查询词典 Ben Nevis

When Ben-Hadad asked,"What did Elisha say to you?"

主人问他说："以利沙对你说什么？"

Set against the backdrop of Bath, a city steeped in 3,000 years of history, Gillian and her team – Dr Ben Akomfrah, Professor Gregory Parton (encyclopaedic but terminally louche) and eager young post-grad intern Viv Davis – are brought in under a variety of imperatives to extract bodies, books, weapons and all manner of artefacts which lead them into an investigation of the past that will unlock dangers and mysteries in the present.

故事背景设在经历了三千多年历史浸润的、英格兰西南部城市巴思，故事主角Gillian和她的团队——Ben AKomfrah博士、Gregory Parton教授(百科全书式的，但最后变得邪恶)以及充满热忱的研究生实习生Viv Davis——为了要揭开当下的危险和神秘事件，不得不一次次地将掩入历史的人骨、书、武器以及各式物品重新挖掘出来，并进行深入研究。

Ben Jonson, meanwhile, used a tighter blank verse with less enjambment in his great comedies Volpone and The Alchemist.

本琼森，同时，使用了更严格的无韵诗少enjambment在他伟大的喜剧沃尔波和炼金术。

Osborne's Alison gets on with the ironing in Jimmy Porter's bedsit; Pinter's Ben stares into space from a bare mattress; Beckett's Estragon empties his boot of a stone; and Chekhov's Yepikhodov endlessly strums his guitar.

奥斯本创作的艾莉森在吉米á特的卧室熨衣服；品特创作的本凝视着一张空床；贝克特创作的艾斯崔高清除着鞋子里的石头；而契诃夫创作的叶皮豪多夫无休止地弹奏着吉他。

Ethan: I can do it if you want me to, Ben.

Ben，如果你要我去我就去。

Evie's unconventional and often downright bizarre behavior challenges Ben's beliefs, and forces him to confront the very idea of who he wants to be.

Evie's 非传统的而且时常明白的奇异行为向班的信念挑战，和军队他面对个他想要当谁的最主意。

He has to get rid of what Evie describes as the 'social autism' inculcated by his religious upbringing. His mum has been determinedly teaching Ben to drive and things are not good in the parental marriage (but they are God's ambassadors and must show the world a smiling face).

他不得不摆脱由于他所受的宗教教诲导致的、艾维称之为"社交孤僻症"的状况，他母亲决定教他开车，他父母的婚姻也不甚幸福（但他们是上帝的使者，所以必须在人前做出愉快的笑脸）。

I asked Jeremy what he personally used of himself at the age of the character to get back into the mind of the teenage boy. He said he found a diary from his gap year when he was eighteen and there was such pain in it, along with ambition. There was poetry in the diary, as well, and he used a version of a poem from that diary in the camping scene when Ben is drunk and reciting it to Evie. He said that scene was touching for him.

我问杰瑞米他是借助什么使自己回到和影片中角色一样的少年时代的思想中去的，他说他找到一本他18岁时写的日记，那里面充满深深的痛苦，还有勃勃的雄心，日记里还有不少诗，他从这些诗里挑选了一首，用在了影片中本在露营地喝醉酒后对艾维朗颂诗歌的那场戏里，他说那场戏令他很受感动。

Evie's unconventional and often downright bizarre behaviour challenges Ben's beliefs, and forces him to confront the very idea of who he wants to be.

这种压抑的生活在本遇到一个性格古怪的退休演员艾维（朱丽·沃尔特斯，韦斯莱夫人的扮演者）后彻底改变了，艾维用她特有的反传统的、惊世骇俗的方式为本带来一种他从未经历过的全新生活——野营历险、表演莎士比亚剧、参加爱丁堡艺术节，还在那里结识了一个与他年龄相仿的女孩子。。。

Evie enters Ben's life with a cataclysmic force, whisking him away on a series of adventures from camping, to performing Shakespeare in the garden, to attending the Edinburgh festival — where he finally meets a girl much nearer his own age.

Evie 用一个大洪水的力量进入班的生活，在来自野营的一系列的冒险上迅速带走他，对花园的表演莎士比亚，到叁加爱丁堡节日-在他最后遇见一个女孩非常近的他自己的年龄地方。

Although translator has turned from being a crystal ball by which the original culture can unrestrainedly penetrate to another crystal ball by which the target culture can freely traverse, the translator's personal embodiment, in the process of cognitive act, are still absent in translation studies. Translators are still subjects without body or simply disembodied subjects.

译者虽然由原语文化可以自由穿透的玻璃球变成了译语文化可以自由穿越的玻璃球，但译者认知过程中的个体体验在翻译研究中依然缺席，译者依然仅仅是一个没有躯体体验的主体。

Chillingly, he claimed our technology is 'not nearly as sophisticated' as theirs and "had they been hostile", he warned 'we would be been gone by now'.

令人毛骨悚然的，他声称我们的技术是'并不那么复杂，像他们一样，和"如果他们敌意"，他警告说，'我们将现在已经过去了。