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His bold stylistic signature - slow motion action scenes blurred and pixilated by a special printing technique; huge, distorting close-ups and compacted fight sequences shot from disorienting angles--has overwhelmed audiences around the world.

他那著名的风格－用一种特别的印刷技术制造出来的模糊、失真的慢镜头画面；从不知道是什么角度拍摄的巨大、扭曲的特写镜头以及紧凑的打斗场面－已经征服了全世界的观众。

Then the wretched rabble of the Isosceles, planless and leaderless, are either transfixed without resistance by the small body of their brethren whom the Chief Circle keeps in pay for emergencies of this kind; or else more often, by means of jealousies and suspicions skilfully fomented among them by the Circular party, they are stirred to mutual warfare, and perish by one another's angles.

那么，等腰，无计划和无领导，可怜的乌合之众要么呆若木鸡没有抵抗他们的兄弟被行政圈工资不断为这种紧急情况下的小小身体，否则更经常，由猜忌和疑虑的手段巧妙地煽动其中党的通知，他们相互搅拌战，一灭亡，对方的角度。

This section firstly carries on a brand-new limits to the labor POBS,and determines the scope of should protecting benefit of enterprise,which helps to solve the most major problem of abusing.It also established several major principles of legislate of POBS,including equal rule,benefit balanced principle,reasonable limit principle, value compensation principle,social public interest first principle,the reason of leaving job not to affect the provision of POBS principle and so on.It carries on standard in principle to the system of POBS and refinement stipulations taking the principle as the direction.It also restructures the system of POBS,making the system Concrete,unitizing and operational from two major angles of on-job POBS and quit-job POBS.

第一小节在第一、二部分的基础上详细分析了我国劳动者竞业禁止制度所存在的几大问题，这几大问题包括：对竞业禁止的概念及适用条件规定不明，提供了滥用的可能性、立法之间存在冲突、立法过于原则、缺乏可操作性等；第二小节，针对我国劳动者竞业禁止制度存在的问题提出建议，首先对劳动者竞业禁止统一进行了全新的界定，确了企业应保护利益的范围，解决了竞业禁止制度被滥用的最大问题；确立了劳动者竞业禁止立法的几大原则，包括平等原则、利益平衡原则、合理限制原则、对价补偿原则、社会公共利益优先原则、离职原因不影响竞业禁止条款的原则等，对劳动者竞业禁止制度进行原则上的规范并以原则为指引对该制度将涉及的某些内容进行了细化的规定；对劳动者竞业禁止制度体系进行重构，从在职竞业禁止、离职竞业禁止两大角度将制度具体化、统一化、操作化，此部分旨在为完善我国立法提供参考。

They further develop the technique of "jumping narration".Furthermore,they focus on composing dramatic polt and circumstance,and often adopt expression forms of multi-angles and multi-voices.So,they develop the strategy of dramatic narrative to a new height.

他们进一步发展了&跳跃呈现&手法，而且注重营造戏剧性的情节与情境，往往采用多视角、多声部的表达方式，将&戏剧化&的叙事策略发展到了新的高度。

Inflorescence a raceme with 2 or 3(–6) spikelets, rarely a panicle with many spikelets, peduncle, axis, branches, and pedicels slender, glabrous, scabrous or pubescent along longitudinal angles, branches usually subtended by a scaly bract at base. Spikelets ± compressed at maturity, several to many florets; rachilla disarticulating below fertile florets, extended beyond palea of uppermost floret, internodes flattened or concave on side facing floret.

花序为一总状花序具2或3(-6)小穗，一圆锥花序具很多小穗，花序梗，轴，分枝和花梗纤细，沿着纵向的有棱的无毛，粗糙的或短柔毛的很少，成熟时的小穗多少压扁，数枚到多数小花；在肥沃的小花下面脱节的小穗轴，在最重要的小花的内稃以外延长，在边面对小花上节间被变平或者凹。

This essay used semeiology and metaphor theory as well as real examples, to discuss the problem of how the meaning raised from the visual language in the information design, which including two different angles: the structure of visual language, and the pedigree of the visual language itself; and then to discuss the receivability of visual language in the view of language deciphering.

本文应用符号学与隐喻的理论，借助实例从视觉语言的结构关系与视觉语言自身的谱系关系两个角度来分析信息设计中视觉语言的意义产生问题，并从视觉语言的诠释学层面对视觉语言的接受问题进行了研究。

However, preventing crime by all means and ways was considered then. So it can be said that all kinds of research, discussion and recognizant behaviors to prevent crimes, which carried by the political rulers and the thinkers of that time, through all aspects, levels and angles, were the ideas on crime prevention at that time.

因此可以说先秦时期的统治阶级及思想家们出于维护统治秩序的需要，从多层次、多侧面、多角度对如何控制和防止犯罪问题的探讨与认识即是这一时期的预防犯罪思想。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是：立足于色彩绘画，分别从&色彩&、&水墨&两个角度出发，先对它们在中国古代画史论著中作一考证；分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路；着重分析色彩绘画中心&失落&亦即&水墨之变&的原由；及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。

Nique reflectible granule controls light fromand help the skin look fine,bright,clear in a different angles to achieve invisible base effectnatural way.

独特反射微粒、能从多角度调控光线，使肌肤妆容自然明亮，光滑细致，带来自然无痕、透明活力底妆。

Ceilings and walls meet at unexpected angles, and the doors have been rehung and in some cases reshaped to fit twisting and sagging frames.

天花板和墙壁以出乎意料的角度接合，门也被重新安装，在某些情况下还被重新造型，以适应扭转倾斜的门框。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。