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Baroque相关的网络例句

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与 Baroque 相关的网络例句 [注:此内容来源于网络,仅供参考]

It will be seen, however, that majolica can give significant indications regarding the use and disuse of certain instruments over the centuries as well as being a depositary for the conservation, uncontaminated by time, of images narrating past realities; we will see, for example, how during the Renaissance the lute and the vielle were widespread, as was the organ, whether portative or positive; we no longer encounter these in baroque majolica and it is above all the violin which we find in majolica of the Eighteenth Century.

人们会注意到,通过对陶器的观察,我们可以知道在那几个世纪的年代中,人们喜欢用哪些乐器,不喜欢用哪些乐器。陶器上还画有关于过去人们生活的写照,这些图画虽经岁月却依然清晰。例如,我们可以看到,在文艺复兴时期,鲁特琴和vielle (或叫 lira da braccio)非常流行,而可携带的或固定的风琴也很流行。在十七世纪的陶器中,我们就看不到这种情况了。而在十八世纪的陶器中,我们只能看到小提琴了。

Their works and influence led a reform of Mannerism that provided a transition to the baroque style.

他们的作品和影响导致了作为巴罗克式艺术过渡期的风格主义的变革。

Despite this, his influence on the new Baroque style that eventually emerged from the ruins of Mannerism, was profound.

尽管这样,他的影响力的新巴洛克风格,最终产生的废墟矫饰,是深刻的。

The appeal of Baroque style turned consciously from the witty, intellectual qualities of 16th century Mannerist art to a visceral appeal aimed at the senses.

巴洛克风格的出现有意识地将十六世纪矫饰主义聪明理智的特质转变成发自内心深处的表达方式。

Baroque is a style of unity imposed upon rich and massy detail.

巴洛克是一个融合丰富和繁复细节的风格。

Musil's Vienna -- the times, the culture, the brooding baroque mise en scene -- was in many ways a filter for Riga, for the lives of my grandparents and, to a lesser degree, my parents in the childhoods I had dreamed for them.

穆西尔笔下的维也纳──特定的时代、特有的文化、浓郁的巴罗克式场景──从很多方面来说以精心筛选的方式映现了里加的风貌,折射了我祖父母的生活经历,也或多或少显露出我梦想中父母童年时代的情景。

The Miserere is one of the most often-recorded examples of late Renaissance music, although it was actually written during the chronological confines of the Baroque era; in this regard it is representative of the music of the Roman School of composers, who were stylistically conservative.

在怜悯是对文艺复兴晚期最常见的音乐录制的例子之一,但它实际上是在巴洛克时代局限的时间顺序写,在这方面,是对学校的作曲家罗马,谁是保守风格的音乐代表。

Leibniz's mature philosophical system—the monadology—is a remarkable baroque construction.

4楼莱布尼茨的成熟哲学系统--单元论--是一个不平凡的巴洛克式构造。

The first chapter discusses the origin of poly-choral style, including historical background on the tradition of psalms singing. The second chapter focuses on Renaissance time at Venice, and discusses the politics, artistic, glass craft, mosaic art synopsis at that time. The third chapter discusses poly-choral music of Venetian school in the early times of 16th century, and main composers of Venetian school including: Andrian Willaert, Andrea Gabrieli, Giovanni Gabrieli, and Claudio Monteverdi in early time of Baroque period. The fourth chapter discusses poly-choral works, the effects of the acoustics "stereo sound", questions of chorus establishment, textures, and questions of annotation and questions when conducting these pieces based on the discussion and summary from the previous three chapter.

第一章讨论的是复合唱风格的源起,包括诗篇对唱式唱法的传统溯源;第二章讨论文艺复兴时期的威尼斯,包括政经情况,及艺术、玻璃工艺、马赛克艺术的简介;第三章讨论威尼斯乐派在十六世纪早期的复合唱雏型,及盛期的主要作曲家,包括:威拉尔、安德拉E噶布里埃利、乔望尼E噶布里埃利,及巴罗克早期的孟特威尔第…等复合唱作曲家的风格;第四章整合前三章的论述,由实际的复合唱作品,讨论「立体声」的音响效果、合唱团的编制、织度问题,以及诠释及指挥上会遇到的问题。

Rationalism, Novecento, neo-Classicism, neo-Baroque and monumentalism are among the varied avant-garde styles played with here.

理性主义、新古典主义、新巴洛克和碑铭主义等各种现代派风格在这里争奇斗艳。

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总之,热处理过程中磁化率的变化能非常灵敏地反映磁性矿物的转化情况,而且,这种转化往往与样品所经历的土壤化作用强度密切相关,因此,TDS可做为分析成土作用强度和古气候变化的一种新方法。

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因此本章会先就父子关系的冲突与矛盾做深入的探讨,小说中的父亲似有对儿子爱之深责之切的行为,其原因可能在於父亲将儿子视为所有物所致;其次,论文将引用拉冈相关理论,讨论在父权社会中,不论身分为何,只要是已受父权社会观念根深蒂固影响的人物,终生都将受其所苦,此也揭示出人生存於社会上的无奈。

But these days, because of everybody's attention,"Super Marie " track begins suddenly to become eccentric, see a chess do not go out only action, be in it seems that sedulous and evasive what.

但这几天,因为大家的关注,"超级玛丽"的行踪突然开始变得古怪,只看棋不出招,似乎在刻意回避着什么。