- 更多网络例句与贝多芬风格的相关的网络例句 [注：此内容来源于网络，仅供参考]
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The three violin sonatas strictly follow the general composition technique of the Viennese School in terms of material development, key design, harmonic language and structural division. However, a chronological comparison among these works reveals that there exist some stylistic differences in Beethoven's early and middle periods.
本文选取的这三首小提琴奏鸣曲保持了贝多芬一贯的维也纳古典乐派的创作风格，在材料发展、调性布局、和声语言以及结构划分等方面都保持着高度的统一。
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This is an exaggerated expression of a true enough state of affairs: Johannes Brahms, as pianist, began with chamber music and remained devoted to the genre all through his life.
从贝多芬到马勒的交响乐，这是一种被十足夸张了的表述形态。身为钢琴家，勃拉姆斯从室内乐开始，并终身醉心与保持了这种风格。
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Indeed,"Luminosa" boasts choral numbers arranged by Prizeman from a surprising variety of sources, including Saint-Saens'"Carnival of the Animals," Beethoven's Seventh Symphony, Pachelbel's "Canon," and Debussy's "Clair de Lune." Set to Latin words and recorded in an echoey acoustic style, the results have a churchy feel without being doctrinal.
的确，luminosa专辑中包括了很多出色合唱歌曲，是罗伯特从众多的音乐类型中选取出来的，包括Saint-Saens'"Carnival of the Animals，"贝多芬的第七交响曲，巴夏贝尔的圣颂和德彪西的月光，以拉丁文和回响式的音响风格编奏，因此演唱具有教堂的氛围，却不刻板。
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Musical expressions in Missa Solemnis: By following the cycle of five texts in the mass—the Kyrie, Gloria, Credo, Sanctus, and Agnus Dei—the relationship between lyrics and music is further explored.
此部分首先介绍贝多芬之生平、创作、声乐作品之风格与弥撒曲之沿革，同时探讨「庄严弥撒曲」的创作由来与内涵。
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The introduction deals with these pieces composed before Beethoven so as to get the conclusion about the historical background of how specific color of C minor came into being. Chapter One studies three C minor piano pieces composed by Beethoven (Sonata No.5, Sonata No.8, Piano Concerto No.3), analyzes these first movements in detail from the perspective of the binary conflict, dotted rhythm, diminished seventh chord and the use of repeat notes. Chapter Two focuses on the similar backgrounds concerning compositions, general idea, theme design, heroic characters, etc. All of these characters could explain that how Beethoven understood and used the to...更多nality of C minor.
随后选择贝多芬1800年之前创作的三部C小调钢琴作品(《第五钢琴奏鸣曲》、《第八钢琴奏鸣曲》、《第三钢琴协奏曲》)进行研究，并着重第一乐章，从二元冲突、附点节奏、减七和弦、重复音的运用等方面进行具体分析，归纳三部作品在创作背景、总体构思、主题设计、英雄性格等方面的相似之处，从而解释贝多芬对C小调调性的理解与运用以及这三部作品对贝多芬英雄主义风格形成的影响。
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The principal shaper of the Classical style, he exerted major influence on his friend Wolfgang Amadeus Mozart and his student Ludwig van Beethoven.
海顿是塑造古典音乐风格的重要人物，他的朋友莫札特和学生贝多芬都深受其影响。
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The three violin sonatas which incorporate Beethoven's stylistic changes are analyzed in accordance with relevant musicological and composition theories. Furthermore, lists of Beethoven's life and works are presented in the appendices.
本文拟通过对贝多芬三首经典小提琴奏鸣曲的分析，挖掘其无限的情感内涵和无处不在的矛盾冲突，展现贝多芬的人生历程和风格变化。
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Bestriding the two periods of classical music and romantic music, Beethoven's A Major Key Piano Sonata (Op.101) is a big fantasia, with the precise way of classical rural style and the mark of romanticism. It exceeds the epoch and fully reflects a great composer's creative bourn of high professional proficiency.
贝多芬的《A大调钢琴奏鸣曲》(Op.101)是一首大型的幻想曲，横跨古典音乐和浪漫主义音乐两个时期，它既有古典田园风格的严谨作风，又有浪漫主义的痕迹，超越了时代，达到了伟大作曲家炉火纯青的创作境界。
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Mann's protagonist cannot create, so out of rancor sets out to "take back" the works of Ludwig van Beethoven, by writing atonal lampoons of them that will destroy the listener's ability to hear the original.
托玛斯曼笔下的主角没有创作能力，恼怒之下，他以无调性的风格戏仿贝多芬，以此破坏听众欣赏原作的能力，从而「收回」了乐圣的作品。
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Beethoven's String Quartet in C-Sharp Minor, op. 131 was completed in 1826 and was composed of each musical element fully presenting the late musical styles of Beethoven. It presents the removal from traditional boundary limitations with extremely subjective thoughts and is the creation of the essential spirit of romantic music. Beethoven completed this String Quartet eight months before his death.
弦乐四重奏作品编号131完成於1826年，其各项音乐特徵充分表现出贝多芬晚期作品的音乐风格，以极度主观的思维脱离传统的束缚，开创出浪漫主义最基本的精神，在他逝世前八个月所完成的这首弦乐四重奏可说是他晚期作品中非常具代表性的杰作，其形式及内容迈入崭新的境界，可谓他晚期风格的最佳写照。
- 更多网络解释与贝多芬风格的相关的网络解释 [注：此内容来源于网络，仅供参考]
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refrain：叠歌
接着乐队全奏(tutti)进入. 从贝多芬起出于曲作风格统一的考虑,华彩段的音乐逐渐变为由作曲家本人写定在曲谱上. canto recitative(意)宣叙调(recitativo)似的歌唱. chorus(英)(1)合唱,合唱团(队)合唱曲;(2)一首歌曲中的叠歌(refrain)部分.
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scherzo：谐谑曲
>呈现出崭新的面貌,规模庞大、形式匀称、主题丰富而个性鲜明,贝多芬成熟风格交响曲的雏形业已形成,第三乐章首次在交响套曲中用"谐谑曲"(Scherzo)取代了小步舞曲.