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Berlin相关的网络例句

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与 Berlin 相关的网络例句 [注:此内容来源于网络,仅供参考]

Read philosophy in the University of Munich, medicine .1922, he reflected the German November revolution in the script,"middle of the night drum"(1919) Kleist Prize .1924 since been living in Berlin, he served as artistic advisor Berlin Germany Theater .1926 began to study Marxism .1933 exile in Denmark since the United States in 1948 returned to Berlin the following year founded "Berlin Troupe", experiment with new forms of performance.

曾在慕尼黑大学读哲学、医学。1922年他的反映德国11月革命的剧本《夜半鼓声》(1919)获克莱斯特奖。1924年起住在柏林,任柏林德国话剧院艺术顾问。1926年开始研究马克思主义。1933年起流亡丹麦、美国,1948年回到柏林,次年创办&柏林剧团&,试验新的演出形式。

After the separation of East and West Germany, East Germany has started in 1948, the deutsche mark on the use of the blockade West Berlin area for a period of 11 months, it is hoped to achieve complete control of the whole purpose of the Berlin region, but in the West States continued to air conducted by the Berlin air support did not materialize.

东西德分离后,东德方面曾在1948年中开始,对使用西德马克的西柏林地区进行封锁,为期11个月,希望透过此举达到完全控制整个柏林地区的目的,但却在西方国家持续以空运方式所进行的柏林空运之支援下没有实现。

Hebbel Am Ufer 2, Berlin Kreuzberg / Umweg über China, Hebbel Am Ufer 2, Berlin Kreuzberg / The Weight of the Reality, Marella Gallery Beijing / 2006 Regenesis, Museum of Contemporary Art, Haikou / Borderline Video Art Festival, Beijing, Platform China / 2005 Limit and Freedom / Summer Market, Fine Arts Literature Center, Wuhan / 920 Kilograms, Shanghai Duolun Museum of Modern Art, Shanghai / Siemens Art Programe-Part 5, What are they doing here?, SLC, Wuhan, China / 2004 Undercurrent-Video from China, Chinaclub2, Berlin, Germany / Slowly, Fine Arts Literature Center, Wuhan / Plug and Play, Byzantium Community, Wuhan / 2003 Electrolyte, Shenghua Arts Center, Nanjing / The Minority Is Subordinate to the Majority, Biz Art Center, Shanghai / 2002 Mushroom Cloud or Eutopia, Shanghai / Everyday Attitude, special exhibition of Chinese photo art, Pingyao International Photography Festival, Shanxi, China / New Urbanism, Guangdong Art Gallery, Guangzhou / 2001 Contemporary, Wuhan, Hubei Art Gallery / Welcome, Jinshayuan,Wuhan

柏林,HAU2剧场/迂回中国艺术节,柏林,HAU2剧场/现实的重量,玛蕊乐画廊,北京酒仙桥路4号798艺术区/ 2006 再生,海口,当代艺术馆/边界线国际影像艺术展,北京,站台-中国/ 2005 自由与限制——夏市,武汉,美术文献艺术中心/ 920公斤,上海,多伦美术馆/ WHS+8,西门子公司艺术部项目,武汉/ 2004 涌动——来自中国的录像艺术,柏林,Zehdenickerstrasse 12A /慢,武汉,美术文献艺术中心/即插即用,武汉,拜占庭小区/ 2003 电解质,南京,圣划艺术中心/少数服从多数,上海,比翼艺术中心/ 2002 蘑菇云或者乌托邦,上海,外滩艺术馆/日常态度,中国图片艺术特别展,平遥国际摄影节/新都市主义,广州,广东美术馆/ 2001 现在,武汉,湖北美术馆/ WELCOME,武汉,金沙苑

Among roses left by visitors, a couple peeks over a still-existing section of the Berlin Wall into the so-called 'death strip,' where East German border guards had the order to shoot anyone attempting to flee into West Berlin, at the Bernauer Strasse memorial on the 20th anniversary of the fall of the Wall on November 9, 2009 in Berlin, Germany.

在访问者,超过了一个目前仍然存在的柏林墙节一到所谓的'死亡地带的情侣偷窥',其中东德边防军开枪的命令,任何人试图逃往西柏林离开玫瑰,在伯诺尔大街上的纪念碑的墙倒塌20周年纪念2009年11月9日在德国柏林。

Initially the company had offices in Berlin overlooking the Berlin Wall at Potsdamer Platz and was serendipitously in the right place, with the right people at the right time to take full advantage of the reunification of Germany and the City of Berlin in particular.

