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- 神话创作者
- 更多网络例句与神话创作相关的网络例句 [注:此内容来源于网络,仅供参考]
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The article stimulated a virtual cottage industry in myth-making.
这篇文章开启了一种近乎作坊式的神话创作手法。
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Oriental mythologies like Pig Bajie, A Carp Leaping over the Dragon's Gate, Eight Immortals Crossing the Sea and A Bumper Harvest are located in a bubble world dreamingly.
他把自己的创作变成调侃对象。在《中国神话》系列里,舒勇选择了那些广为大众知晓的传统神话形象与&泡泡&组合。
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S. Lewis' Narnia books, great though they may be, are not in this strict sense mythopoeic: Lewis does not want to create a self-consistent secondary world, but rather a world in which all the varieties of mythology meet and find their home.
Lewis是The Inklings的一员,纳尼亚是他所写的畅销奇幻小说,共七本)虽然是伟大的成就,但它们并不是严格意义上的神话创作,明白这一点很重要。Lewis并不想创造一个自我连贯的第二世界,而是建造了一个可以容纳所有神话因素的大本营。
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The mythopoeic writing in fiction is not just a re-representation of the collective spirit in human nature, but more apparently the writer's expression of personal viewpoint towards American culture through the common pattern of collective experiences.
小说书写中的神话创作不只是指向人类集体精神的再现,而更多地呈现创作者由共通性的集体经验模式用以表述自身对美国文化的观照。
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Gaiman's mythopoeic writing is not just a representation of the collective spirit in human nature, but more apparently the writer's expression of personal viewpoint towards American culture through the common pattern of collective experiences.
美》书的时空背景置於当代美国社会,融合浓厚的神话书写,并以传统神话题材诠释了美国的社会氛围。小说书写中的神话创作不只是指向人们集体精神的再现,而更多地呈现创作者由共通性的集体经验模式用以表述自身对美国文化的观照。
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In modern times,"Myth" is often signified as nonsense. However, prior research indicates that myth is not a work created by one person in one place at one time. Instead, myth belongs to folk creation, which implies the lifestyle of ethnic members as well as their own belief and thinking modes. The distinction of ethnic cultures is thus revealed.
在许多现代人眼中,神话代表荒诞的无稽之谈,但根据研究,神话非一时、一地、一人之作,它由民间集体创作而成,反映出民族成员的生活型态,蕴含民族特有的信仰与思维模式,形成有别於其他民族的神话特色。
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The Greek mythology is the myth literature arts domain treasure, this research has comprehensively is discussed literature nature in the ancient Greece myth manifestation and the special characteristic , in to the ancient Greece myth artistic contour ,the creation content ,subjective ideology ,the rationality is energetic ,in the esthetic value cognition integrity understanding ,comprehensively understood the ancient Greece myth literature nature unique charm and it's the origin ,have the significant to the European and American later generation literature cognition .
希腊神话是神话文学艺术领域的瑰宝,本研究全面探讨了文学性在古希腊神话中的表现形式及特质,在对古希腊神话的艺术外形、创作内容、人本精神、主体意识、理性精神、审美价值认知的完整认识上,全面理解古希腊神话文学性的独特魅力及其成因,对欧美后世文学的认知具有重大的意义。
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In everybody heart, she continuously in creation myth, and unceasingly remoulds and is strengthening this myth in each work which she creates.
在大家的心中,她一直在创造神话,并且在她所创作的每一部作品中不断重塑和强化着这个神话。
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Contemplating the paradox of Creation, the ancient Egyptian myth of Creation springs to mind, the myth of the self-creating god, Amun.
先民创造的悖论,古埃及神话创作出来的,神话自我创造上帝,amun。
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Then, together, we built up the sotry like a chronicle, yet loosely enough to leave the last word to improvisation. In my last two films the choice of subject had scarcely encouraged improvisation. With Fahrenheit 451 and The Bride Wore Black I had ended up being interested in abstractions, and l felt the need to return to hte concrete, to the small happenings of life, even if l never los sight of Renoir's very true saying:"Reality is always like a fairy tale."
然后,我们创作了一个像编年史一样的故事,但仍然留有即席创作的自由空间,在我们最后的两部电影中,主题的选择上已经很少鼓励即席创作了,在&华氏温度451&和&黑色新娘&中,我已经失去了提炼的兴趣,而感到有需要回到一些具体的生活中发生的小事上来,即使我从来没有忘记里拉莉说的名言,&现实总是像神话故事一样&。
- 更多网络解释与神话创作相关的网络解释 [注:此内容来源于网络,仅供参考]
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compromise:和解
a loan shark)的代名词. 1608年以后,莎士比亚进入创作后期. 这时期,他的作品往往通过神话式的幻想,借助超自然的力量来解决理想与现实之间的矛盾. 作品贯穿着宽恕(condone)与和解(compromise)的主题.
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myth criticism:[神话批评]
这代表了当时雅典人的某种心理,这种心理一经影响或制约神话创作,便形成"神话批评"(Myth criticism). 正是这种神话批评,决定着神话的面貌、人物的命运、形象的塑造,甚至人物的定性,如正面的,反面的,还是中间的等. 也就是说,
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Mythological Foundations:神话的奠基
● Persia:General概论. | ● Mythological Foundations神话的奠基. | ○ Creation创作.
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mythologize:讲神话
mythologize 当做神话 | mythologize 讲神话 | mythopeic 创作神话的
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mythomania:渲染狂
mythology 神话 | mythomania 渲染狂 | mythopeic 创作神话的
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Personal:个人
特别是它们对于"个人"(personal)这一概念的不断中介化和重构,逼迫我们去重新认识创作主体、文本与客体的关系. 在一个数码复制与生物控制论复制(biocybernetic reproduction)的时代,我们应该怎样解构和重构艺术作品(work of art)和艺术大师(master of art) 的神话?
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Stardust:星团
所创作的黑暗奇幻小说>(Neverwhere)成为受到疯狂喜爱的BBC系列节目;还有一部短篇小说和诗歌合集>(Smoke and Mirrors);>(Stardust)是一本表面上前后矛盾的神话故事;
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Travis Beacham:编剧:特拉维斯.比彻姆
怪力乱神的终极释放 >重拍自1981年的围绕着希腊神话展开故事的同名电影,在贝弗利.克罗斯(Beverley Cross)所创作的原创剧本的基础上,另外三位编剧特拉维斯.比彻姆(Travis Beacham)、菲尔.海(Phil Hay)和马特.曼弗雷迪(Matt Manfredi)分别加盟并共同承担了改编的工作,
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mythopoeic:创作神话的
mythopeic 创作神话的 | mythopoeic 创作神话的 | mythopoet 神话诗人
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mythopoet:神话诗人
mythopoeic 创作神话的 | mythopoet 神话诗人 | mythos 神话