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To celebrate Shakespeare's 445th birthday on April 23, the editor of the updated Rough Guide to Shakespeare delved into his Shakespearean memory banks and came up with his top ten Bardic brainteasers.
4月23日是庆祝莎士比亚445年诞辰,《莎士比亚导读》深入研究了莎士比亚的记忆库,搜寻了这位吟游诗人的十件顶级谜题。
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When I was preteen, I found "A collection of Shakespeare's plays", a thin book, from my uncle's bookcase. It described Shakespeare's plays popularly and brilliantly using the novelistic language. Although it was not exquisite equal to the poetic diction of The works of Mr.
十岁出头的时候,我在舅舅家的书柜里发现一本不厚的小书《莎士比亚戏剧故事集》,书中用小说的语言将莎士比亚的戏剧通俗而精彩地表述而出,虽比不上《莎士比亚全集》这种大部头书中诗句般优美的语言,但对于那个年纪的我来说再合适不过了。
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We are now in the midst of an extremely rich and varied period for Shakespeare on film which began with the release of Kenneth Branagh's Henry V in 1989 and includes such films as Richard Loncraine's Richard III, Julie Taymor's Titus, Zeffirelli and Almereyda's Hamlet films, Baz Luhrmann's William Shakespeare's Romeo + Juliet, and Shakespeare in Love.
我们现在处在一个及其丰富多样的时期中,莎士比亚电影上起始于Kenneth Branagh的《亨利五世》在1989年开始发行,包括了像Richard Loncraine的《理查德三世》,Julie Taymor的《泰特斯》,Zeffirelli和Almereyda的哈姆雷特电影,Baz Luhrmann的威廉·莎士比亚的《罗米欧和朱丽叶》以及《恋爱中的莎士比亚》。
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Therefore, this article main research mentality is, divides into the Shakespeare tragedy in multitudinous feminine image Mary with the Eve two kinds, demonstrated these two kind of females in male power society behavior and the unfortunate bitter experience, thoroughly analyzes them the reason which persecutes, thus discusses obtains, formulates in the male power society under feudal morals and standard, female no matter is wants to the male power society to meet as an equal, or obeys the morals under the shackles actually unfortunate to consider has violated this moral standard, similarly is all difficult to run away the destiny which is punished by the male power society, Thus manifests the male power consciousness to the feminine deterrent strength and the lethality.
笔者认为,只有通过对莎士比亚的4大悲剧作总结和归类,进而得出结论,才能够对莎士比亚的女性观作深入系统的解释,对女性的地位和生存状况加以进1步的阐述和研究。因此,本文的主要研究思路就是将莎士比亚悲剧中的众多女性形象分为圣母型和夏娃型两种,展示这两种女性在男权社会中的行为和不幸遭遇,深入分析她们受迫害的原因,从而探讨得出,在男权社会制定的封建道德和规范之下,女性不论是欲与男权社会分庭抗礼,还是顺从于这种规范之下却不幸被认为违背了这1道德规范的,都同样难逃被男权社会惩罚的命运,从而体现出男权意识对女性的威慑力和杀伤力。
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In Stratford-upon-Avon , I could see Shakespeare's Birthplace , Shakespeare Countryside Museum , the Royal Shakespeare Theatre , and a lot of places that are connected with Shakespeare.
在斯特拉特福德镇,我可以看到莎士比亚出生的地方,莎士比亚乡村博物馆,皇家莎士比亚大剧院,还有许多与莎士比亚有关联的地方。
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Is it possible that that player Shakespeare, a ghost by absence, and in the vesture of buried Denmark, a ghost by death, speaking his own words to his own son's name (had Hamnet Shakespeare lived he would have been prince Hamlet's twin), is it possible, I want to know, or probable that he did not draw or foresee the logical conclusion of those premises: you are the dispossessed son: I am the murdered father: your mother is the guilty queen, Ann Shakespeare, born Hathaway?
82身为演员的莎士比亚,由于外出而做了鬼魂,身穿死后做了鬼魂的墓中的丹麦先王的服装,他可不可能就是在对亲生儿子的名字(倘若哈姆奈特。莎士比亚不曾夭折,他就成为哈姆莱特王子的双生兄弟了),说着自己的台词呢?我倒是想知道,他可不可能,有没有理由相信:他并不曾从这些前提中得出或并不曾预见到符合逻辑的结论:你是被废黜的儿子,我是被杀害的父亲,你母亲就是那有罪的王后,娘家姓哈撒韦的安。莎士比亚?
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The Taming of the Shrew 与莎士比亚的关系: Titus Andronicus , The Comedy of Errors , The Taming of the Shrew and Two Gentlemen of Verona may also belong to Shakespeare's earliest period.
