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It's no wonder that only people with rich aesthetic appreciation experiences have a physiological or psychological demand for tachisme, because in their eyes, what they expect most is a kind of pleasant sensation on aesthetic appreciation. They have seen too many delicate paintings, so their eyes are very particular and slashing. Especially, they can't bear ordinary paintings without mien. It has become impossible for those quotidian and easy descriptions about the reality without sound and colors to catch their eyes, to say nothing of touching their heartstrings. In their eyes, a good artwork "shall not get separated from the thought course of the reality to make an immediate response to various experiences and feelings in the life, and express them in a surprising manner with a breath-taking vigor, even make a crazy demonstration."
朱健甫:这也难怪,只有有着丰富的审美经验者,他才会对抽象绘画有一种生理和心理的需求,因为在他们眼睛里最为期盼的是一种审美快感,他们看了太多的精美绘画,因而眼睛是十分挑剔与苛刻的,尤其不能容忍平凡,没有声色的存在,对于那些司空见惯的对现实简单的描述,已不能打动他们的眼球,更无法触动他们的心灵,在他们看来,好的艺术品:&既不能脱离现实的思维进程,将生活中的种种经验与感受即刻的作出反应,并将它以出乎意料的方式表达出来,用一种摄人心魄的气势,做甚至是癫狂的展示。&
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Shaman:萨满
"萨满"(Shaman)一词为通古斯(Tungus)语"激奋者"或"癫狂者"的音译,它原是对流行于北亚和东亚地区的一种巫术性质的早期巫教或巫师的称谓. 关于萨满教的性质和特征,托卡列夫将其概括为: