第三基本形式

词组短语

third fundamental form

与第三基本形式相关的网络例句 [注：此内容来源于网络，仅供参考]

We first state general linear model, ridge-type estimator and general ridge-type estimator, and the constraint biased estimator. And then, we introduce some basic theory about matrix and some conclusion about the admissibility of estimator in Gauss-Markov model. In the third chapter, we discussion several equivalent characterization of the best linear unbiased estimation, we proved that admissible characterization of admissible of linear estimation is as conditional general ridge-type estimation in general linear model. A necessary and sufficient condition that homogeneous linear estimator is admissible estimator is obtained.

本文首先概述了一般线性模型，岭估计及约束岭估计的发展历史和研究现状，在第二章介绍了矩阵的一些基本知识和可容许性的一些基本结论，第三章讨论了一般线性模型最佳线性无偏估计的几个等价条件，以及线性估计的可容许性特征，得到了一般线性模型的可容许线性估计均具有条件广义岭估计的形式，给出了一个齐次线性估计为可容许估计的充分必要条件。

In preface, author discusses the meaning of this study and the actual state of research about culture of Tibetan oath at home and abroad. The first chapter analyzes two basic sources of oath culture. In the second chapter, by analyzing literature and actual examples, author explores the problem which the definition of "oath" is unclear in Tibetan dictionary. Combining with the definition of oath, in the third chapter ,the author differs the concept among promise, treaty, bargain and caution money. The fourth chapter is mainly about the element of oath; In the fifth chapter , author divides and explores the different content and meaning of Tibetan oath.

前言"论述了这篇论文的研究意义和目前国内外对于藏族盟誓文化的研究现状；第一章"盟誓文化的产生"论述了盟誓习俗产生的两个基本根源：思想根源和社会根源；第二章"盟誓的定义"通过分析文献资料和实例，对一些藏文词典中存在的对于"盟誓"的定义不够明确的问题进行了商榷和探讨；第三章"盟誓和几个近义词的区别"结合盟誓的定义，对诺言、条约、契约、保证金几个概念的定义进行区分；第四章"盟誓的要素"结合《格萨尔王传》论述了盟誓需要具备的要素；第五章"誓言的内容特征"中结合《格萨尔王传》中的盟誓形式，划分和探讨藏族盟誓的不同内容和意义；第六章"遵守誓言的意义和不守誓言的罪孽"通过相关文献资料分别探讨了遵守誓言的积极影响和不守誓的消极影响；第七章"违誓忏悔"论述了在违背誓言后，反省改过的意义；最后，"后记对《格萨尔王传》中的盟誓文化进行了概括总结，指出这一文化突显了藏族人民崇尚真诚的品格和渴望和谐的心愿。

The third chapter introduces the notion of inductive *-semirings and weak inductive *-semirings. We give some basic properties of them and discuss the formal power series semirings.

第三章以归纳*-半环为重点，介绍了归纳*-半环及弱归纳*-半环的概念及基本性质，并讨论了归纳*-半环的形式幂级数半环。

This chapter emphasizes on the five issues. Firstly, the relation between the transformation from savings to investment and the fund's formation. Its purpose is to reveal the formation way of the funds and how to improve its efficiency of utilization. Secondly, the analysis of the supply behavior of the transformation from savings to investment. It mostly analyzes the savings' behaviors of the government, enterprises and residents and their economic effects. Thirdly, the analysis of the demand behavior of the transformation from savings to investment. It stresses on discussing the enterprise's choices of the financing structures and forms on the premise of pursuing the maximum profit, through analyzing the basic features of each social financial entity. Fourthly, it clearly points out the kinds of transformative mechanism from savings to investment and its impactive factors. Finally, it emphases the importance and realizing path of the transformative mechanism in our country that is changed from combining bank with capital market to the market leading, through analyzing the mechanism and its practice in China.

