笔者

基本解释 (translations)

penman

与笔者相关的网络例句 [注：此内容来源于网络，仅供参考]

The author is hoping giving rise to advancer the notice by trying hard work by myself.To others of civilliantion joining in researching this important science field,making more comrade kowning and putting to use ask for right and standardize the foundation .

笔者希望通过自己的努力能够引起民法先进的注意，与笔者一道参与到这一重要领域的研究讨论中来，也希望通过自己的介绍能将请求权规范基础的思维方式使更多的同行了解和运用它。

First, the author discusses the concept of drug, the concept of drug crime and the types of drug crime; Second, the author comparatively analysis both outside and inside legislation of drug crime, and analysis the characteristics of the legislation; Third, the author analysis several problems of the constitution of drug crime, including the accomplishment standard of the selling drug crime, the cognizance of illegally holding drug crime, mediacy act of drug crime; At last, the author presents my own proposals of perfecting the drug crime legislation, including adding the purchasing drug crime and illegally providing drug-making equipments crime, perfecting the aggravation polts and controlling the parole and commute of drug criminal.

首先，笔者论述了毒品的概念、毒品犯罪的概念和毒品犯罪的类型；其次，笔者对国内外毒品犯罪的立法进行了比较研究，并分析了其各自的立法特点；再次，笔者分析了我国毒品犯罪构成中的几个问题，包括贩卖毒品罪既未遂标准、非法持有毒品罪的认定和毒品犯罪居间行为；最后，笔者对我国毒品犯罪刑事立法的完善提出了自己的建议，包括增设购买毒品罪和非法提供制毒设备罪、完善我国毒品犯罪从重处罚的犯罪情节以及严格控制对毒犯的假释或减刑。

Based on the interactive relationship of the elements, the author believes the most important thing is the role of educators. By further the role of education for both horizontal and vertical expansion, we can see that the subject of the museum and the museum environment are in a way to play the role of education.

通过对四种学习方式的描述，笔者提出了建构式学习更有助于家庭观众获得良好的审美经验的观点；在建构式学习方式的基础上，笔者又介绍了艺术博物馆中家庭观众审美经验完整、个性、理性的特点，并提出了构成观众审美经验的四要素，在四个要素的互动关系中，笔者认为最重要的就是教育者的角色，进一步对教育者角色进行横向和纵向的扩展利用可以看到博物馆主题与博物馆环境在某种程度上都担当着教育者的角色。

To the writer point of view, legal science is an opening subject where no stable answer could be given to lots of problems. And also because of my limited knowledge, instead of completely reconstruct after overthrow, I just laid out some suggestions, that is, we should transform our research method from practical to philosophical, from simply study within Jurisprudence area to trans-subject study, from remedy methodology to reconstruction methodology, from single visual to mulplism visual, from class research method to revolutional research method.

因为笔者认为法理学本身是个开放性的学科，很多问题并没有固定的结论，又因为笔者的才疏学浅，所以笔者并没有能力在&颠覆&之后重新&建构&，而只能就前文的分析和论证提出几点建议：第一，从实证法理学研究向哲理法理学研究的转变；第二，单一学科研究向跨学科研究的转变；第三，修补式的方法论向重构式的方法论转变；第四，一元的研究视角向多元的研究视角转变；第五，阶级性的研究范式向革命性的研究范式的转变。

In the introduction,the author introduced the writing motive and the goal of this paper; In the first chapter of dissertation, the author mainly analysed the inditing background of "Falstaff" and the gut of opera also the relations between the role;In second chapter,the author compared and construed the different classics performance of "Falstaff";In the third chapter, the author expatiated his performance experience of Falstaff and his understood of Falstaff; In conclusion, the author concluded the music and the reality significance of "Falstaff".

