立体感觉的

基本解释 (translations)

stereo  ·  stereos

与立体感觉的相关的网络例句 [注：此内容来源于网络，仅供参考]

Among the objects as the principle of geometric perspective and aerial perspective, and make it conveying deep stereo spatial feeling on planar painting.

在绘画中，依照几何透视和空气透视的原理，描绘出物体之间的远近、层次、穿插等关系，使之在平面的绘画上传达出有深度的立体的空间感觉。

Carefully constructed from two photographs( ISS020-E-038481, ISS02-0E-038482) taken duringspace shuttle orbiter Discovery's latest visit to the orbiting outpost, the 3D anaglyph creates thecompelling illusion that you can actually reach out and take hisgloved hand.

这张影像来自两张照片（ ISS020-E-038481， ISS02-0E-038482），都是在发现号最近国际空间站之旅拍摄，3D 立体影像让人有一种强烈的感觉，伸出手来就能抓住他的手。

If the ocular image disparity is abnormal(e.g., in anisometropic prescriptions)the stereo effect will be greater than what it should be. The perceptual image will be distorted , a condition called aniseikonia

10若双眼影像差异的异常程度超过形成立体视觉所需要的范围，感觉性融像限度被突破，这种情况被称为影像不等。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

And the geometry-patterns is using triangle, rhombus, and square,etc patterns to make

其中的几何图案就是指用三角形、菱形、正方形等图形组合而成的，如果装饰在墙壁上，远远看会产生立体的感觉。

Genoa, Italy, the stereoscopy feature creates images where the user truly "feels" the dimension of depth while wearing special anaglyph glasses.

系统三维立体视觉功能所生成的影像，在操作者佩戴特殊立体视觉眼镜的时候，能够真实"感觉"到影像的深度与尺寸。

Light catalyst germproof Fantastic Series is a new developed one with variable colors.The floor presents various colors from different pespectives,proving to be a relief to one's negative mood as well as the pressure of job and life.Walking on it will make one feel like a kite flying in the sky due to the splendid three dimensional effect of our product.

光触媒抗菌梦幻系列是新开发的系列，色彩多变，人站在不同角度可看出不同的颜色，能缓解人的不愉快心情与工作和生活的压力，而且三维立体效果强仿佛感觉在云里雾里，像放飞的风筝。

Methods The solid sections of hepatic segments were obtained by liver incision according to the lines of surface projections of each hepatic fissures The structural landmarks were on lines of section which were observed Results There existed the structural landmarks on the solid sections of median fissure,right interlobar,right anterior lobe,right posterior liver lobe and left hepatic lobe fissures They were showed on the solid images of three dimensional ultrasound.

所谓三维超声立体断层图是指在同一幅超声图像中，同时显示器官或病灶的冠状面和矢状面，或者同时显示冠状面和水平面，或者同时显示矢状面和水平面，构成&蛋糕块&状的立体图像 [1] ，而不是凸凹不平的&立体感觉&。

As he elaborates on this fraught moment of identity for a kingdom that is also nation-state, he refers to the response of the Japanese photographer Hiroshi Sugimoto upon seeing the dioramas at the African Hall:"I felt as if I had taken drugs…perhaps the whole world around me might be completely dead"; Sugimoto found them as "good as real."

在解释为何把泰王国划分为单一民族国家时，他参考了日本摄影家Hiroshi Sugimoto在非洲厅里见到立体模型时的反应：&我感觉自己好像服下药物一样……，或许围绕在我身边的世界变得一片死寂了&；Sugimoto发现它们&跟真的一样好&。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

与立体感觉的相关的网络解释 [注：此内容来源于网络，仅供参考]

ACRYLIC：丙烯

就是把艺术发挥于服装当中. 邓纪恩向明报表示,对她来说,时装也是艺术形式的一种. 她所设计的并非每天日常所穿的衣服,而是画廊式、非现实,具梦幻感觉的,大多是使用了喷油、丙烯(acrylic)或水彩的方法,极具立体及色彩的.

appeared：出现,出席,发表

stereo n.立体声系统, 立体声, [印]铅版, 立体照片adj.立体的, 立体感觉的 | appeared 出现,出席,发表 | sperm n.精液, 精子, 鲸油

Color Box：色板

4 色板(Color Box) 培养孩子视觉分辨色的能力,认识色彩的名称. 5.小六边形盒(Small Hexagon Box) 培养孩子对图形的认识及图形对称的感觉. 6 神秘袋(Mystery Bag) 通过视觉和触觉,让孩子感知并了解几何立体组的特征.

F-Stop：光圈值,快门孔大小的度量单位

Flat lighting - 平光,均匀光,反差小但感觉较不立体 | F-stop - 光圈值,快门孔大小的度量单位 | High key - 明调,画面中亮部大于暗部的打光风格

parallax：视差

人类是通过"视差"(Parallax)来产生立体感觉的. 人的眼镜平均相距6.5cm,因而是从不同的角度观看同一物体的. 由于两眼观看到场景轮廓不尽相同,物体阴影也有细微差别,大脑根据这两个细微差别的场景进行综合处理,

qualitative：定性的

(3).定性的(Qualitative)立体视区:像总是两个,只有一点儿深度觉,无法估计也分不清什么在前,什么在后,没有量的判断. 动态立体视(Dynamic stereopsis)或"深度方向的运动"常在电影技术中使用,因为它是一种在平面荧屏上产生深度感觉的方法.

sandpaper：砂纸

在擦色(Glaze)后,用钢丝绒(Steel wool),砂纸(Sandpaper)或丝瓜布(Scotchbrit)加强突出木材的纹理以达到涂装层的立体感觉. 指涂料本身的流速阻力,通常用定制的粘度杯和秒表来测试,以秒(Sec)为单位表示. 涂料本身的流速阻力,

stereoscopy：体视法

立体视法(Stereoscopy)就是指同一物体的两张具有轻微角度差别的照片放在一起(分别用左右双眼)观看,得到一种深度的感觉,从而产生常规立体视觉的方法. 那么(最基本)立体摄影就是(模拟双眼的位置)从左右两个具有轻微角度差异的观察点分别拍摄同一个物体,

Color Solid：颜色立体

(2)色调(hue):与光波波长相对应;(3)饱和度(saturation):与光波纯度相对应. 这三个维度可以构出一个颜色立体(color solid)模型,所有的颜色体验都可以从这三个维度来描述. 感觉后象

steel wool：钢丝绒

突显-----High-lite 指在擦色(Glaze)后,用钢丝绒(Steel wool),砂纸(Sandpaper)或丝瓜布(Scotchbrit)加强突出木材的纹理以达到涂装层的立体感觉22. 粘(稠)度----Viscosity 指涂装本身的流速阻力,通常用定制的粘度杯和秒表来测试,以秒(Sec)为单位表示