皴

词组短语

dirt accumulated on skin

与皴相关的网络例句 [注：此内容来源于网络，仅供参考]

Positive if I walk into his studio, signing a horse is soaked through inside by him of delicate with tie up to impress with, his big man of in the layer wrap up one small show female, all in his scenery of of realistic trace, those city walls and village give up;The countryside and mountain;BE all wiped a daubery by his hard iterative wrinkle, he is like a worker's similar dozen to whet this scenery painting.

正如我走进他的画室，立马被他骨子里浸透的细腻与缠绵深深打动，他的大男子的里层包裹着一小秀女，他的风景中所有的的现实痕迹，那些城郭与村舍；田野和山峦；都被他认真反复的皴擦涂抹，他像工人一样打磨这一张张的风景画。

Its fuzzy sense of wiping smudging or bleeding brought the coordination harmonization and distinctive flavor for the picture, it can be said that it is the heterogeneity use for the effect of ink infiltration.

其晕染皴擦的模糊感，为画面带来了协调、统一而又与众不同的韵味，可以说是水墨浸润效果的异质运用。

In ink usage we may combine both the rich moistness of a heavily watered brush with the dry rubbing effect of a parched brush . in composition , depending on the nature of each painting , we may have majestic mountains filling up the central space , a device favoured in the northern sung period , or we may place elements off to one corner , leaving space in the centre of the painting , evocative of southern sung painting

所以一画之中，在用笔方面固然可有北宗斧劈皴的苍劲，亦可同时有披、牛毛皴的离披；用墨可有拖泥带水的润泽，亦可有无墨求染的虚灵；在经营位置上更因每一画作主观情致的不一，可有中央处绵密绘写，或边角景物罗列而中央处留空。

The pyrography is one of Chinese traditional craftwork, which is to say using the technics of sketch , rub , dot-dye , burning-carving , baking , embellishing and so forth to draw characters , landscape , pavilions , flower-birds , worm-fishs etc at the materials of bamboo , silk , rice paper , gourd and so on with special electric pen.

烙画是中国传统工艺画之一，指运用勾勒、皴搓、点染、烫刻、烘晕、润色等技法，以火代笔，用专用的电烙笔在竹木、丝绢、宣纸、葫芦等材料上，以人物、山水、楼阁、花鸟、虫鱼等景物为题材进行创作的绘画艺术。

Too much water and chemicals is an ideal combination of rough and chapped hands.

太多水，是一种理想的组合化学、粗糙皴手。

Although ,this approach, inherits the traditional Chinese painting techniques: hook, wrinkle, dyeing, thick, pale, dry, wet, yin, yang, forward, back, true, real, sparse, dense and remain, etc. Ultimately ,the results are very different ------the grass on the canvas is not only a simple fragrant thoroughwort which just has three or five leaves, but also a shape of the abstract and real, a cluster of weed which interweave death and life, fresh and new, warm and brilliant, unrestrained and tenderness------ grasses, weeds, absolute weeds.

这种手法，虽然传承了传统国画的技法：钩、皴、点、染，浓、淡、干、湿，阴、阳、向、背、虚、实、疏、密和留白等表现手法，结果却大相径庭，最终在画布或宣纸上形成的，不是简单的三五根摆拍的兰草，而是抽象又真实的形，一蓬纠缠着干枯与死亡，鲜嫩与新生的，热情与烂漫，奔放与温柔的草，野草，绝对的野草。

Be sure you are using a moisturizing kind, especially if you tend to have dry chapped lips.

可以肯定你用的是保湿类，特别是如果你倾向于有嘴唇干燥皴。

With chapped hands, the biggest problem is that the chapping further reduces your skin's moisture retention capacity.

与皴的双手，最大的问题是，你节节进一步降低皮肤的保湿能力。

And he decided on the employment of multi-medium – hard cardboard paper of canvas covered with soft traditional Chinese handmade paper, mixing engraving and printing techniques of printmaking, drawing, smudging and painting of oil or acrylic, with depicting, chapping, dotting, washing-down of traditional Chinese ink-wash painting.

他决定用综合材料——在硬性的卡纸或画布上蒙上软性的宣纸，融合版画的刻印、油彩与丙烯的画、涂、擦，以及水墨的写、皴、点、染，造成刚柔相济的印、绘和制作的效果。

Second, using traditional texturing method, the author pointed out application of texturing method in Wanganyi" s novels, transferred it to narrate level , analysed changes in distance, narrating stop, rhythm speed that texturing method brings in novels, analyse the strong points and weak points further, especially the weak point, namely narrow, close space of novel, the poverty of the inner world of character , and bias of author" s values and ideology.,Third, from novel language and way of narrating , the author point out characteristic of authority narrates in Wanganyi s novels, analysed individualized inclination of authority narrate, compared with Chenran, Linbai and Hainai and point out that the essence of its authority narrates is the fictitious authority

二、借用绘画传统技法&皴&，指出王安忆小说中皴法的运用，并将之引申到叙述学的层面，分析皴法的使用对小说在时空距离、动静结合、叙述停顿、节奏速度等方面带来的变化，进一步分析皴法的优缺点，重点分析不足之处，即小说相对空间的狭窄、封闭，人物精神世界的贫乏，以及作者价值观念、意识形态的偏颇。三、从小说语言和叙述方式入手指出王安忆小说权威叙述的特点，分析权威叙述体现出的女性个人化创作倾向，将之与陈染、林白、海男等女性个人化创作比较，并指出其权威叙述的实质是虚构的权威。

与皴相关的网络解释 [注：此内容来源于网络，仅供参考]

General regulations of line drawing artistically：白描总的艺术要求

01 木本枝干的勾皴技法 Outlining the twings of Plants with"Lig... | 02 白描总的艺术要求General regulations of line drawing artistically | 03 工笔花卉着染的艺术特色 artistic features of the pictures in "...

chappie：伙伴/花花公子

chapped /裂开的/皴/ | chappie /伙伴/花花公子/ | chappy /伙伴/花花公子/

chapped：裂开的/皴

chappal /(印度的)皮制凉鞋/ | chapped /裂开的/皴/ | chappie /伙伴/花花公子/

Protects dry, chapped lips：保护干燥,皴嘴唇

Made in the USA取得了在美国的 | Protects dry, chapped lips保护干燥,皴嘴唇 | Protects from drying effects of wind weather保护从干燥的影响,风天气

Teng：滕

愣(leng)不分通痛铜桶统童彤瞳恸同 (tong)与疼腾藤誊 滕(teng)不分宗踪粽总纵(zong)与曾 增综缯(zeng)不分ju 句举巨局具距居菊鞠橘车 聚铸(zhu)qun 群裙 皴(cun)zheng 争睁筝 正整证蒸拯郑徵帧贞(zhen)蕊锐睿 (rui)读lui ,

Where heaves the turf in many a mouldering heap：龟裂的草皮一丘丘隆起

Beneath those rugged elms, that yew-tree's shade, 皴皱的榆树,紫杉的... | Where heaves the turf in many a mouldering heap, 龟裂的草皮一丘丘隆起, | Each in his narrow cell for ever laid, 淳朴的祖先一个个...

Beneath those rugged elms,that yew tree's shade：皴皱的榆树,紫杉的荫翳

Molest her ancient solitary reign. 骚扰她独居的古老地盘... | Beneath those rugged elms, that yew-tree's shade, 皴皱的榆树,紫杉的荫翳, | Where heaves the turf in many a mouldering heap, 龟裂的草皮一丘丘隆...