本章重点讨论五个问题：第一，储蓄向投资转化与资金形成的关系，目的是揭示资金的形成途径及如何提高其使用效率；第二，储蓄向投资转化的供给行为分析，主要分析政府、企业和居民的储蓄行为及其经济效应；第三，储蓄向投资转化的需求行为分析，通过分析社会各融资主体的基本特征，重点探讨企业在追求收益最大化前提下融资结构和融资形式的选择；第四，储蓄向投资的转化机制，主要探讨了储蓄向投资转化机制及其制约因素；第五，通过对中国储蓄向投资转化机制的历史考察和现状分析，明确指出了我国储蓄向投资的转化机制由银行与资本市场并存型转向市场主导型的重要性和实现路径。

Main contents of the second chapter "art words methods" are introduction of art words, basic writing skills and originality design of chinese and western characters, etc. Main contents of the third chapter "basic components of plane" are spot, strokes and spaces, etc. Main contents of the fourth chapter "format and rules of plane" are symmetry and balance, repitition and group tendency, rhythm and cadence, comparision and change, consonance and unification, breakthrough and variance, etc. Main contents of the fifth chapter "basic design of space of a whole page" are gridding system, visual process of space design, word editing, graph space design, etc. Main contents of the sixth chapter "color planning" are color introduction, surface color system, color and visual psychology, color planning, etc. Main contents of the seventh chapter "plane advertisment design" are newspaper and magazine advertisment design, outdoor and POP advertisment design, etc.

第二章"美术字技法"的主要内容有美术字概说、中外文字体的基本写法、中/外文字体的创意设计等；第三章"平面构成的基本要素"的主要内容有造型基本要素如点、线、面等；第四章"平面构成的形式法则"的主要内容有对称与平衡、重复与群化、节奏与韵律、对比与变化、调和与统一、破规与变异等；第五章"基础版面设计"的主要内容有网格系统、版面设计的视觉流程、文字编排、图形的版面设计等；第六章"色彩计划"的主要内容有色彩概论、表色体系、色彩与视觉心理、色彩设计等；第七章"平面广告设计"的主要内容有报刊广告设计、户外广告设计、 POP 广告设计等。

Firstly, it seeks the sources from which theories have been developed, by a summary of evolution or a road-map. Secondly, it explains the two basic forms taken by traditional theories on intra-industry trade, namely, horizontal intra-industry trade model and vertical intra-industry trade model. Both models take final products as trade objects and products of same industry are thus simultaneously exported and imported among developed nations and among developed nations and developing ones.Thirdly, it points out that the theory of vertical intra-industry trade has already been expanded in scope in the area of trade between developed countries and LDCs. It shows that the implication of vertical intra-industry trade has expanded to the importation and exportation of parts and components, intermediate products or processing products produced via various working procedures or different production links within the same industry, with MNCs as carriers. It gives the summary of the methods of measuring intra-industry trade and argues that the basic method adopted by this thesis is G-L Index. In addition, GHM and Input-output Analysis are introduced to demonstrate the expansion of vertical intra-industry trade.

首先，通过整理国际贸易理论的发展脉络，寻求产业内贸易的理论渊源；其次，阐述产业内贸易传统理论的两种基本形式，水平型产业内贸易与垂直型产业内贸易的理论模型，指出两者都以最终产品为贸易对象，实现了发达国家之间或发达国家与发展中国家之间的同一产业内产品的同时进口和出口；第三，结合全球化的特点和跨国公司在国际要素分工中的基础作用，指出发达国家与发展中国家之间的垂直型产业内贸易理论已经得到拓展，表明垂直型产业内贸易涵义已发展成为以跨国公司为载体的同一产业内不同生产工序或不同生产环节的零部件、中间产品或加工产品的进口和出口；最后，归纳了产业内贸易的计量方法，指出本文的产业内贸易基本计量方法是G-L指数(格鲁贝尔-洛伊德计量法)，并在此基础上进一步说明与垂直型产业内贸易的拓展相关的计量方法包括：GHM计量法和Hummels投入-产出分析法。

The text was divided into five parts: The basic conception of narratology applicability of narrative theory in television advertisiment research was explained in the first chapter; television advertisiment was researched on four aspects: the entity of narratory、the display mode of storied advertisiment、the analysis of live broadcast and word of narrative advertisiment in the second chapter; narrative research on the symbol mode of television advertisiment such as montages and voices et cetera was made in the third chapter; television advertisiment was analyzed by signifier and signified of advertisiment as well as narrative technique in desire and implementation in the fourth chapter; the relationship of narrative prototype and adoption in television advertisiment was discussed on several aspects such as circumstances prototype、ideological prototype and person prototype et cetera in the fifth chapter.

