- 更多网络例句与碑铭相关的网络例句 [注:此内容来源于网络,仅供参考]
-
There is a noteworthy passage in one of King Asoka's inscriptions,"One thinks well of one's work. One never thinks ill of one's work."
阿育王的墓碑铭中有值得注意的一段,"一个人认为自己所做为好的,不会认为自己所做为恶。"
-
Although there is no doubt that Asoka's patronage of Buddhism did much to spread that religion, his inscriptions recognize the Brahmans as worthy of respect.
尽管阿育王毫无疑问是一位佛教的支助者,对这个宗教作了大量的传播,他的碑铭却承认婆罗门也是值得尊敬的。
-
It is plausible that inscriptions in the Canaanite language incorporated some geographic and religious phrases that originated in Arabic.
似是而非的是,迦南语的碑铭是一些地理名词和源自于阿拉伯的宗教用语连成一体。
-
In Cappadocian Zircirli inscriptions he is called I-li a-bi-a,'the god of my father'.
在卡帕多西亚扎西里的碑铭上,他被称为 I-li a-bi-a,"我父亲的神"。
-
An inscription of a black basalt stone; gave first clue to decipherment of ''.
刻在黑色玄武岩上的一种碑铭;给出了''。
-
An inscription of a black basalt stone; gave first clue to decipherment of Egyptian hieroglyphics.
刻在黑色玄武岩上的一种碑铭;给出了解读埃及象形文字第一线索。
-
Somewhere in the mausoleum, an inscription says that he died at the age of four.
在陵墓的某个地方,一处碑铭说他夭折于4岁的时候。
-
Some depictions show Mithras carrying a rock on his back, much as Atlas did, and/or wearing a cape that had the starry sky as its inside lining. A bronze image of Mithras, emerging from an egg-shaped zodiac ring, found associated with a mithraeum along Hadrian's Wall (now at the University of Newcastle), and an inscription from the city of Rome suggest that Mithras may have been seen as the Orphic creator-god Phanes who emerged from the cosmic egg at the beginning of time, bringing the universe into existence.
一些就描写密特拉神把一块岩石扛到背上,就像阿特拉斯所做一样,或者披上满布星星的天空般的斗篷作为内衬,一个密特拉神的铜像,浮现出一只蛋形的黄道十二宫环状物,与哈里安城墙的太阳式洞穴在一起,一块罗马城的碑铭暗示了密特拉可以被看作创造者俄耳普斯——神菲尼斯,在太初与蛋形的宇宙联结在一起,使宇宙存在。
-
Rationalism, Novecento, neo-Classicism, neo-Baroque and monumentalism are among the varied avant-garde styles played with here.
理性主义、新古典主义、新巴洛克和碑铭主义等各种现代派风格在这里争奇斗艳。
-
The increasing simplification traceable from the Egyptian epigraphic hieroglyphs to the Greek and Roman alphabets and the anticipation of modern stenography and telegraphic code in the cuneiform inscriptions and the virgular quinquecostate ogham writing.
227从埃及碑铭的象形文字到希腊、罗马字母,足以追踪出逐渐变得单纯的迹象;还有楔形碑文和斜线号五肋骨形欧甘文字,具有近代速记术与电报符号之先驱的性质。
- 更多网络解释与碑铭相关的网络解释 [注:此内容来源于网络,仅供参考]
-
un cartouche:(碑铭、匾额、徽章等的)边饰,涡形装饰)
- une cartouche (子弹,枪弹;香烟的条包), | un cartouche ((碑铭、匾额、徽章等的)边饰,涡形装饰); | - une couple ([方]两个;绳索,链条),
-
une cartouche:(子弹,枪弹;香烟的条包)
- le carpe (腕), la carpe (鲤鱼); | - une cartouche (子弹,枪弹;香烟的条包), | un cartouche ((碑铭、匾额、徽章等的)边饰,涡形装饰);
-
cartouche m:子弹,药筒,火药包,碑铭等之边饰
1238 cartonnier,ie're n.;m. 纸板制造者,纸板商;文件架 NULL NULL | 1239 cartouche m. 子弹,药筒,火药包,碑铭等之边饰 cartouche NULL | 1363 chandail m. 粗毛线衫 chandail NULL
-
devotion:献身
碑由大理石制成,高4.6米,基部四面分别刻有"献身"(Devotion)、"人性"(Humanity)、"坚毅"(Fortitude)和"牺牲"(Sacrifice)字样的碑铭. 圭亚那国家博物馆(Guyana National Museum)位于乔治敦市商业中心,建于1951年,两层建筑,
-
Fortitude:坚毅
碑由大理石制成,高4.6米,基部四面分别刻有"献身"(Devotion)、"人性"(Humanity)、"坚毅"(Fortitude)和"牺牲"(Sacrifice)字样的碑铭. 圭亚那国家博物馆(Guyana National Museum)位于乔治敦市商业中心,建于1951年,两层建筑,
-
humanity:人性
碑由大理石制成,高4.6米,基部四面分别刻有"献身"(Devotion)、"人性"(Humanity)、"坚毅"(Fortitude)和"牺牲"(Sacrifice)字样的碑铭. 圭亚那国家博物馆(Guyana National Museum)位于乔治敦市商业中心,建于1951年,两层建筑,
-
Nor you, ye Proud, impute to these the fault:假如其陵前未竖起碑铭
The paths of glory lead but to the grave. 待时辰一到,皆通往坟墓... | Nor you, ye Proud, impute to these the fault 假如其陵前未竖起碑铭, | If Memory o'er their tomb no trophies raise, 假如长廊上回纹的拱...
-
SACRIFICE:牺牲
碑由大理石制成,高4.6米,基部四面分别刻有"献身"(Devotion)、"人性"(Humanity)、"坚毅"(Fortitude)和"牺牲"(Sacrifice)字样的碑铭. 圭亚那国家博物馆(Guyana National Museum)位于乔治敦市商业中心,建于1951年,两层建筑,
-
inscriptionless:无碑铭的
inscription 题字 | inscriptionless 无碑铭的 | inscriptive 铭文的
-
inscriptions:题字,碑铭
archaeological 考古 | inscriptions 题字,碑铭 | cave dwellings 洞穴住所