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The journalists had their fountain pens ready; they all wore the same expression of slightly ironical indifference, with the exception of one, a much younger man than his colleagues, in gray flannels with a blue tie, who, leaving his pen on the table, was gazing hard at me.
记者们已经拿起了钢笔。他们都漠不关心,有点傻乎乎的样子。然而,其中有一个,年纪轻得多,穿一身灰法兰绒衣服,系着蓝色的领带。他把笔放在前面,望着我。
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Here, then, lies the great art: to make a little render to success the sound of a catastrophe in order that those who profit by it may tremble from it also, to season with fear every step that is taken, to augment the curve of the transition to the point of retarding progress, to dull that aurora, to denounce and retrench the harshness of enthusiasm, to cut all angles and nails, to wad triumph, to muffle up right, to envelop the giant-people in flannel, and to put it to bed very speedily, to impose a diet on that excess of health, to put Hercules on the treatment of a convalescent, to dilute the event with the expedient, to offer to spirits thirsting for the ideal that nectar thinned out with a potion, to take one's precautions against too much success, to garnish the revolution with a shade.
因而出现了这样的伟大艺术:使胜利多少响起一点灾难的声音,以使利用胜利的人同时也为胜利发抖,每前进一步便散布一点恐怖气氛,拉长过渡工作中的弯路以使进步迟缓下来,冲淡初现的曙光,指控和遏制热情的谋划,削平尖角和利爪,用棉花捂住欢呼胜利的嘴,给人权穿上龙钟肥厚的衣服,把魁伟高大的人民裹在法兰绒里,叫他们赶快去睡觉,强迫过分健康的人忌口,教铁汉子接受初愈病人的饮食,挖空心思去做分化瓦解的工作,请那些害远大理想病的人喝些掺了甘草水的蜜酒,采取种种措施来防止过大的成功,替革命加上一个遮光罩。
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Our comings and goings were hampered by layers of flannel bloomers and undershirts and ribbed stockings and itchy wool against us no matter which way we turned; mitts, sweaters, scarves and hats, heavy and wet-smelling when the snot from our dripping noses mixed with the melting snow on our collars and we wiped, in frigid resignation, our sore red faces with rough sleeves knobbed over with icy pellets.
因为穿了一层层的衣服:法兰绒灯笼裤、汗衫、花纹长袜和扎扎的毛绒衣,不管怎么活动,一举一动受到了制约;当鼻涕流出来混合着衣领上融化了的雪,顺手一抹,露指手套、毛衣、围巾、帽子就都湿湿的染上了臭味,我们的脸红红的有点痛,因为衣袖的粗糙和它上面的冰碴子。
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My clothes used to arrive twice a year, in white boxes from London; they were sensible and they never varied. In summer I wore sea island cotton undershirts and, in winter, woolen ones with sleeves. I wore long socks or woolen stockings in winter, and short cotton socks in summer. I had three kinds of shoes: stout brown lace-ups, stout brown sandals, and flat pumps, made of bronze kid, which were reserved for parties, although I went to very few parties. In summer I wore cotton frocks and cardigans Jenna Knitted; in winter I wore gray flannel pleated skirts and gray flannel jackets. I had a succession of Harris tweed overcoats with velveteen collars, all of which were identical; a succession of identical pudding basin hats that clipped under the chin with elastic. I hated the scratchy winter vests, but apart from that, I never thought about my clothes a great deal, except when I went to visit my great-aunt Maud in London.
俺滴衣服每年两次,用白色盒子的盒子装着,从伦敦送达;我可以预见他们是怎么样的,他们从来没有改变过夏天,我穿海岛棉汗衫,冬天则是有袖的羊毛衫我在冬季穿长袜子或羊毛袜,夏天穿短棉袜我有三种鞋:褐色系带短帮鞋,啡色凉鞋和派对上穿的啡色小山羊皮平底舞鞋,虽然我很少参加派对夏天,我穿着棉上衣和珍娜织的开衫;冬天,我穿灰色法兰绒打褶短裙和灰色法兰绒外套我有系列的Harris斜纹软呢大衣,他们的衣领都是仿天鹅绒的,所有的这些都是完成一样的;一致的布丁一样圆圆胖胖,下巴位置下面有弹性的帽子我讨厌那种令人觉得发痒的冬季背心,但除此之外,我从来没有想过我的衣服着装是一件多么了不起的大事,除了当我去拜访在伦敦的莫德姑婆
- 更多网络解释与穿法兰绒衣服的相关的网络解释 [注:此内容来源于网络,仅供参考]
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TWEED:呢绒
今季最特别的是她把原本又硬又厚的法兰绒羊毛( Flannel Wool )和花呢绒( Tweed ),用热水预先洗涤过,使其质地变柔软,新衣像穿久了舒服熨贴. 又如那些金属色彩,及 Isabel Marant 经常用作衣服上的金链,也会先给磨去部分反光色泽,
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flanneled:穿法兰绒衣服的
flanneled /穿法兰绒衣服的/ | flannelet /棉织法兰绒/ | flannelette /棉织法兰绒/
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flannelled:穿法兰绒衣服的
flannelette /棉织法兰绒/ | flannelled /穿法兰绒衣服的/ | flannelling /绒布擦坯/
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flannelling:绒布擦坯
flannelled /穿法兰绒衣服的/ | flannelling /绒布擦坯/ | flapdoodle /胡说/梦话/瞎话/