本文正文共分五个部分展开：第一章阐释叙事学的基本概念以及叙事理论对电视广告研究的适用性；第二章从叙事的本质、广告故事化的表现形式、广告叙事的时况和话语分析四个方面研究电视广告并尝试建构一个电视广告叙事学的研究模式；第三章对电视广告中的画面和声音等符号形式进行叙事学研究；第四章从广告中的能指和所指、愿望和实现的叙事技巧对电视广告进行分析；第五章从情节原型、意识形态原型、人物原型等方面探讨电视广告中叙事原型与叙事接受的关系，同时探讨电视广告的陌生化表达方式。

It constructs a tentative frame of theories and policies of industrial clusters. It analyzes industrial clusters mechanism and policies. The research outspreads nine parts. The first part states the background, thepurpose and the present situation of the industrial clusters and development zone.Chapter2 summarizes the theory of development zone, which includes itsconnotation, forms and the process of development zone, and then analyzes thetheory and practices of development zone abroad, finding the gap between Chinaand other developed countries and regions. In chapter 3, based on study of presentresearch, this paper discusses competitive advantages and inherent mechanism, putsforward to the necessity of research of industry cluster in hi-tech zones and pointsout that the industry cluster is the key that Hi-tech zones carry out the seconddevelopment In Chapter4, this paper discusses the possibility and their mutualmotivation between industry cluster and development zone from the view ofIndustrial Ecologization, game theory and industrial structure theory; based onanalysis of Chapter3 and Chapter4,the next two chapters underlines thedevelopment mood and mechanism of industrial cluster in developmentzone,besides,these chapters points out the role of government in this mood. InChapter7, this paper discusses the system of evaluation of the performance ofdevelopment zones. At last, based on the analysis above and the present situation ofOptical Valley in Wuhan, Hubei province, the author estimates the performance ofoptical industrial clusters in Optical Valley, and puts forward to the advices about thegovernment, the mood and the policies of optical industrial clusters in OpticalValley.

全文研究从以下八个部分展开：首先，在文章的第一部分，论述了关于本篇论文的研究背景、研究目的和国内外研究的理论与实践现状；第二部分主要阐述了关于开发区的理论，包括其内涵、表现形式和发展历程，并对国外开发区的理论和实践予以论述，由此对比出国内外开发区发展的差距，从中找出国内高新科技园区的不足和先进发展模式的经验——即发展产业集群；第三章产业集群的基本理论，在对现有理论成果作了梳理工作之后，着重分析其竞争优势和内在机理，为开发区发展模式中引入此概念的必要性埋下伏笔；在探讨了开发区内大力发展产业集群的必要性以后，第四部分着重研究其可行性及其互动机制，包括从产业生态学的角度、博弈论的角度、产业组织理论的角度等，为开发区内的产业集群发展的优势进一步展开；在完成了对其必要性和可行性探讨的基础上，在本文的第五和第六部分分别研究了我国开发区产业集群的发展模式和运行机制，以及政府在当中应当扮演的角色，并提出适当的制度建议；第七章给出了开发区产业集群的评价体系，并在此基础上，第八章结合武汉光谷高新技术开发区的现状作出实证分析，对区内产业集群发展情况作出评价，并对其具体发展模式、政府行为及政策建议作出建议。

In chapter one, it compared letters with pictures and showed the importance of observation. In chapter two, it introduced the structure of human eyes and the course of vision. Chapter three introduced the basic key element of vision and the main theories of studying in vision aesthesia. In chapter four, it analyzed the principle of understanding the meaning of a figure according to the theory before, and analyzed the law of aesthetic. Then it explained how people feel the three-dimensional form and the movement, which have offered the theoretical foundation for creating more vivid image. It expounded the purpose and meaning of judging a visual figure in the fifth chapter, and introduced three general standards. It showed a method of judging the figure from different points of view in an example. Summarize to the full text finally, it point out the correct observation of vision image is one of the main ways for people's study, proposed the weak point of this text.

