类音

基本解释 (translations)

assonance

与类音相关的网络例句 [注：此内容来源于网络，仅供参考]

In this paper we present a method we use to train context-independent phone models.On the basis of trained context-independent phone models,the training of allophone models and the output distributions generalizing of allophone models using binary decision trees can be accomplished.

在本文中，给出一种用于训练与发音语境无关音素模型的方法，然后利用这种音素模型完成对异音模型的训练、以及对异音模型的输出分布的二值决策树聚类。

Assonance 类韵 Assonance means The repetition of identical or similar vowel sounds, especially in stressed syllables, with changes in the intervening consonants, as in the phrase tilting at windmills.

（类音，类韵：相同或相似元音的重复，尤指重读音节，其间有辅音变化）。汉语也有译为准押韵，母韵，半韵或半谐音的。如sharper和garter这两个单词间只有重读的元音相同，而其后的辅音不相同。

The sound segments are grouped into consonants and vowels.there are several basic ways in which articulation can be accomplished:the articulators may close off the oral tract for an instant or a relatively long period;they may narrow the space considerably;or they may simply modify the shape of the tract by approaching each other.manners of articulation:stop,fricative,approximant,lateral.other consonantal articulations include TRILL,TAP or FLAP and AFFRICATE.consonants may be produced at practically any place between the lip and the vocal folds.eleven places of articulation are distinguished on the IPA chart.

音段可以分成辅音和元音两类。有这么几种发音的方法：发音器官暂时或相对长时间地关闭口腔通道；发音器官空间缩小；或者，发音器官互相贴近形成不同形状的通道。发音方法：塞音，擦音，通音，边音。其他的辅音发音方法包括颤音，触音或闪音，塞擦音。辅音几乎可以产生于唇和声带之间的任何部位，国际音标表区别了其中11个发音部位。发音部位：双唇音，唇齿音，齿音，齿龈音，后齿龈音，卷舌音，腭音，软腭音，小舌音，咽音，声门音。

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Of,relating to,or comprising the Indo - European languages that maintained a distinction between the reflex es of Indo - European velar k,g,gh and labiovelar kw,gw,gwh.

颚音类的保留了软颚音k、g、gh与圆唇软颚音kw，gw，gwh。之间反映形式区别的印欧语系语言的、与之相关的或由之组成的

The TIB triphone model tying structure adaptation strategy uses the baseline acoustic model's triphone model tying result as the transcendental model clustering center, with the adaptation data alignment by the baseline acoustic model, re-estimate the TIB triphone model clustering center and model tying structure recursively under maximum likelihood principle.

以基本声学模型训练过程中的三音子模型聚类结果作为先验知识的聚类中心，依据基本声学模型对自适应语音库的分割，按照最大似然准则迭代地重估新的聚类中心和模型聚类结构。

Chapter one is "Introduction". On the basis of summarizing the history of the study of the pictophonetic characters, we suppose some theoretical principle, such as the principle of the correspondence between the form and the meaning of the individual graph of Chinese characters, the principle of the total graphs of Chinese characters being a character-formation system, and the principle of the optimum development of the character -formation system in the history, and som analytic methods, such as the methods of structrue-function analysis, form-position analysis and meaning factor analysis, in the study of the pictophonetic characters. Chapter two is titled"General knwledge of the pictophonetic character." We discuss their origins, nature and some standards of distingnishing them, introduce the knowledge about the editions of SHUO WEN JIE ZI, analyse the functions of the modules of pictophonetic characters in detail, discuss concretely the function of phonetic graphs showing origins and pronunciations, the function of meaning graphs showing meanings and analogies, and the function of distinguishment when the two kinds of graphs are conbined. Chapter three is"The system of meaning graphs of Xiao Zhuan system."After we describe the structure of the meaning graph system, the relations between meaning graphs, the distributions of the function of meaning graphs showing meanings, and the frequency of all this kind of graphs, we get a table of all meaning graphs, a table of the frequency. Chapter four is"The system of phonetic graphs of Xiao Zhuan system."We describe the structure of the phonetic graph system, the relations between phonetic graphs, and between their function showing origins and their function showing pronunciations, and their frequency, then we get ageneral table of phonetic graphs and table of their frequency. Chapter five is "conclusion". We think that systematical methodology is useful in describing and analysing the formation system of Chinese characters. The methodology is adaptable in describing the formation system of modern Chinese characters as well as the historical character systems, adaptable in describing horizontally as well as comparing vertically. Only when we finish the systematical vertical compare on the base of systematical horizontal decription, could we know the true history of the system of Chinese characters, recover the rule of the system's development, and supply the theoretical supports for the scientifical arrangement of modern Chinese characters.

