- 更多网络例句与象电影的相关的网络例句 [注：此内容来源于网络，仅供参考]
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While Xie artistically creates a feminist point of view on the screen with his cinematography to reinforce the feminist strength of his film, it is, however, unintentionally weakened in his attempt to allegorize his tale.
在该片中他成功地利用摄影技巧在银幕上创造出一种女性主义的视角，由此加强了电影的女性主义立场。然而，这一立场却无意中被其本人企图将女性角色演变成象徵符号的意图所削弱。
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I argue in my paper that there are two states of time running through Tsai Ming Liang's movie, What Time is it There, a fluid state symbolized by the prevalence of water in the movie and a static state, symbolized by digital time, also highlighted in the movie: the clepsydra versus digital time in Taiwan is a symptom of Taiwan's particular historical experience of being a state of exception, as Giorgio Agamben would have it.
我在文中的论点为，蔡明亮电影《你那边几点？》全片由两种不同的时间状态贯穿而成，其一为流动的时间，以电影里随处可见的流水作为象徵，另一则是静止的时间状态，作为象徵的是片中亦不断强调突显的数位时间。就台湾的脉络而言，水钟与数位时间所形成的对比，症候式地再现了台湾作为阿冈本所称的「例外状态」特殊的历史经验。
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America is the place in which the road culture originated. It also symbolizes the modernistic implications of Road Movies. The novel On the Road brought about fashion of being against the mainstream norms and the film Easy Rider in the sixties resulted in the spirits of Hippie. All the classic texts of Road Movies seem to be at the important points of the American history. Furthermore, sub-types of Road Movies are developed owing to different economic factors, ideologies and values. With the advancement of Hollywood film industry, Road Movies exist with various topics as well as appearances.
美国是公路文化的发源地，也象徵公路电影的现代性意涵，回溯由小说《在路上》引领的叛逆风潮和60年代公路片《逍遥骑士》的嬉皮精神，公路电影的重要文本皆发生在美国历史上的重要时刻，并因为不同的经济因素、意识型态和价值信念产生不同的发展概况，伴随好莱坞电影工业的演进，公路电影呈现更多元的主题与风貌。
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Interacting with people and things that are not there makes it hard to work.
我们就象一部数字电影的一个。
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There is no driving in the woods for a tank, it can mow down sparse vegetation, of course, but I've never seen a tank push through brick walls like they show in the movies.
在树林里坦克无法行驶。当然，它能够推倒稀松的植物，但我从来没有看到过象电影里那样坦克穿过砖墙。
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P% D' b.{0 影视帝国,bt,bt电影,bt连续剧,bt动漫,bt游戏 The movie will shift its focus on Adam Stifler, the cousin of Matt and Steve (Seann William Scott in the first three films), a youngster who is nothing like his wild relations.
这部影片的焦点转向了Adam Stifler，他是Matt和Steve（Seann William Scott出现在前三部影片中）的堂兄，是个小毛孩，一点也不象他那些狂野的亲戚。
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The third act, set in a deserted mansion with surveillancecameras in every room, breaks scary new ground in suspense, and theindescribable last shot is as horrifically beautiful as one of Francisco Goya'sblack paintings.
电影的第三个场景设定在一个废弃的大厦内，所有房间都装有监控摄象机，新断裂的地板悬在半空中让人提心吊胆，模糊的最后镜头如同弗郎西斯·戈雅的黑色油画，又美又恐怖。
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I like the feel of your name on my lips And I like the sound of your sweet gentle kiss The way that your fingers run through my hair And how your scent lingers even when you're not there And I like the way your eyes dance when you laugh And how you enjoy your two-hour bath And how you've convinced me to dance in the rain With everyone watching like we were insane But I love the way you love me Strong and wild, slow and easy Heart and soul so completely I love the way you love me And I like the sound of old R 'n' B And you roll your eyes when I'm sloppily off key And I like the innocent way that you cry At sappy old movies you've seen thousands of times CHORUS Listen to me now..
