英语人>词典>汉英 : 红楼梦 的英文翻译,例句
红楼梦 的英文翻译、例句

红楼梦

词组短语
Dream of the Red Chamber · dream of the red chamber · A Dream in Red Mansions
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Then the composer created the tragic emotional mood that was unified to "have one's bosom filled with disconsolateness , infinite plaint ";With the realization of's style, which having classical national music style characteristic and understood by the modern people.

摘 要:电视剧《红楼梦》音乐是作曲家通过对其原著本身的文学意蕴、文化背景、作者所处的历史时代等因素进行分析、研究后;再创造出统一于"满腔惆怅、无限感慨"的悲剧感情基调;和既有古典民族音乐风格特征又能为现代人所理解的《红楼梦》风格的实现。

This paper, through the analysis of The Dream Of Red Mansion from the linguistic angle,draws three inspirations from it:1,literature is the art of language and language is the fundament of literature;2,language must be the carrier of active imagination and vivid dcscription and a variety of expression which is thc basic princip1c of art;and 3,language which is impetuous in reality has to find its home,its destination...

红楼梦》的艺术特色并不乏例证,从语言的角度对《红楼梦》的分析中,得到了三个启示,一是文学是语言的艺术,语言是文学艺术的生命,二是语言必须是想象飞腾,刻镂有形的载体,语言表达形式的多样性和丰富性是成为艺术源泉的基本要求,三是语言在现实的表现是浮燥,必须在不朽的名著中寻找归宿和真谛。

Chapter Five A Probe into the Creative Approach and Characteristics of thinking in A Dream of Red Mansions Since 1950s, scholars have been used to evaluate A Dream of Red Mansions from the perspective of critical realism which prevails in Europe in 19th century, and have not noticed the great differences between the two as to creative motivation, purpose, the principle of faithful representation of real social life, typical examples and typical characters in the typical environment, real details and several other important respects. It is inappropriate to evaluate the thoughts and artistic value of A Dream of Red Mansion simple with crtical realism as the only criterion.

第五章 《红楼梦》的创作方法和思维特征辨探五十年代后习惯以欧洲十九世纪批判现实主义标准衡量《红楼梦》,没有注意两者之间在包括创作动因和目的,忠实地再现社会现实生活的原则,典型和典型环境中的典型性格,细节真实等几个重要方面都有着很大差异,简单地以批判现实主义的标准去评析《红楼梦》的思想艺术是不合适的。

Combining the plot and characteristics, it also analyzes the Jia familys reviviscence and trace of love and marriages among Baoyu, Daiyu and Baochai, and draws a conclusion that The Dream Shadow of Red Chamber shows some kind of nihilism which is identical to the Dream of Red Chamber and brings some examples to improve.

结合书中的主要情节和人物性格塑造,分析了贾府回光返照式的重兴以及宝玉、黛玉、宝钗爱情婚姻纠葛的变化发展,提出了《红楼梦影》所表现的思想与原书《红楼梦》的悲剧思想一脉相承的观点,并举例加以论证。

Combining the plot and characteristics, it also analyzes the Jia family's reviviscence and trace of love and marriages among Baoyu, Daiyu and Baochai, and draws a conclusion that The Dream Shadow of Red Chamber shows some kind of nihilism which is identical to the Dream of Red Chamber and brings some examples to improve.

结合书中的主要情节和人物性格塑造,分析了贾府回光返照式的重兴以及宝玉、黛玉、宝钗爱情婚姻纠葛的变化发展,提出了《红楼梦影》所表现的思想与原书《红楼梦》的悲剧思想一脉相承的观点,并举例加以论证。

After research we can find that: firstly, a great number of predicate-word phrases can act as the adnex of the verb-complement structure; secondly, almost all the verbal phrases and adjectival phrases can act as complement, and other phrases like adverbs, noun, quantifier phrases, some prepositional phrases and subject-predicate phrases, even compound sentence can act as complement too;thirdiy, there are six kinds of verb-complement structures in the novel;fourthly, the verb-complement structures can act as subject, predicate, object, attribute, adverbial modifier, complement in a sentence and other phrases component, even can be a sentence by itself; fifthly, the semantic connection between complement and other components in the sentence is very abundance and complex;sixthly, some special verb-complement structures in the Dream of the Red Chamber show the characteristic of transitional language.This thesis is divided into five parts:Part 1: Preface.