泰特斯安德洛尼克斯,喜剧的错误,驯悍记与两种维罗纳们驯服也可能属于莎士比亚最早时期的剧作。我们歌舞剧的剧本,方便对《驯悍记》情节的理解。
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The author has limited the topic to only five of the new approaches:1 the reaction to the Romantic criticism by the historical critics, 2the attacks on the "God of Idolatry" by the unbradleyan critics, 3the revelation of Shakespeare s temperament by linguasymbolic critics, 4the study of Shakespeare s motivation for his dramatic creation by the psychoanalytic critics, and 5the selfportrait of Shakespeare by Rowse.
他们以纯粹审美的观点来研究剧作中人物的思想感情和一言一行,企图从中发现莎翁深刻的、首尾连贯的戏剧意图,并且根据人物的内心规律来解释人物的一切表现。这些有着敏锐批评洞察力的浪漫派莎评家们依靠自己的艺术直觉把握莎士比亚,揭示了莎士比亚在戏剧手法和人物刻划方面的惊人天赋;但这种莎士比亚评论最后发展成了莎士比亚崇拜。
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Stratford-on-Avon, as we all know, has only one industry - William Shakespeare - but there are two distinctly separate and increasingly hostile branches. There is the Royal Shakespeare Company, which presents superb productions of the plays at the Shakespeare Memorial Theatre on the Avon. And there are the townsfolk who largely live off the tourists who come, not to see the plays, but to look at Anne Hathaway's Cottage, Shakespeare's birthplace and the other sights.
如我们所知,埃文河畔斯特拉特福德只有一种产业——威廉莎士比亚,但是,它有两个各自明确独立而相互间敌意不断增长的分支,这就是英国皇家莎士比亚剧团——它在埃文河畔的莎士比亚纪念剧院上演富丽堂皇的莎剧——和在很大程度上依靠到镇上来不是为了看戏,而是来参观 Anne Hathaway 别墅、莎士比亚的出生地以及其他景观的旅游者的市镇居民们。
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As he put it, Shakespeare is a well-known homosexual, and his sonnets are all written to his gay lover - Earl of Southampton, Henry III Leo Xie Sili, he made certain the success of Shakespeare's contribution, but Shakespeare finally married Anna Hathaway, it can only say that reality is helpless.
正如他说的那样,莎士比亚是著名的同性恋者,他的十四行诗全部是写给他的同性爱人——南安普顿伯爵三世亨利里奥谢思利,他为莎士比亚的成功做出了一定的贡献,但是莎士比亚最后娶了安娜哈撒韦,也只能说现实是无奈的。
- 更多网络解释与莎士比亚相关的网络解释 [注:此内容来源于网络,仅供参考]
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bardolater:莎士比亚崇拜者
bardolater | 崇拜莎士比亚的人 | Bardolater | 莎士比亚崇拜者 | bardolatry | 莎士比亚崇拜
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bardolater:崇拜莎士比亚的人
bardling | 青年吟游诗人,末流诗人 | bardolater | 崇拜莎士比亚的人 | Bardolater | 莎士比亚崇拜者
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Godlike Shakespeare:神圣的莎士比亚
Gentle Shakespeare 高贵的莎士比亚 | Godlike Shakespeare 神圣的莎士比亚 | Soule of the Age! 时代的灵魂!
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Inimitable Shakespeare:举世无双的莎士比亚
Honey-tongued Shakespeare 甜蜜的莎士比亚 | Inimitable Shakespeare 举世无双的莎士比亚 | Refinement Shakespeare 高尚的莎士比亚
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Mellifluous Shakespeare:美妙的莎士比亚
Mellifluous Shakespeare 美妙的莎士比亚 | Copious Shakespeare 多产的莎士比亚 | Industry Shakespeare 勤奋的莎士比亚
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shakespearian:莎士比亚的
shakespearean /莎士比亚的/ | shakespearian /莎士比亚的/ | shakespere /英国诗人/莎士比亚/
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Stratford Festival:莎士比亚戏剧节
64、莎士比亚戏剧节(Stratford Festival)位于伦敦市(London) 近郊的Stratford,亲临夏日莎士比亚庆典盛会. 位于安大略的史特拉福对英语世界而言最主要的戏剧性大事莫过于每年五月到十月为期6个月在三家戏院所放映的莎士比亚戏剧(Shakespearian Plays),
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bardolater:莎士比亚崇拜者
bardolater || 崇拜莎士比亚的人 | Bardolater || 莎士比亚崇拜者 | bardolatry || 莎士比亚崇拜
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Honey-tongued Shakespeare:甜蜜的莎士比亚
Smooth Shakespeare 口若悬河的莎士比亚 | Honey-tongued Shakespeare 甜蜜的莎士比亚 | Inimitable Shakespeare 举世无双的莎士比亚
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The Merchant of Venice:<威尼斯商人》(莎士比亚,英国)
The Legend of Sleepy Hollow <<睡谷的传说>>(华盛顿.欧文,美国) | The Merchant of Venice <<威尼斯商人>>(莎士比亚,英国) | The Merry Wives of Windsor <<温莎的风流娘儿们>>(莎士比亚,英国)