美声唱法

词组短语

bel canto

与美声唱法相关的网络例句 [注：此内容来源于网络，仅供参考]

As the coloratura mezzo-soprano singers, it is difficult for them to perform the coloratura skill due to its modernity, its overwhelming presentation and its comprehensive and extraordinary development.

花腔作为美声唱法传统技能技巧具有一定的美学原则和艺术思想，女中音能够演唱花腔技术是很难得，她不仅是美声唱法的追求和特点，更是女中音声部想要全能全面发挥所要具备的歌唱技能技巧。

We can obtain an artistic thinking of beauty or an idea of beauty more vivid and more conscious theoret ically and we can achieve a whole or integrated grasp practically als o can catch inspiration of beauty and win expression of beauty in cre ate performances if we look on coloratura vocalism in Bel canto from the aesthetic angle.

美声唱法中的呼吸、声区、共鸣、语言四大优势，本文不是为了突出其科学性或重要性，而是强化其在普遍意义上所体现出来的实用价值，并从美学的思考高度来看待美声唱法中花腔声乐表演艺术，能够在理论认识上获得一个更清晰、更自觉的美的艺术思维或美的观念，在艺术实践上取得一个整体性、综合性的美的把握，在创作表演过程中获取美的灵感和进行美的表现。

This paper analyzes the present situation of Bel Canto in our country, explores and ponders over the problems of the scientific nature, nationality and contemporaneity of Bel Canto, and advances the author's own understanding.

分析了美声唱法在我国的现状，对美声唱法的科学性、民族化、时代性等方面存在的问题进行了探索与思考，提出了自己的认识。

According to the characteristics of the bel canto and the regulation of the Chinese characters pronunciation,discusses phonation and vomit word of the bel canto at the time of singing the Chinese work.

根据美声唱法的特点和汉字发音的规律，论述了美声唱法在演唱中国作品时的发声与吐字问题。

Finally, I use a large amount of words to elaborate how the famous recitative and aria in West Side Story and The Phantom Of The Opera are shown by Bel canto.

文中先指出了这两部音乐剧所表现的古典歌剧风格，进而引出其唱法主要运用了美声唱法，接着用大量笔墨论述了《西区故事》和《歌剧魅影》中的著名咏叹调是如何用美声唱法来表现的。

He has been exploring the combination of classical singing with modern vocalism, which is well characterized in his own presentations. He has been performing not only in tri-sate areas, but also across the United States. On Oct 15, 2002, Mr.

从1997年开始致力研究古典美声唱法和现代新概念美声唱法的结合，并开始活跃在以纽约为中心的东部各洲和美国北部，南部，中部和西部的舞台上，广受大械脐g迎。

Kinds of culture in 21st century are becoming compatible and fusional. Vocal art is of no exception. Based on the current situation andtrend, this article applies methods such as Historical-Descriptive,culture perspective and theoretical analysis to the research of singing skills of bel canto and the folk singing in order to analyze the art characteristics and the real possibility of fusion between them. At the same time, successful examples are combined to work out the possible way for the application of bel canto in folk singing and nationalization of bel canto.

二十一世纪的文化是兼容并蓄、融合发展的文化，二十一世纪的声乐艺术亦如此，正是基于这一现状和趋势，本文旨在运用历史描述、文化比较和理论分析等方法，通过对美声唱法和民族唱法歌唱技巧的研究，分析两种唱法的艺术特性和两者融通的现实可能性，同时结合一些成功的实例试图给出民族唱法美声化和美声唱法民族化的可能途径。

This article consists of a three-chapter text, a brief instruction and an epilogue: achievements of the research on bel canto and thefolk singing as well as their relation in China were concluded briefly in the introduction. In chapter 1, the origin and characteristicsof bel canto and the folk singing, together with their fusion processin present China was illustratively revealed though historical review. In chapter 2, bel canto and the folk singing are analyzed in technical aspects like breath, vocalization, pronunciation, and resonancetogether with comparison on their similarities and differences.; Chapter three is concerned with the application of bel canto in folk singing and nationalization of bel canto as well as the feasibility oftheir fusion from technical aspect. Moreover, it is illustrated thatthe fusion of these two vocal arts in china not only conform to social development and mass aesthetic requirement, but also has great influence on the education and development of Chinese vocal arts. Epilogue is to express wishes to future Chinese vocal arts based on the trend of multi-culture fusion and innovation.

本文共由三章正文和简短的绪论及结语构成：绪论粗略总结国内关于美声唱法、民族唱法及二者关系的研究已有的成果；第一章尝试通过历史回顾直观展现美声唱法、民族唱法之由来、特性及二者在当代中国对话融合之进程；第二章侧重从呼吸、发声、吐字、共鸣等技巧层面分析美声唱法、民族唱法各自的技巧特点并比较二者之间的异同；第三章除着重探讨美声唱法的民族化、民族唱法的美声化及两者融合共促于技术层面之可行性外，更试图说明此二种声乐艺术的融合发展在中国当前不仅是符合社会发展趋势和大众审美要求，更将对中国声乐艺术的教育和发展具有重要影响；结语则就多元文化融合创新之大趋势表达对未来中国声乐艺术的希望。

Ravel provided an early account of Madeleine Grey's voice in a letter recommending her to the conductor Ernest Ansermet: She is one of the most remarkable interpreters: an attractive voice, fairly powerful, and very clear. And, very notably, perfect diction.

