- 更多网络例句与美声的相关的网络例句 [注：此内容来源于网络，仅供参考]
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Bel canto is scientific that there are different voice parts.
美声的科学之处就是有声部之分。
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Bel canto is a foreign vocal music art,which is scientific in singing method.
解放后，高校的声乐教育以美声为主，并且用美声的方法演唱中国的音乐作品。
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As the coloratura mezzo-soprano singers, it is difficult for them to perform the coloratura skill due to its modernity, its overwhelming presentation and its comprehensive and extraordinary development.
花腔作为美声唱法传统技能技巧具有一定的美学原则和艺术思想，女中音能够演唱花腔技术是很难得，她不仅是美声唱法的追求和特点，更是女中音声部想要全能全面发挥所要具备的歌唱技能技巧。
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According to the characteristics of the bel canto and the regulation of the Chinese characters pronunciation,discusses phonation and vomit word of the bel canto at the time of singing the Chinese work.
根据美声唱法的特点和汉字发音的规律，论述了美声唱法在演唱中国作品时的发声与吐字问题。
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Finally, I use a large amount of words to elaborate how the famous recitative and aria in West Side Story and The Phantom Of The Opera are shown by Bel canto.
文中先指出了这两部音乐剧所表现的古典歌剧风格，进而引出其唱法主要运用了美声唱法，接着用大量笔墨论述了《西区故事》和《歌剧魅影》中的著名咏叹调是如何用美声唱法来表现的。
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Xu Qingshan was more progressive than Yan Tianchi in that he realized that opposite to "clearness, subtlety, quiet elegance, and profound implication", there should be " sonorousness, splendor, glow and swiftness". In other words, based on Yan Tianchi's unilateral emphasis of the flavour he had added the factors of featured timbre.
徐青山比严天池进步之处在于他认识到与"清微淡远"相对的还应该有"亮丽采速"，即在严天池片面强调韵的基础上加进美声的因素。
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He has been exploring the combination of classical singing with modern vocalism, which is well characterized in his own presentations. He has been performing not only in tri-sate areas, but also across the United States. On Oct 15, 2002, Mr.
从1997年开始致力研究古典美声唱法和现代新概念美声唱法的结合，并开始活跃在以纽约为中心的东部各洲和美国北部，南部，中部和西部的舞台上，广受大械脐g迎。
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Kinds of culture in 21st century are becoming compatible and fusional. Vocal art is of no exception. Based on the current situation andtrend, this article applies methods such as Historical-Descriptive,culture perspective and theoretical analysis to the research of singing skills of bel canto and the folk singing in order to analyze the art characteristics and the real possibility of fusion between them. At the same time, successful examples are combined to work out the possible way for the application of bel canto in folk singing and nationalization of bel canto.
二十一世纪的文化是兼容并蓄、融合发展的文化，二十一世纪的声乐艺术亦如此，正是基于这一现状和趋势，本文旨在运用历史描述、文化比较和理论分析等方法，通过对美声唱法和民族唱法歌唱技巧的研究，分析两种唱法的艺术特性和两者融通的现实可能性，同时结合一些成功的实例试图给出民族唱法美声化和美声唱法民族化的可能途径。
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This article consists of a three-chapter text, a brief instruction and an epilogue: achievements of the research on bel canto and thefolk singing as well as their relation in China were concluded briefly in the introduction. In chapter 1, the origin and characteristicsof bel canto and the folk singing, together with their fusion processin present China was illustratively revealed though historical review. In chapter 2, bel canto and the folk singing are analyzed in technical aspects like breath, vocalization, pronunciation, and resonancetogether with comparison on their similarities and differences.; Chapter three is concerned with the application of bel canto in folk singing and nationalization of bel canto as well as the feasibility oftheir fusion from technical aspect. Moreover, it is illustrated thatthe fusion of these two vocal arts in china not only conform to social development and mass aesthetic requirement, but also has great influence on the education and development of Chinese vocal arts. Epilogue is to express wishes to future Chinese vocal arts based on the trend of multi-culture fusion and innovation.
本文共由三章正文和简短的绪论及结语构成：绪论粗略总结国内关于美声唱法、民族唱法及二者关系的研究已有的成果；第一章尝试通过历史回顾直观展现美声唱法、民族唱法之由来、特性及二者在当代中国对话融合之进程；第二章侧重从呼吸、发声、吐字、共鸣等技巧层面分析美声唱法、民族唱法各自的技巧特点并比较二者之间的异同；第三章除着重探讨美声唱法的民族化、民族唱法的美声化及两者融合共促于技术层面之可行性外，更试图说明此二种声乐艺术的融合发展在中国当前不仅是符合社会发展趋势和大众审美要求，更将对中国声乐艺术的教育和发展具有重要影响；结语则就多元文化融合创新之大趋势表达对未来中国声乐艺术的希望。
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Not only that, in China, the United States through the sound of singing the national or through the same Nationalization of the Bel Canto won the people's acceptance and love, in concert, stressed respiratory depth, the smooth voice, chest, oropharyngeal cavity, the first cavity resonance mixed Use, and the atmosphere of confrontation and support highs to close or cover up the use of methods to find the best conversion after the treble, and so on, are made consistent with the requirements of Bel Canto, but certain requirements such as the transport chamber music and highlight areas The national style and characteristics, make it more Singing the national flavor, and this is the U.S.
不仅如此，在我国，通过美声化的民族唱法或通过民族化的美声唱法同样赢得了人们的认同和喜爱，在演唱时强调呼吸深度、声音的通畅，胸腔、口咽腔、头腔共鸣的混合使用，气息的支持与对抗以及高音区运用关闭或掩盖的方法来找到转换之后的最佳高音等方面，均作出了与美声唱法一致的要求，但某些要求如旋律的运腔等方面又突出了民族的风格与特色，使之更具民族唱法的韵味，这便是美声化的民族唱法。
- 更多网络解释与美声的相关的网络解释 [注：此内容来源于网络，仅供参考]
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bel canto：美声
"美声"(Bel Canto)就是美的歌唱的意思. 仔细阅读"美声学派"大师的著作,我们会发现"美声学派"要求歌唱者能够表现以下这些特点:纯正的发音、优美的音色;演唱时的轻快和杰出的技巧;强弱自如、连音流畅;由正确的发声方法和听觉训练所形成的完美的音准;
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bel canto：美声唱法
又有正常成年男性的体魄,经过训练能展现出女高音的音质,随着歌剧的诞生、发展与普及,阉人歌手风靡了整个欧洲,独霸歌坛长达250余年,在声乐发展史上成为"美声唱法"(Bel Canto)的先驱,随着女权的不断解放和声乐技术的进步,
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bel canto：美声歌剧
在十九世纪初意大利美声歌剧(Bel Canto)传统中,Gaetano Donizetti 多尼采蒂(又有音译为"唐尼采蒂"和"董尼才第"的)踵继罗西尼,是受广大群众喜爱的旋律制造机与人声魔法师.
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bel canto singing：美声唱法
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