development, derivin g from similar shaded patterns of Berlin wool work of the mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛的工作模式产生类似的阴影。

Multicoloured, shaded, painting-like patterns as we know them today are a recent development, deriving f rom similar shaded patterns o f Berlin wool work o f the mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛类似的工作模式所产生的阴影。

Multicoloured, shaded, painting-like patterns as we know them today are a recent development, deriving f rom similar shaded patterns o f Berlin wool work o f the mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛的工作模式产生类似的阴影。

Multicoloured, shaded, painting-like patte rn s as we know them today are a recent development, deriving from similar shaded patte rn s of Berlin wool work of the mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛类似的工作模式所产生的阴影。

Multicoloured, shaded, painting-li k e patterns as we k now them today are a recent development, deriving from similar shaded patterns of Berlin wool wor k of the mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛的工作模式产生类似的阴影。

Multicoloured, shaded, painting-like patterns as we know the m today are a recent develop m ent, deriving fro m si m ilar shaded patterns of Berlin wool work of the m id-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛类似的工作模式所产生的阴影。

Our company is sending him to work in Berlin.

我们公司将派他去柏林工作。

After graduation, he has been to London, Berlin, New York to work and live.

毕业后曾先后在伦敦、柏林、纽约工作及生活。

Our pany is sending him to work in Berlin.

我们公司将派他去柏林工作。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。