本文在第一章对文字与形象两类视觉信息进行了比较，提出了掌握形象观察方法的重要性；接着在第二章简单介绍了人眼的构造和视觉成像的过程；第三章分别介绍了视觉感知的基本要素和目前研究视觉的主要理论；在第四章，根据感知理论重点分析了人们识别、理解图形意义的原则，并由此归纳总结了形式美感产生的规律，提出了创造生动的视觉形象和构筑立体形象的规则和方法；第五章则阐述了对视觉形象进行评价的目的和意义，介绍了评价的三大普遍标准，针对人工形象提出了一套评价系统，并通过一个实例来说明评价系统的使用过程；最后对全文做出总结，指出正确的认识视觉形象是人们学习的主要途径之一，并提出了本文的不足之处。

Among tragic novels,at first,by creating Unbalanced People,Hardy proved that at that time people were in division with society,nature,other people and theirselves,therefore,he made a new definition about """"people"""" and depicted the modern's basic outline:lonely,broken and pessimistic.Secondly,by courting persistently to """"Paganism Spirit"""",he not only criticized a great deal of drawbacks of Englightenment Modernityrdecrepit ethics,rigid reason,etc,but also drew the """"aesthetic""""prescription for the modern in predicament and called people to get back to t heir own existence,resume due status of perceptuality,impules and desire,etc.Thirdly,by profoundly conveying of pessimism,he revealed people's miserable situations under the violences of civilization and undependence after losing the God.Thus he refused the deformities of Enlightenment Modernity and enlightened people to look for new way of existence.At last,though dominated by realism,through the unique use of """"coincidence"""" and """"psychological depiction"""",his creation ,hi form,was somewhat similar with the modernism novels in the 20th century.

哈代在他创作的悲剧小说中，首先，通过对&非平衡性人物&的塑造，反映了当时的人们正处在与社会、自然、他人和自我的四重分裂状态中，由此他对&人&进行了重新的定义，描绘出了现代人的基本轮廓：孤独、破碎和悲观；其次，通过对&异教精神&的执着追求，他不仅批判了启蒙现代性的诸多弊端：衰朽的伦理道德、僵化的理性等等，同时，亦为困境中的现代人开出了&审美&的药方，呼唤人们回到自身的存在，恢复感性、冲动、欲望等的应有地位；第三，通过对&悲观主义&的深刻表达，他揭示了现代人的悲惨处境和失去上帝后的无所归依，从而拒绝了启蒙现代性的畸形规划，启示人们寻找新的存在之路；最后，虽然为现实主义所主宰，但通过&巧合&和&心理描写&手法的独特运用，他的创作又在形式上与20世纪的现代主义小说一脉相通。

与第三基本形式相关的网络解释 [注：此内容来源于网络，仅供参考]

third boundary value problem：第三边界值问题

third boundary condition 第三边界条件 | third boundary value problem 第三边界值问题 | third fundamental form 第三基本形式

Derivatives：衍生产品

(3)市场(第三,四章) :它包括了一切金融产品(或者说金融工具)的交易.根据 金融工具的性质,我们把它再细分为两个大类.一是基础产品(underlying)市场,二是衍 生产品(derivatives)市场.第三章考察金融资产的基本形式和资产定价基本原

third fundamental form：第三基本形式

third boundary value problem 第三边界值问题 | third fundamental form 第三基本形式 | third isomorphism theorem 第三同构定理

third fundamental form：第三基本形式;第三基本型

第三边界值问题 third boundary value problem | 第三基本形式;第三基本型 third fundamental form | 三阶差分 third order difference

third isomorphism theorem：第三同构定理

third fundamental form 第三基本形式 | third isomorphism theorem 第三同构定理 | third proportional 比例第三项