开始时公司在柏林有可以俯瞰柏林城墙的办公室,并且意外的发现恰恰是这个地方,这个时间,这些人才能特别中分利用德国和柏林这个城市的重新统一。

John Gray, in his forceful philosophical exegesis of Berlin, expounds the deep and conflicting sources of Berlin's political outlook -- what he calls agonistic liberalism.

在他对伯林思想令人信服的哲学诠释中,约翰·格林精细地阐述了伯林政治观念中深刻的、彼此冲突的源泉,格林称之为规避的自由主义。

As part of THERE IS NO I IN TEAM's international tour, this 3-day event happening at PROGRAM, Berlin, from 15th to 17th October 2009 brings together cutting-edge CHINESE VIDEO, LIVE AUDIOVISUALS AND PERFORMANCE ART and creative communities from both China and Berlin.

作为《只有团体没有个体》国际巡回展的一部分,这个在德国柏林"程序"项目基地举行的活动将持续三天,从2009年10月15日至17日,它为观众们带来最前沿的中国录像艺术、现场视听艺术和表演艺术,将中国和柏林的创意团体融汇一处。

Biographically the letters take the reader through Berlin's professional ascent from clever young don to Oxford professor, public educator and transatlantic academic star. They track the consolidation of his social position as an intellectual jewel of the post-war British establishment. Three or four footnotes a page introduce perhaps 1,000 or more politicians, public servants, academics, musicians and socialites whom Berlin knew or talked about. For that alone, his letters are a unique record of a bygone milieu.

如自传一般,这些信件引导读者见证了伯林从一名聪颖的年轻教师成长为牛津教授、公共教育家和跨大西洋学术明星的职业上升历程;它们也追踪了其享有的战后英国权势阶层知识瑰宝这一社会地位的巩固过程;每页三到四个脚注可能引见了一千名或更多的、伯林所了解或谈及的政治家、公职人员、学者、音乐家和社会名流;单凭最后一点,他的信笺便是对往昔社会环境的一份独特记录。

Biographically the letters take the reader through Berlin's professional ascent from clever young don to Oxford professor, public educator and transatlantic academic star. They track the consolidation of his social position as an kal online geons intellectual jewel of the post-war British establishment. Three or four footnotes a page introduce perhaps 1,000 or more politicians, public servants, academics, musicians and socialites whom Berlin knew or talked about. For that alone, his letters are a unique record of a bygone milieu.

如自传一般,这些信件引导读者见证了伯林从一名聪颖的年轻教师成长为牛津教授、公共教育家和跨大西洋学术明星的职业上升历程;它们也追踪了其享有的战后英国权势阶层知识瑰宝这一社会地位的巩固过程;每页三到四个脚注可能引见了一千名或更多的、伯林所了解或谈及的政治家、公职人员、学者、音乐家和社会名流;单凭最后一点,他的信笺便是对往昔社会环境的一份独特记录。

Dedicated in curatorship, spreading and promotion of China's contemporary photography and management of art projects and galleries June,1996 to April, 1998, hostess of the column of "Photographer Interview" and editor of theory edition of People's Photography; April, 1998 to year 2005, photo editor and photo chief director for New Express under Yangcheng Evening News Group; August, 1998, planning and organizing South China Press Photo Advanced Seminar; 2000, compiling Chinese Story, a great realistic photographic book reflecting living status of all walks of life of China in the 20th century's; 2001 to 2003, taking a 3-year Chinese Master Course as a member chosen by World Press Photo; 2005, initiator and curator of Lianzhou International Photo Festival as project and art director; 2005 end, chosen as Top Ten Character of China Photography of the Year; January, 2006, curator for "Ever-Changing Fragrant River"--Qiu Liang Solo Exhibition, Guangdong Gallery; January, 2006, curator for "Chairman Mao in My Lens"-- Lv Houmin Solo Exhibition, Guangdong Gallery; February, 2006, curator for Moscow Photo Festival; March, 2006, attending Oracle (an international organization of museums of photography) Conference as representative for China Photo Festival invited by FotoFest; May, 2006, special curator for "China Photography 50 Years"- Large Retrospective Exhibition; November, 2006, invited judge for FOTOBILD, Berlin, Germany; January, 2007, invited curator for Chinese Work in Paris Photo Biennale; 2007, member of review panel for Rhubarb-Rhubarb, Birmingham, UK; 2007, member of review panel for FOTOBILD, Berlin, Germany.; April 2008, member of jury ot the 1st Thessaloniki PhotoBiennale 2008, Greece.

致力于中国当代摄影的策展、传播、推广以及艺术项目、艺术空间的管理。

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