通过研究我们可以发现:首先,大多数的谓词性词语在《红楼梦》中都可以充当述补结构的述语;其次,几乎所有的动词性词语和形容词性词语都可以充当补语,少数副词和名词性词语也可以做补语,数量短语、介宾短语、主谓结构和复句也可以做补语;第三,述补结构的类型按中间的助词标记可以分为没有助词的,有&得/的&的,有&个&的,有&着&的,有&将&的和有&到&的六种;第四,述补结构可以充当主语、谓语、宾语、定语、状语、补语以及各种成分内部的组成成分,还可以单独成句,其语法功能非常丰富;第五,补语的语义指向是多方面的,语义内容非常复杂;第六,几种特殊的述补结构说明了《红楼梦》的述补结构带有过渡时期的特点。

This paper is an attempt to "Dream of Red Mansions" protagonists "Tears of a lifetime also绛珠dianthera" Lin Tai-yu's "crying" and "laugh," two typical body language mainly to the Red Chamber in the world of female body as a classified, the meaning and shape analysis, perspective works by body language contains a rich culture, and to explore the body language in "A Dream of Red Mansions," the special role of the study.

本文即试图以《红楼梦》主角&终生还泪的绛珠仙草&林黛玉的&哭&和&笑&两种典型体态语言为主来对红楼世界中的女性体态作个归类,并对体态含义进行了分析,透视作品中体态语所包含着的丰富文化内涵,并初步探讨了体态语在《红楼梦》研究中的特殊作用。

First,"Dreams of the Red Chamber" is a complete overthrow of the Chinese traditional twenty-four histories, and has opened up for us, in a gigantically breading way, the third pedigree of human history with the male and female love as the core and different from the pedigree with the dual division between the good and the bad. Next, along with the affirmation of the third pedigree of human beings,"Dreams of the Red Chamber" enable the female sex acting as the "second sex" for long to come again onto the stage in the human history, thus unprecedentedly disclosing the incomparably grave historic tragedy of the female sex in reality. Finally, more importantly,"Dreams of the Red Chamber" not only consider the ruling of the current discourse as the deepest cause of the female tragedy but also make a restoration with the meaning of the life generation science for the human discourse so as to make the initial word "discourse of love" more original than the discourse of the knowledge nature and bring the following of "God of lover", the new salvation way, into the agenda.

首先,《红楼梦》是对中国传统二十四史的彻底颠覆,并大破大立地为我们开辟出有别于善恶二分谱系的一种以男女情爱为核心的人类历史第三谱系;其次,随着对这一人类第三谱系肯定,《红楼梦》使长期作为&第二性&的女性在人类历史中重新登场,并前所未有地揭露了现实中女性无比深重的历史悲剧;最终,更重要的是,《红楼梦》不仅把现行话语的统治视为女性悲剧的最为深刻原因,而且同时对人类话语进行了一种生命发生学意义的还原,而使一种有别于知识性话语的更为始源的&情的话语&这一泰初之言得以彰显,把对&情的上帝&的昄依这一新的救赎之途提到人类文化的议事日程。

He commiserated these people\'s place, and comprehended their heart, then he achieved realistic request.

红楼梦》的写实主义成就不是有意识的理论指导的结果,因此,当作者失去了对人物原型的依托,或者失去了对人物的同情,他就不能从人性的角度如实描写出典型人物,所以,《红楼梦》也存在着写实主义的不足。

The four chapter on the base of thorough analyses, points out that this continuation owns both Manchu flavor and Beijing feature, contributing to later Qing Dynasty study, Dream of Red Chamber study and Manchu literature study.

第四章就《红楼梦影》的价值进行了较为全面的评述,突出太清作为满族女作家创作的这部既有旗人小说特色又不失京味小说风格的《红楼梦》续书,对于晚清小说研究、红学研究以及满族文学研究等方面所具有的独特贡献。

更多网络解释与红楼梦相关的网络解释 [注:此内容来源于网络,仅供参考]

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