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Beethoven相关的网络例句

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与 Beethoven 相关的网络例句 [注:此内容来源于网络,仅供参考]

Hindemith had later grown to be a fan of Beethoven and borrowed part of Beethoven's music into his own (e.g. in Symphonia serena he paraphrased the descant of the 1st 12 bars of Beethoven's March for the Bohemian Militia ). Their first "meet-up" session was in 1948, when Hindemith visited Beethoven memorial in Naples.

信德米特后来也成为贝贝的忠实粉丝,他的音乐中时而会有贝贝的痕迹,譬如在他的 Symphonia serena 他就整理并融入贝同学作品 March for the Bohemian Militia 迪斯康特的前12小节。

Come the main body of a book to be analysed the body drawing support from Beethoven sonata fair amount of confidence face material and document material such as music aesthetics , the science of history , philosophy , complying with music and study Beethoven sonata dramaticism characteristic cause of formation and concrete technique of expression.

本文借助贝多芬奏鸣曲的谱面材料以及相关文献材料,着重从音乐的本体来分析和研究贝多芬奏鸣曲的戏剧性特征的成因以及具体的表现手法。

He set Beethoven to work on counterpoint, using the standard text book, Fux's Gradus ad Parnassum (1725), but Beethoven complained that he was not making any progress because Haydn was much too busy to correct the exercises properly and it seems that for that year the composer Johan Schenk secretly helped Beethoven with the exercises, even going so far as to get Beethoven to copy out any corrections in his own hand so that Haydn would not realize what was going on.

他让贝多芬学习复调音乐,采用标准的教材,弗克斯的《艺术津梁》(1725),但贝多芬抱怨自己没有取得任何进步,因为海顿太忙,不能恰当地纠正练习中的错误;在这一年,似乎是作曲家约翰·尚克暗中帮助贝多芬进行练习,甚至到了让贝多芬把修改的错误自己抄写出来的地步,这样海顿就不会意识到所发生的事情。

In addition to solo soprano and bass, four-part chorus, and a full orchestra with paired woodwinds and four horns, Beethoven calls for piccolo and percussion -- instruments associated by the Viennese with Turkish Janissary bands. This instrumentation would reappear in Beethoven's Ninth Symphony, in the Turkish March variation of the finale.

在两千年后当她被合唱团唤醒回到雅典城后,该城却不再是她记忆中的辉煌样貌,而是一片废墟,而希腊人早已沦为奴隶,被异国的土耳其人和回教徒所统治,希腊人引为自豪的艺术和科学,早已荡然无存,但匈牙利却保存了下来。

The introduction deals with these pieces composed before Beethoven so as to get the conclusion about the historical background of how specific color of C minor came into being. Chapter One studies three C minor piano pieces composed by Beethoven (Sonata No.5, Sonata No.8, Piano Concerto No.3), analyzes these first movements in detail from the perspective of the binary conflict, dotted rhythm, diminished seventh chord and the use of repeat notes. Chapter Two focuses on the similar backgrounds concerning compositions, general idea, theme design, heroic characters, etc. All of these characters could explain that how Beethoven understood and used the to...更多nality of C minor.

随后选择贝多芬1800年之前创作的三部C小调钢琴作品(《第五钢琴奏鸣曲》、《第八钢琴奏鸣曲》、《第三钢琴协奏曲》)进行研究,并着重第一乐章,从二元冲突、附点节奏、减七和弦、重复音的运用等方面进行具体分析,归纳三部作品在创作背景、总体构思、主题设计、英雄性格等方面的相似之处,从而解释贝多芬对C小调调性的理解与运用以及这三部作品对贝多芬英雄主义风格形成的影响。

Beethoven musicla instruments are deeply beloved by the musicians, music-lovers and widely used by the virtuosos for their unique, perfect sound and specific property.

Beethoven乐器以其独有的音响和精美特性在国内外屡获大奖,深受音乐家喜爱,在国际上,不仅久负盛名的演奏家广为使用,也是艺坛新秀和音乐爱好者的首选。

Beethoven's String Quartet in C-Sharp Minor, op. 131 was completed in 1826 and was composed of each musical element fully presenting the late musical styles of Beethoven. It presents the removal from traditional boundary limitations with extremely subjective thoughts and is the creation of the essential spirit of romantic music. Beethoven completed this String Quartet eight months before his death.

弦乐四重奏作品编号131完成於1826年,其各项音乐特徵充分表现出贝多芬晚期作品的音乐风格,以极度主观的思维脱离传统的束缚,开创出浪漫主义最基本的精神,在他逝世前八个月所完成的这首弦乐四重奏可说是他晚期作品中非常具代表性的杰作,其形式及内容迈入崭新的境界,可谓他晚期风格的最佳写照。

Although Beethoven entered into the upper class, and communicated with some nobles, he never placed himself as their subordination. In 1809, Beethoven lived in Crown Prince Siji Knoff's manor. When asked to play piano for a French invader officer, Beethoven definitely refused the Crown Prince's request. Instead, he ran home in rain, took down Crown Prince's dust and smashed it. In the summer of 1812, Beethoven met Goethe in the sanitaria of Taipliz, Czechoslovakia.

贝多芬虽然进入上流社会,与王公贵族相往来,但他从不置自身于臣仆的地位。1809年贝多芬住在利希诺夫斯基亲王的庄园里,亲王要求他为法国侵略者将领演奏钢琴,贝多芬断然拒绝,冒雨回到自己的家,取下亲王的胸像摔得粉碎。1812年夏,贝多芬在捷克疗养地泰普利茨会见了歌德。

With support by EMI(1976-90) and his unbelievabletechnique gathered lots of fans and later with more recordings under DG label. His vast repertoire includes Handel, Bach, Beethoven, Mozart, Chopin, Liszt, Schumann, Schubert, Brahms, Ravel, Rachmaninoff, Tchaikovsky, Balakirev, Prokofiev.

由于演奏技术了得,他的保留曲目范围十分广,Handel, Bach, Beethoven, Mozart, Chopin, Liszt, Schumann, Schubert, Brahms, Ravel, Rachmaninoff, Tchaikovsky, Balakirev, Prokofiev,这些作曲家的作品他都是录音过的。

Beethoven's first composition published in 1782,Paul Hindemith is the guest of honor in Beethovenhaus. His works and history is displayed alongside Ludwig van Beethoven because they appear to have many amazing similarities and correlations. For example, both of them had been deeply affiliate with Voila (below is the voila used by Beethoven in Bonn). Both of them shared similar admiration for Bach and had worked on his music.

信德米特同学是贝多芬故居的荣誉客座嘉宾,贝多芬故居里同时展览贝多芬和他的展品,这两位同志原本八竿子打不着的,不过后来越走越近,历史学家翻旧账时候的亦发现了诸多惊人的相似处,譬如他们与中提琴的深厚渊源和热爱(照片上是贝多芬在波恩用过的中提琴),譬如他们对巴赫同学的崇拜以及对巴赫作品的在加工,等等。

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