象征论

基本解释 (translations)

typologies

与象征论相关的网络例句 [注：此内容来源于网络，仅供参考]

The second section points out that plotless plot and cyclic structure are also features of O\'Neill\'s plays,especially his late plays,which is very similar to the plays of the absurdist theatre in this aspect.

与荒诞派戏剧中的人(来源：dcABC论85文网www.abclunwen.com)物一样，奥尼尔在其剧作中塑造的也都是些失去个性、无足轻重的人物，他们不是被用来代表某一特定的社会群体就是被用作整个人类的象征。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

The article focused on the famous politician、militarist、diplomatist and Tibetan primeminister------Mgar stong btsan yul bzung, whose family was usually called Mgar family.

文章研究的对象是雪域民族智慧的象征——举世闻名的政治家、军事家与外交家，藏史上著名的大论噶尔·东赞宇松及其家族兴衰的过程。

According to the principle and discipline of the enfeoffment system in ancient China,the word "Shou" in the noble title of Prince Li Mao(son of Emperor Xuan in the Tang Dynasty),who was ex-husband of Yang Yuhuan ,the high-ranked imperial concubine,has its geographical meaning: Shouzhou of Huainan Prefecture(about the west area of Anhui at present).

唐玄宗李隆基之子寿王李瑁是贵妃杨玉环的前夫，依据中国古代分封制的原则与规律考证，李瑁爵号中的"寿"字是一个地理概念，指唐朝的淮南道寿州，大约相当今天的皖西地区；并进一步考论，与周朝和汉朝时期不同，唐朝的"封建"制度只具有象征性质；且认为，作为寿王妃，杨玉环与皖西存在过一种独特的关系。

A Practical Guide To Qabalistic Symbolism by author and modern occultist Gareth Knight is a comprehensive reference, encompassing Volume 1: On the Spheres of the Tree of Life and Volume 2: On the Paths and the Tarot, showcasing the power of Magick and the applications of Qabalah.

实用指南qabalistic象征作者和现代occultist加雷思骑士是一个全面的参考，包括第1卷：论领域中的生命树和2卷：关于路径和望远镜，展示权力magick和应用

The present paper intends to asset that Dewey's distinction between "religion" and "religious", and his criticism on supernaturalism, mysterious experience and religious symbolism have demonstrated his final accomplishment of the overall anti-dualism philosophy based on the traditional religious view on the difference between supernaturalism and naturalism.

本文试图通过阐释杜威对名词性的"宗教"和形容词性的"宗教的(RELIGI0US)"概念的区分、对超自然主义、神秘经验论和宗教象征说的批判来说明，杜威对传统宗教划分超自然的和自然的二元论论证方法的批判是其整个反二元论哲学体系的最后完成。

In their description, the"infatuation""foolishness"is the symbol of truth and purity, which reflected that the idea of"plainness and purity is the beauty"in Daoism aesthetics has influenced the art of literature a lot at that time.

三、"苦——乐"、"丑——美"的美感转化论在明清文学中也得到了艺术化的体现，四、明清时的文学思潮和文学作品对"痴"的人物形象的描写及推崇，将"痴"人形象作为真实无伪、纯真不俗的象征，反映了道教美学中以素朴为美的思想对明清文学艺术的影响。

Three momentous things symbolize the era that begins its cycle with the memorable year of 1776: the Declaration of Independence, the steam engine, and Adam Smith's book,"The Wealth of Nations."

电子书简介：三个重大的事情，象征着时代开始于1776年值得纪念的一年周期：独立宣言，蒸汽机，和亚当斯密的著作&国富论&。

A Critical Study of Archetype, Rhythm and Symbol in a Passage to India

论文标题论《印度之行》中的原型，节奏与象征

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，&超验&与&妙悟&的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

与象征论相关的网络解释 [注：此内容来源于网络，仅供参考]

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