第一部分—绪论，在总结形声字研究历史状况的基础上，提出了研究形声系统的理论原则和分析方法，即汉字个体字符形义统一的思想，汉字字符集合构形系统的思想，汉字构形系统历史演变系统优化的思想等三项理论原则和结构功能分析法，形位分析法，义素分析法等三种分析方法，还扼要地介绍了具体的工作程序和论文的主要内容；第二部分—形声字概述，论述了形声字的来源、性质和鉴别标准，介绍了对《说文解字》正篆形声字说解中的传抄讹误，版本异文，说解错误校勘和考证的经过，详细分析了形声字构件的功能，具体讨论了声符的示源功能与示音功能，义符的示意功能与类化功能以及声符与义符组合中的相互区别功能；第三部分—小篆字系的义符系统，从义符系统的构成、义符间的相互关系，义符示意功能的分布及义符的构字频度等不同侧面，对义符系统进行了全面的描写，产生了义符总表、义符间意义关系总表和义符构字频度总表；第四部分—小篆字系形声字的声符系统，从声符系统的构成、声符间的相互关系，声符的示源功能与示音功能的关系以及声符的构字频度等不同侧面，对声符系统进行了全面描写，产生了声符总表和声符构字频度总表；第五部分—结束语，在全面测查小篆字系形声字的基础上，对研究汉字的方法和现代汉字发展方向的问题提出了一些看法，认为系统论的方法是描写和分析汉字构形系统行之有效的方法，系统论方法，不仅适用于历史上文字系统的描写，也适用于现代汉字构形系统的描写，不仅适用了断代描写，也适用于历史比较，只有在对汉字断代系统描写的基础上进行系统的历史比较，才能认清汉字系统历史演变的真相，揭示汉字系统发展的客观规律，为科学地整理现代汉字提供理论上的依据。

One row which contains an umlaut German "Umlaut O" character:?

一列载有元音变音（德国的"变音O"类字符：？

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On a regular 10-hole diatonic, or Marine Band type harmonica, the standard blues note bending technique involves an interaction between two reeds, one blow and one draw. On this style harmonica, only the higher pitched of the two notes from any given reed cell can be bent and then only to a point somewhat above that of the lower pitched reed.

在一般10孔口琴或者Marine Band类口琴上，标准布鲁斯压音是通过两个簧片(一个吸音簧片，一个吹音簧片)的协同振动实现的；所以只有两个音符中的高音符可以被压音，而且压音音符的音高也高于低音音符。

与类音相关的网络解释 [注：此内容来源于网络，仅供参考]

analphabetic notation：类字母标音(Jespersen的标音法)

analphabet | 文盲,没受过教育的人 | analphabetic notation | 类字母标音(Jespersen的标音法) | analphabetic writing | 非字母文字

assoil：赦免, 释放, 补偿

assoeted | 分类的,各色俱备的,什锦的 | assoil | 赦免, 释放, 补偿 | assonance | 类似的音, 类音, 类韵

combination tone：结合音

例如一个由100 Hz和110 Hz两个纯音合成的驱动信号得出的输出的输出信号含有由100 Hz 和110 Hz相互调制而产生的两类畸变产物(distortion product):谐音(harmonic)及结合音(combination tone).

nonintelligible cross talk：不可理解串音

nonintegral expression 非整数类表达式 | nonintelligible cross talk 不可理解串音 | noninteractive 非交谈式

haplology：类音删略

grapheme 字素 | haplology 类音删略 | head 中心语

hummer tone：蜂音, 哼音

cholinergic 类胆碱(功)能的 | hummer tone 蜂音, 哼音 | vistavision 超视综艺体

obstruent：阻音

辅音发音方法多样,种类繁多,又大致可以分为两类,即响音(sonorant)和阻音(obstruent). 阻音又叫做阻塞音、阻塞辅音. 阻塞辅音一般包括爆发音、摩擦音、塞擦音等. 应该说阻塞辅音不管是在发音生理上,还是在音响特性上都更能够体现辅音的典型特征.

cholinergic：类胆碱(功)能的

Lassalleanism 拉萨尔主义 | cholinergic 类胆碱(功)能的 | hummer tone 蜂音, 哼音

egressive：呼气音

气流呼出所发出的音叫呼气音(egressive),指所有用外向移动的气流机制发出的音. 与之对立的音类是内吸音(ingressive). 绝大多数语言都是由肺部的气流(肺气)外呼出而发生. 少数几个辅音用喉部产生的内吸气流发出,这些音称之为"声门音"(glottal),

类字母标音(Jespersen的标音法)：analphabetic notation

analphabet || 文盲,没受过教育的人 | analphabetic notation || 类字母标音(Jespersen的标音法) | analphabetic writing || 非字母文字