虚虚实实

词组短语

a mixture of truth and falsehood

与虚虚实实相关的网络例句 [注：此内容来源于网络，仅供参考]

"Pieces of Memories"is a series of contemporary images of China and Beijing,which are symbolic,allegoric and seemingly false and real at the same time.It is a real ridiculouansness and ridiculous reality.

记忆的碎片》呈现的是一组"现代的"、"中国的"、"北京的"——象征的、寓意的、虚虚实实的映像——真实的荒诞——荒诞的真实。

Baidu was joined it seems that 2007 appeared this among them secret, next Baidu begins to set fire on four sides, fire attack has sign early, last year, we can see the smoke of fact of false or true of a few empty dimly. Baidu marched early or late 2007 portal and video, halloo again then want develop border C2C.

百度在2007年似乎参透了这其中奥妙，然后百度就开始四面放火，火攻早有迹象，在去年，我们依稀能看到一些虚虚实实的烟雾。2007年百度先后进军了门户和视频，接着又高呼要拓疆C2C。

In "Rebirth", each work is covered with a single color. Again, without closely examining these paintings, viewers would not notice the subtle changes in colors and the various interplays of multi-layered of lights and darks. However, one might finally realize that these paintings were executed under natural lighting in the artist's studio, and it is nearly impossible to detect all the subtleties and nuances occurring in them when viewing under the gallery's artificial lighting.

全画面笼罩在单一的色相中，如果没有同样的凝神关注，观者是不会发现色晕中不断变化著的微妙色差，以及虚虚实实的光影交错；而且当发现─这些作品是作者维持著画室白天的光线作画所完成，观者想在展览现场的人工照明光线下看出所有的色感变化，大概还做不到呢！

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。