在绪论中笔者简介了该论文的写作动机、目的以及优势；在第一章的阐述中，笔者主要征对《法斯塔夫》的创作背景、剧本内容以及剧中人物关系等方面进行了分析和阐述；第二章中，笔者就几个不同的经典演出版本《法斯塔夫》进行了实例分析和比较；在第三章中，笔者就自身演唱和表演法斯塔夫这一角色时的一些具体演唱、表演手段进行分析，以及本人所理解的法斯塔夫阐述；结语中，笔者再次对《法斯塔夫》的音乐与现实意义进行了总结、归纳。

Your reviewer's office is easily the most untidy in The Economist (not entirely his own work, it should be said, thanks to the heroic efforts of his even untidier office-mate).

笔者的办公室简直就是《经济学人》杂志社最零乱无序的房间（这不完全是笔者的功劳，应该说还多亏了与笔者同间办公室的更为邋遢的同事的丰功伟绩。

Your reviewer's office is easily the most untidy in The Economist( not entirely his own work, it should be said, thanks to the heroic efforts of his even untidier office-mate).

笔者的办公室简直就是《经济学人》杂志社最零乱无序的房间（不完全是笔者的功劳，应该说还多亏了与笔者同间办公室的更为邋遢的同事的丰功伟绩。

First of all, I, to some basic theory knowledge of the scenic spot, concept, important document of the composition, function, historical development of the scenic spot are described , among them differentiate and analyse the difference between scenic spot, nature reserve , Forest Park , tourist zone , foreign national park especially, pass the comparison in such several respects as nature , definition , establishment conditions , aim , building policy ,etc, can find out there are very great differences in scenic spot and other areas , it is an independent legal area; Secondly, I analyse to China and foreign legislative overview of scenic spot, list the scenic spot in the national park or protection zone system abroad , has made the special" law of protection zone " and " law of national park ", China"s corresponding legislation is more weak , there is not a special scenic spot to legislate at present in China, only an administrative statute that the State Council issued in 1982 -" provisional administrative regulations of scenic spot"; Moreover, I set up with the existing legislative existing problem of scenic spot in our country is it expound the fact to go onning to of our country planning , management, property right that scenic spot exist, it will must set about making " the law of scenic spot" while saving the scenic spot to strengthen the protection management to the scenic spot at the present stage; Finally, I belong to to legislative aim , legislative principle , right, our country of " scenic spot law such basic frames as the system , management system , legal liability ,etc. is it expound the fact to go on..

首先，笔者对风景名胜区的一些基础理论知识，风景名胜区的概念、构成要件、功能、历史发展等问题进行论述，其中重点辨析了风景名胜区与自然保护区、森林公园、旅游区、外国国家公园的区别，通过性质、定义、设立条件、宗旨、建设方针等几方面的比较，可以看出风景名胜区与其他区域有很大差别，是一个独立的法定区域；其次，笔者对中国和国外风景名胜区立法概况进行分析，国外将风景名胜区列入国家公园或保护区体系，并制定了专门的《保护区法》和《国家公园法》，而中国相应立法则比较薄弱，中国目前没有一部专门的风景名胜区立法，只有一部国务院在1985年颁布的行政法规——《风景名胜区管理暂行条例》：再次，笔者对我国风景名胜区存在的规划、管理、产权设置和我国现有的风景名胜区立法存在问题进行论述，现阶段要加强对风景名胜区的保护管理，挽救风景名胜区，必须着手制定《风景名胜区法》；最后，笔者对我国《风景名胜区法》的立法宗旨、立法原则、权属制度、管理体制、法律责任等基本框架进行论述。

In order to verify the author of this conjecture, I quickly Failure to open the computer's chassis cover, and then try to LAN equipment moved from a slot in a slot; after restart the computer system and enter the card attribute setting window, and then "Power Management" tab page "Allow the computer to turn off this device to save power" project selected under these conditions the author once again the state of the system to switch from standby to normal operation, when the author has found that a network connection to normal now.

