音韵

词组短语

lingering charm

与音韵相关的网络例句 [注：此内容来源于网络，仅供参考]

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

Fang Yizhi's TongYa, a well-known work in the history of chinese linguistics, is of great value in terms of philology, phonology, lexicology and exegetics.

方以智的《通雅》是中国语言学史上的一部名著，在文字、音韵、词汇、训诂等方面有重要价值。

Anxi Tie-Guan-Yin was invented in the period of Emperor Qianlong in Qing Dynasty, well known for its unique "Charm". With profound fragrance and charm, it's mellow, thick and sweet. It's the nonsuch seldom found in Chinese Oolong Tea.

安溪铁观音创制于清乾隆年间，因其特有的"音韵"著称于世，香高韵长，醇厚甘鲜，是中国乌龙茶中少有的极品。

In literal/phonological paraphasia, more than half of the spoken word is said correctly.

在字面/音韵 paraphasia ，一半以上的口语词，是说，正确的。

Research orientation: major in Chinese characters. Phonology and Scholium especially taking phonology as main orientation with an auxiliary study and collation, experienced at making use of computer to set up database for doing research on the ancient document materials with a wider new road.

科研方向：主要从事文字、音韵、训诂研究，尤以音韵、音义研究为主攻方向，辅之以传统语言文字学文献的整理和研究，在利用电脑建立数据库来处理和研究传世文献的材料方面，有独到的体会和经验，拓宽新路，有很多事情可做。

For the different positions, forms and functions, we can distinguish between internal and external prefaces in the aspects of the structure, rhythm, person and endmost words.

内序与外序的位置不同、体态不同、功能也不同，区分内、外序的体态可从结构、音韵、人称与末端词几方面着手。

From graphological ,phonological ,lexical, syntactic and rhetorical aspects, advertisement slogans show the features of advertisement language

因此文章从图解特征、音韵、词汇、句法和修辞等几个方面分析广告标语的语言特征，进而总结广告语言的语言特征。

The content involves the selected articles which are mainly essays and verses and the theories which are grammar, vocabulary, characters, annotating of ancient works, punctuating of ancient texts, translating of classical Chinese, using of dictionaries, rules and forms of classical poems, and so on.

文选主要为自先秦至明清的散文和韵文；通论则指语法、词汇、文字、音韵、古书注解、文言标点、文言今译、工具书的使用、诗词格律，等等。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，&超验&与&妙悟&的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

与音韵相关的网络解释 [注：此内容来源于网络，仅供参考]

phonology：音韵

我读语言学所时,讨论过中国里的"方言"是否真的是方言 (dialect),有一派是认为粤语和很多"中囯方言"是不同的语言 (language)来的. 因为除了音韵(phonology),在语言的语法(syntax)及语意(semantics)上也有差别.

the p p p lea sures sures sures and p p p res sures sures sures of the job：头尾韵

1. 音韵 头韵 P P P ractice makes p p p erfect. | 头尾韵 the p p p lea sures sures sures and p p p res sures sures sures of the job | 2. 重复 句首重复 H arm watch, harm catch.