- 更多网络例句与达达主义的艺术家相关的网络例句 [注：此内容来源于网络，仅供参考]
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When did the Golden Lion last serve populist fare such as the George Clooney thriller Michael Clayton (murder, skulduggery and Tilda Swinton glammed up as an evil corporate lawyer), the army-base thriller In the Valley of Elah (a bread-and-jam whodunit in spite of Haggis's thick spreading of Iraq war allusions) or Branagh's loop-the-loopy attempt to refashion Sleuth with a Pinter script and Michael Caine and Jude Law playing hide-and-seek amid the arty camera angles.
金狮奖上次专门为民粹主义作品设立是什么时候来着？比如乔治？克鲁尼令人毛骨悚然的影片《迈克尔？克莱顿》（谋杀、使诈，还有蒂尔达？斯文顿扮演的衣着光鲜的企业律师），根据军队拍摄的令人毛骨悚然的影片《决战以拉谷》（尽管哈吉斯散布了大量伊拉克战争的暗示，它还是一部像"面包加果酱"一样平常的推理影片），还有布莱纳兜着圈子地努力翻拍《足迹》，用平特的剧本与迈克尔？凯恩和裘德？洛，在富有艺术家气派的各种拍摄视角中玩捉迷藏的游戏。
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However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.
在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。
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When American Pop art met the Chinese modernism in that very context, a certain mystery was produced: Pop art was readily understood as a Dadaist destructive art, while its cultural deconstructive property seemed to be ignored. By the early 1990s, due to the political reason, China had undergone its rapid social and cultural transition from Enlightenment era to consumerist era, while artists, who were still in despair because of the failure of cultural Enlightenment movement, found themselves confronted with a completely new economic market and their ideas mingled with those of modernist Enlightenment and post-modern deconstruction.
它以风格上挪用、平面化、去意义、去价值这类语言策略解构和消除现代主义的启蒙神话，成为与后现代主义哲学同构的文化思潮。80年代初沃霍尔访华，尤其是1985年劳申伯在北京和拉萨举办个展开始了美国波普主义在中国的传播，而这时正值中国85现代主义运动的高潮，启蒙和反叛是这一运动的主题，正是这种语境使这种传播产生了十分吊诡的意义落差：波普主义很轻易地被理解为一种达达式的破坏性艺术，而它的文化解构主义色彩反倒不易被体会。90年代初中国社会由于政治的原因急促地完成了由启蒙文化向消费文化的转型，艺术家们还沉迷在文化启蒙运动失败的悲壮气氛中却突然发现自己已深陷在一个一完全陌生的经济世界中，理想的失落和批判身份的丧失使他们的思想开始混杂于现代主义的启蒙建设和后现代主义的解构观念之间，于是，波普主义成为这个时代的一种自然的风格选择。
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After World War II, we were confronted with the question of how to use ink painting in our shattered homeland while the west was occupied with other things. Surrealist painters like Andre Lubu Lev and Salvatore Dali along with cubist and abstract painters Mondrian, Chagall and Lipchitz headed to America and replaced Paris as the center of the art world. European artists wandered the New York City streets except for Kandinsky due to his age. American contemporary artists like Alexander Calder and Willem De Kooning emerged, followed by the existentialists including Jackson Pollock and Barnett Newman.
二战结束后，在我们面对国破家亡琢磨水墨画还有什么用的时候，西方人也没闲着：纽约取代了巴黎成为世界艺术的中心，超现实主义画家包括安德烈·布列顿、达利等等集体来到纽约，除了70多岁的康定斯基行动不便之外，立体派、抽象派艺术家蒙德里安、夏加尔和利普希茨也都跑到了美国，纽约到处可见欧洲的艺术家在街上晃荡。
- 更多网络解释与达达主义的艺术家相关的网络解释 [注：此内容来源于网络，仅供参考]
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Dada：达达主义
而蒙太奇理论对20世纪的社会与艺术圈影响广泛且深远,不仅仅是摄影,还包含了文学(如:Alfred Dblin)、电影(如:俄国电影蒙太奇理论创始者爱森斯坦Sergei Eisenstein);达达主义(Dada)者;以及超现实主义艺术家(surrealist artists,
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Pharmacy：药店
这件作品名为>(Pharmacy),由约瑟夫.康耐尔(JosephCornell)在1943年设计. 美国艺术家由此追随了马塞尔.杜尚(MarcelDuchamp)的脚印以及他的达达主义运动,确定的是,佳士得提到,杜尚的遗孀曾经拥有过这件>.
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Dadaist：达达主义的艺术家
Dacthalchlorthal 敌草索 | Dadaist 达达主义的艺术家 | Daedalus 泰达路斯