为了验证笔者的这一猜想，笔者迅速打开故障计算机的机箱外壳，然后尝试将网卡设备从一个插槽挪到另外一个插槽中；之后重新启动计算机系统，并进入到网卡属性设置窗口，再将&电源管理&标签页面中的&允许计算机关闭此设备以节约电源&项目选中，在这样的条件下笔者再次将系统从待机状态切换到正常运行状态，这时笔者发现网络连接现在竟然正常了。

Based on 18 boxes of fossil specimens collected by the author from Xiaheyan, Zhongwei, Ningxia Hui Minority Autonomous Region and some other geological and palaeontological data from both Xiaheyan and the adjacent sections in the east sector of North Qilian Mountains, the present paper studies the botanical characteristics of Middel-Late Namurian Flora in Locality Xiaheyan and represents the primary reconstruction of the Middle-Late Namurian Flora in the Northeast Qilian Mountains, also tries to make available accounts for the correlation between the different Flora provinces, and discusses the origin time of Cathaysian Flora based on the succession and the transmissibility of the plants through the whole Namurian stage.

结合自从大学三年级一直到硕士研究生阶段笔者踏勘过的北祁连山东段地区十几条石炭系剖面，以及对相关文献的整理，笔者初步分析了北祁连山东段纳缪尔中晚期植物群的垂直演化分布情况，并完成了该期全球不同植物地理区系植物群植物学性质方面的简要比较。北祁连山东段地区纳缪尔早期与中晚期植物群的遗传性与继承性，加之华夏植物群的特征分子及一些东方型地方性分子在纳缪尔早期的出现，笔者认为这些无疑为晚古生代四大植物群之一的华夏植物群的起源完成于纳缪尔初期提供了有利证据。

与笔者相关的网络解释 [注：此内容来源于网络，仅供参考]

abiogenesis：自然發生論

笔者给出了这些定义之后,有人说生命起源的问题不是进化论要解答的问题,它应属于"自然发生论"(abiogenesis)的研究课题. 笔者则认为进化论不能回避生命起源的问题. 进化论既然断言(地球上)所有生物起源于共同的祖先,它必须对这个祖先有所交待.

Karen Carpenter：歌手

笔者还记得,七零年代著名乐队 (Carpenter)的女歌手 ( Karen Carpenter) ,只因一个记者说她稍为「胖」了一点,(注:笔者当年并不觉得她「胖」,可惜她没有听到我的「话」,否则她可能也不致於英年早逝 ),就因为这句「话」,操控了她饮食行为,她从那时开始节食,

celebrate：祝

让笔者最为感动的,是美国人的葬礼,看他们在一个人的生命的终点,是如何"庆祝"(celebrate)他或她的生命. 当时笔者曾不胜动情地写信给国内的朋友说:"看着人的生命在这里所享有的价值,你真是想马上变成美国公民!"

devote：献身

Fourney则称赞笔者有献身( devote)精神,同时也心存疑虑地指出:你似乎( Seem)解决了刀具不坏的难题. 刀具不坏,难度之大由此可见一斑. 然而1989年初笔者在某花岗石矿点技术转让中,一对刻槽刀使用了一个星期,累计进尺早已超过60m,

dialogue writer：对于白笔者

scenarist, scriptwriter 剧本笔者 | dialogue writer 对于白笔者 | production manager 制片人

dumps：笔者

笔者:dumps | AC automatic ampltiude control 自己主动幅度节制 | AB AB制立体声灌音法

penman：笔者

penknife 小刀 | penman 笔者 | penmanship 书法

penman：笔者,作家,书法家

50.fenman 居住在沼泽地的居民 | penman 笔者,作家,书法家 | brainman 参谋,谋士

scenarist, scriptwriter：脚本笔者

adapter 改编 | scenarist, scriptwriter 脚本笔者 | dialogue writer 对于白笔者

scenarist, scriptwriter：剧本笔者

adapter 改编 | scenarist, scriptwriter 剧本笔者 | dialogue writer 对于白笔者