我并没有否定帕瓦罗蒂的唱法啊，也没有在帕瓦多蒂和多明戈之间分高下，只是说美声唱法在上个世纪也是在不断地演化的，从卡鲁索到帕瓦罗蒂，美声唱法的概念是在变化中的。

Not only that, in China, the United States through the sound of singing the national or through the same Nationalization of the Bel Canto won the people's acceptance and love, in concert, stressed respiratory depth, the smooth voice, chest, oropharyngeal cavity, the first cavity resonance mixed Use, and the atmosphere of confrontation and support highs to close or cover up the use of methods to find the best conversion after the treble, and so on, are made consistent with the requirements of Bel Canto, but certain requirements such as the transport chamber music and highlight areas The national style and characteristics, make it more Singing the national flavor, and this is the U.S.

不仅如此，在我国，通过美声化的民族唱法或通过民族化的美声唱法同样赢得了人们的认同和喜爱，在演唱时强调呼吸深度、声音的通畅，胸腔、口咽腔、头腔共鸣的混合使用，气息的支持与对抗以及高音区运用关闭或掩盖的方法来找到转换之后的最佳高音等方面，均作出了与美声唱法一致的要求，但某些要求如旋律的运腔等方面又突出了民族的风格与特色，使之更具民族唱法的韵味，这便是美声化的民族唱法。

与美声唱法相关的网络解释 [注：此内容来源于网络，仅供参考]

bel canto：美声唱法

又有正常成年男性的体魄,经过训练能展现出女高音的音质,随着歌剧的诞生、发展与普及,阉人歌手风靡了整个欧洲,独霸歌坛长达250余年,在声乐发展史上成为"美声唱法"(Bel Canto)的先驱,随着女权的不断解放和声乐技术的进步,

Caribbean Blue：蓝色

在这些较早期的歌曲中,恩雅将原始的朴素与现代流行手法结合在一起,将美声唱法融汇于通俗唱法之中,那种真实感亲和感给人留下深刻印象. 第4曲"流亡"(Exile)第5曲"加勒比海蓝色"(Caribbean Blue)、第6曲"我.

Gregorian Chant：格里高利圣咏

从历史的角度来看,早期的声乐艺术作品,如格里高利圣咏(Gregorian Chant),其音域一般不会超过自然音区,因此,换声的问题不是十分突出. 而到了歌剧产生以后,作品的音高跨度日渐加宽,美声唱法的早期代表人物如卡契尼(Caccini)、托西(Tosi)开始探讨声区及其相互转换的问题.

coloratura：花腔

"花腔(Coloratura)是西洋美声唱法中女声的一种旋律精致灵巧的装饰唱法,其音乐特征体现为音域c1-e3甚至更高,以急速音阶或琶音及华彩乐段等一系列方式,使旋律演唱富于装饰性和华彩性,具有很高的技巧难度.

exile：流亡

在这些较早期的歌曲中,恩雅将原始的朴素与现代流行手法结合在一起,将美声唱法融汇于通俗唱法之中,那种真实感亲和感给人留下深刻印象. 第4曲"流亡"(Exile)第5曲"加勒比海蓝色"(Caribbean Blue)、第6曲"我.

No matter what：不论如何

其间他与爱尔兰组合"男孩地带"(Boyzore)的合唱:"不论如何"(No matter what),把美声唱法的高昂和流行唱法的时尚完美结合,余音绕梁,三日b绝. 正如歌中所唱:我不能背叛我的信念 ,我不能虚伪地活着 ,我知道我们的爱将永恒 ~~爱永存于人心!

tax-free commodities：免税商品

美声唱法 bel canto | 免税商品 tax-free commodities | 美食节 gourmet festival

bekinkinite：方沸霞辉岩

beke | 白种移民 | bekinkinite | 方沸霞辉岩 | bel canto | 美声唱法

Bellini：贝利尼

进入19世纪后,美声唱法有了新的发展,以罗西尼(Rossini)、多尼采蒂(Donizelle)、贝利尼(Bellini)为代表的意大利歌剧与迈耶贝尔等人大胆地采用了男女的自然音色取代了阉人歌手,以他们为代表的意大利歌剧,声乐史上称这一时期为美声唱法的"全盛时期".

bel canto singing：美声唱法

①琉特(Lute)有椭圆共鸣琴身的拨弦乐器,发源于中东古代,后经希②阿里亚德涅(Ariadne)希腊神话中的人物,她与英雄忒修斯相爱,④美声唱法(Bel canto Singing)的准确翻译应为"美好的歌唱",②巴枯斯(Bacchus)古希腊神话中的酒神,又名狄俄尼索斯.