英语人>词典>汉英 : 闻一多 的英文翻译,例句
闻一多 的英文翻译、例句

闻一多

词组短语
Wen Yiduo
更多网络例句与闻一多相关的网络例句 [注:此内容来源于网络,仅供参考]

Because of different national missions, both of them have approached the Christianism and want to find out the way in the religion.

闻一多和海子,相隔半个世纪的两位诗人,因为不同的民族使命,都曾走近基督教,在宗教里寻找出路。

Before becoming a fighter for democracy,Wen Yiduo exhibited the gentlemanliness of a modern man jof let ters, which combined the rich traditional Chinese culture with Westem culture.

闻一多在成为民主斗士之前,其人格风采更多地显现为有着丰厚传统文化素养同时又受着浓郁的西方文化熏陶的现代文人的绅士风度。

As his going deep into practice of the new poetry, Wen Yiduo was far away from this complexion gradually, and he found two ways for the development of the new poetry: novelization and dramalization, and its also easy to find the increasing of narration in his own works.

随着闻一多新诗实践的深入他逐渐跳脱了这种局面,并为新诗的发展找到了两个途径:小说化与戏剧化,在他本人的实践中也可以明显看到叙事性的增长。

It was Wen Yiduo who first distinguished between poetic language and practical language. Then he established an ontologic concept of forms in modern poetics and insisted on "the meaningful forms" of new verses.

闻一多诗学的语言观首先区分了诗性语与实用语,由此确立现代诗学的本体论形式观,并进而确认现代诗的"有意味的形式"。

Wen is a sturdy supporter of colloquialism. He tried to create works in spoken language consciously such as using a number of structural auxiliary words and some new adjectives in view of the situation of rigescent words of the classical poetry. As far as the form is concerned, Mr.

从语言的角度来说,闻一多是坚定的白话支持者,他尝试使用口语进行创作,使用大量的结构助词与语气词,针对业已僵化的旧体诗词库使用新的形容词。

4" Refers to four leisure industry piece area, respectively is the small fish mountain history culture leisure piece area, namely use small fish mountain peripheral Kang Youwei, Wen Yiduo, Liang Shiqiu, Tong Dizhou, Shen Congwen historical culture celebrity former dwelling Lian Cheng and so on tourist routes, form the wide range the historical culture celebrity block; Collects the spring movement culture leisure piece area, namely by the day peaceful stadium, collects the spring square, the Zhongshan Park, the Victoria Peak forest park, the botanical garden, happy moves the world, the oriental cherry to meet and so on activities, the guidance increases the movement, the cultural festival to celebrate the activity in this area development; Eight critical junctions convalesce the cultural leisure piece area, already is called "the international construction exposition" Ou Lu the character and style construction resources superiority, uses for guides the dining office, the foreign land character and style dining and so on industry condition gathering; The peaceful angle commerce culture leisure piece area, in retention peaceful angle construction original Ou Lu the character and style, makes into it by the coffee, the bar, the foreign land dining, the high-end office, convalesces the commercial culture leisure area primarily."

&4&是指四个休闲产业片区,分别是小鱼山历史文化休闲片区,即利用小鱼山周边康有为、闻一多、梁实秋、童第周、沈从文等历史文化名人故居连成的旅游线路,形成更大范围的历史文化名人街区;汇泉运动文化休闲片区,即以天泰体育场、汇泉广场、中山公园、太平山森林公园、植物园,欢动世界、樱花会等活动,引导增加运动、文化节庆活动在该片区发展;八大关疗养文化休闲片区,已被称为&万国建筑博览会&的欧陆风情建筑资源优势,用来引导餐饮会所、异国风情餐饮等业态的集聚;太平角商务文化休闲片区,在保留太平角建筑原有的欧陆风情,将其打造成为以咖啡、酒吧、异国餐饮、高端会所、疗养为主的商务文化休闲区。

This paper tries to compare Mr. Wens new and classical poems to make clear the development course of his new poetry and penetrate into discussing its new diathesis according to the difference and relation between aesthetic structure and function, and based on what mentioned above to find out the value of his new poems and its effects on the developing of modern poetry.

本文着眼于闻一多新旧诗歌的对比,根据二者审美结构与审美功能上的区别与联系,厘清闻一多新诗的发展历程,深入探讨其产生的新素质,在此基础上找出闻一多新诗的价值以及其对于今日诗歌之发展的启示。

What's more, the songs for children are: I Am Eager to Get, A Girl in Beijing, I Am Seventeen Years Old, which focus on the children's life and mood, sincerely and cordially; the songs singings for history and its characters are: the Romantic History of Three Kingdoms, Wen Yi-to; the musical works which reflect social reality are: the Fired Paradise, the Times of Feelings; some works which praise beautiful natural landscapes and culture relics are: Tashi Island Paranoia, Guge Kingdom's Ruins.

有为了少年儿童所写的歌曲:如《我多么想》、《北京小妞》、《我十七岁》;在歌曲中充满真挚与亲切,突出了孩子童稚般的情趣和意境。有歌颂历史以及历史人物的影视音乐:如《三国演义》、《闻一多》;有反映社会现象的音乐作品:如《失火的天堂》、《岁月有情》;有赞美美丽自然风光和人文古迹的创作:如《扎西岛狂想》、《古格王国废墟》。李一丁一直在音乐外在表演形式和深层内涵中不断追求进步。

Wen yi-duo, publishing an article in 1923, criticized the "inaccuracy" of Guo Mo-ruo's Chinese version of the English Rubaiyat done by Fitzgerald and thus opened a historical scene where the Chinese language began to become absent with the overriding drive of its English counterpart into translation.

1923年,闻一多发表文章,批评郭沫若的《鲁拜集》译文不&准确&,从而揭开了历史的一幕:汉语缺席凸显出英语借助于翻译所形成的语言主导地位。

According to Wen Yiduo's survey, it came into existence in the Wu Yue water-bound towns in the south of China more than 4500 years ago.

闻一多考证,四千五百多年前的江南吴越水乡,就已经有了这种风俗。

更多网络解释与闻一多相关的网络解释 [注:此内容来源于网络,仅供参考]

Dedication:敬业

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Manny Pacquiao:曼尼.帕奎奥

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Myanmar:甸

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oppression:压制

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Penny:佩妮

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Seeing is believing:百闻不如一见

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I want to seethe film again:我真想再看一遍

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stress:重音

后来,英美留学生相继返国,又介绍了"重音"(stress)的方法. 此中最知名的,首推徐志摩和闻一多. 他们都是英国浪漫诗的热爱者,而大体说来,他们也算能在他们各式各样体裁的诗中多多少少表现了一种秩序. 差不多在同一时间中,

KAI:嘅

" 06、仳(Pi)离:别离,旧时指妇女被遗弃 07、嘅(Kai):叹息 08、条:<<椒聊>>"条,长也. " 09、歗(Xiao):闻一多<<通义>>"啸、歗字同. ......<<说文>>曰'号,痛声也. '......歗犹号也. " 10、啜(Chuo):哭泣时抽噎 11、何嗟及矣:胡承珙&a