我象摸你的名字的在我的嘴唇和你的甜的温和的吻的我象声音路那你的手指贯穿我的头发和如何你的气味逗留即使当不在那里和我象路你的眼睛跳舞就在那个时候你笑和如何你享受乐趣你的二-小时沐浴和如何确信的我到跳舞在雨有每个人注视象我们是精神病者但是我爱路你爱我强和野性的，慢的和容易的全心全意地因而十分 I爱路你爱我和年老的的我象声音R 'n' B 和你滚动你的眼睛就在那个时候sloppily关钥匙和我象清白的路那你哭在精力充沛的年老的电影看见成千上万的时期合唱听我现在。。
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He says that movie-making is still storytelling, but engineers like him are spurring a transformation.
他说电影的制作依然是称述故事，但象他这样的工程师正经历着一个过渡时期。
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Still, if you have laserdisc, HDTV, or DVD you probably do want speakers and subwoofers that are true to to the music and movies, like ours. We build everything specifically to make your favorite audio materials sound just as the director or musical artist intended.
另外，如果你有LD，HDTV，或者DVD，你象我们一样，想要一套能完美反映音乐和电影的音响，我们创造了一切，真实反映导演和音乐家的意图，满足您对音频的要求。
- 更多网络解释与象电影的相关的网络解释 [注：此内容来源于网络，仅供参考]
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afterimage：后象
19世纪,一些理论家提出了"视觉暂留"(persistence of vision)的概念,在心理学上也被称为"后象"(afterimage). 视觉暂留是指视觉刺激消失后,感觉并不马上消失. 但是当我们观察电影现象时,我们发现很多运动幻觉依靠的不是视觉暂留,
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Dumbo：小飞象
他以更平凡的风格提供给我们"小飞象"(Dumbo),一个关于有着一对大耳朵的厚皮动物之感伤的杂记英国电影以莱斯利.霍华德(Leslie Howard)表演的两个故事表现了专制和自由之间的鸿沟,他成为朴素的英国理想的象征.
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filmy：象软片的
filmstrip 电影胶片或幻灯片 | filmy 象软片的 | filmypaperythinnestwafery 薄的
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Trilinear Filtering：(三线性过滤)
]我很确定的是,在这本设计书写到目前的程度,您不会期待我开始垂涎十亿浮点指令(GFLOPS)和三线性过滤(Trilinear filtering). 相反的,我打算用的是目前可行的技术(目前只有这个程度,但是会越来越棒). 象电影中用的定点摄影机或是放置视野这一类的技术也一样,
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High Definition TeleVision：高清楚度电视
从视觉效果来看,数字 HDTV(1000线以上)为高清楚度电视(High Definition Television)的简称,图象质量可达到或接近35mm宽银幕电影的水平;SDTV(500-600线)即标准清楚度电视,主要是对应现有电视的分辨率量级,其图象质量为演播室水平;
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nirvana：网络迷宫
象谍中谍类的电影无论是教育类的还是恐怖类的还是什么类的都是可以的,麻烦各位了^^希望各位在提供的同时也顺便把这部电影的题材类型说明一下!谢谢各位了! >(Nirvana) 中文名称:网络迷宫英
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subtractive mixture：相减混色
减色法(或相减混色)(subtractive mixture)的三原色是黄、青、紫,它们是加色法三原色的补色(complementary color). 彩色电视主要是应用加色法,即彩色光在显象管光屏上组合是相加混合的结果. 而彩色电影的画面则由黄、青、品红三种影片染料按减色法处理构成的.
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a white elephant：是"沉重的负担",而不是一种"白象
a white day是"良晨吉日",而不是一种"大白天". | a white elephant是"沉重的负担",而不是一种"白象". | Blue film是"黄色电影",而和 "蓝色" 无关.
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The House of the Spirits：金色豪门
在LD时代(够远的),我看过一个叫<<金色豪门>>( The House of the Spirits)的电影,大牌满多的,根据我模糊的回忆,好象说的是一个庄园主家庭在南美殖民地的兴衰史,具体有点什么几乎忘光光,就记得女主角长的不美有特异功能之类边边角角的细节,
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Tear-jerker：使人流泪的戏剧,电影等
Sell oneself short 自卑;小看自己 | Tear-jerker 使人流泪的戏剧,电影等 | 2. as busy as a bee 象蜜蜂忙忙碌碌的