画面

词组短语

general appearance of a picture

与画面相关的网络例句 [注：此内容来源于网络，仅供参考]

These effects are applied zero times to the most recent afterimage frame, once to the second-newest afterimage frame, twice in succession to the third-newest afterimage frame, etc.

这些效果被0次应用到最新的残影画面，1次应用到第二新的残影画面，2次应用到第三新的残影画面，等等。

I, the undersigned, Alfred Bernhard Nobel, do hereby, after mature deliberation, declare the following to be my last Will and Testament with respect to such property as may be left by me at the time of my death: To my nephews, Hjalmar and Ludvig Nobel, the sons of my brother Robert Nobel, I

除了在少数画面中衬布是表现的主体外，一般情况下，衬布在画面中是处于次要的地位，但处理好衬布的素描关系对突出主体、加强整体关系、增强画面的趣味性能起到很大的作用。

Though the "apparent horizon", Yin Chaoyu acquired the structure mode of incising the picture breadthwise, and often the whole picture is intentionally divided into the upper and the lower parts because of the "apparent horizon", which makes the whole different from the classicality and has more subjectivity, and makes the whole creation get rid of the bondage of the "order of the nature" and takes on the "mode of concept".

通过"地平线"，尹朝宇取得了横向切割画面的结构方式，整个画面往往因为"地平线"被人为分割为上、下两块，这令整个画面有别古典而带有了更多的主观性，使得整个创作脱离开"自然的秩序"的束缚而呈现出"理念的模式"。

Draw up really" is the main skill of the painting poem description appearance; In the meantime, with Chien invite of the pen and ink draw an appearance of elegant, combine truth and falsity for light and free, the action fitting and proper body is got angry now by appearance, all making the appearance in poem present export surplus more realistic appreciate beauty value with landscape painting object."

拟真"是唐代山水题画诗描绘画面的主要手法，并通过以形写神达到画面描绘逼真神妙的至境；同时，以简约的笔墨绘出画面的精美，以虚实结合衬出画面的空灵，以动静相宜体现画面的生气，都使得诗中画面呈现出超越现实和山水画对象的审美价值。"

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅，巨大的石头几乎占满了整个画面，相比之下，画中的人经过了激烈的挣扎，松弛了下来，形将瘫软一般，渺小，无能，心有不甘而黯然神伤，俨然已经放弃了与石头的搏斗，在这个英雄主义调式的系列里，尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对，这幅画中的人甚至显出了一种酸楚的滑稽感——这里，我们确知反讽已经介入了他的绘画，并且，可以理解为一种自我反讽，它并非是纨绔式的慵懒，然而，确实不再绷紧他全身的肌肉，不再保持激昂而单一的斗姿，好像一切都已经难以为继，在画中的英雄卸下了石头的同时，艺术家自己也仿佛卸下了英雄梦，任凭那巨大的石头像烈火般燃烧和蔓延，包围我们，紧紧地挤压、烤炙我们，并且溢出整个画面，它以全部的沉重、坚硬和尖锐使我们窒息，反衬出我们脆薄如剪纸般的生命。

The figure in the work looked like being cut into two pieces that belonged to different two pictures, and her head was separated from the body. The electrical wires showing up in her broken neck eliminated the horridness of the figure for it seemed to tell viewers that the girl here was really a robot.

画面中的人物似乎被割断了脖子，头从身体上分开来了，属于两个不同的画面，原本充满恐怖的画面因为脖子中隐约露出的电线似乎又被消解了，好像在告诉观众，这其实是一个阿童木一样的机器人。

Show phenomenon is that Quad though to the police, but for the alarm input signal is weak and job instability, leading to occurrence of alarm signal that corresponds to the way the camera's image on the monitor screen although the screen instantly converted to full-screen but lost, while the image on the monitor is still not over before the alarm screen.

表现出的现象是，画面分割器虽然能报警，但出于输入的报警信号弱而工作不稳定，从而导致对应发生报警信号的那一路摄像机的图像画面在监视器上虽然瞬间转换为全屏幕画面却又丢掉，而使监视器上的图像仍为没报警之前的多画面。

The composition sees relations with the portraits in Sir Zhang's Graveyard Temple; in fact, part of the song is a literary description of some of the portraits in the Temple. Some 'textual figures'bear the characteristics of 'pictorial art': the meaning in the literary sense could be transformed into imagistic compositions. The language observes such features as the structures and images, color and tincture, dynamic and static stokes in a picture.

其写作与&张公&墓地祠堂画像存在联系，部分章节内容是对祠堂画像相关画面的文学性描述，某些&文本形象&具有&图像艺术要素&的性质和特点，其文学意义上的情境单元，能够转化为一种图像意义上的画面构成；在语言运用上注意到了表现画面构图与画面形象、画面色彩与光泽、画面动态与静态形象的特征等问题。

Response time is defined as the same point in the panel above to change from black and white plus the time required for change from white to black response time LCD there is a matter of time because the LCD is based on the rotation angle of liquid crystal molecules to control the light light and dark gray rotation of liquid crystal molecules will take time. the general aim is to monitor the use of word processing and web browser is under normal circumstances will continue to monitor display screen with a long period of time, then switch to a different picture of such a In fact, the use of fast response time more than slow the user is not affected but if you want to use animation or video monitor view will continue to change because the screen did not stop this time the response time will affect the picture quality.

坏点所谓坏点，是指液晶显示器上无法控制的恒亮或恒暗的点，坏点的造成是液晶面板生产时因各种因素造成的瑕疵，可能是particle落在面板里面，可能是静电伤害破坏面板，可能是制程控制不良等等等，坏点分为两种：亮点与暗点，亮点就是在任何画面下恒亮的点，切换到黑色画面就可以发现，暗点就是在任何画面下恒暗的点，切换到白色画面就可以发现，一般来说，亮点会比暗点更令人无法接受，所以很多monitor厂商会保证无亮点，但好像比较少保证无暗点的，有些面板厂商会在出货前把亮点修成暗点。

Through discourse re-writing, graphic paintings forms the thinking into this artistic context. By the study on two paintings with similar style, this paper aims to examine the space constructed from the paintings. The goal is to know how the appreciators digest and re-form the image when paintings are deemed as the language of space re-presentation. Furthermore, the investigation on how characters in paintings and artists per se make their influences, and how they connect with each other by the paintings will be made at the same time.

摘要 平面绘画作品藉由论述的再书写纪录，建立这场艺术文脉的思考，笔者藉由两组画面组成类同之艺术作品为研究对象，旨在探讨画面中所形构成出来的空间，当作品的画面作为空间再现的语言时，是如何透过观众观赏后的消解与重组影像，而画面里人的角色以及艺术家本身的角色如何介入影响，又如何的在画面中被连结成关系。

与画面相关的网络解释 [注：此内容来源于网络，仅供参考]

Aspect Ratio：画面比例

r)2 x画面比例(Aspect Ratio)转换器2 x影像解调器(Video Trans coder)2 x标志插入器(Logo Inserter)多种转换(Conversion)和扫描(Scaling)功能集於一身所有的影像输入皆具备同步锁定(Genlock)功能可放大(Zooming)画面中的某个区域到1000%,

cinerama, Cinerama：西涅拉玛型立体声宽画面影戏,全景影戏

cinemascope, CinemaScope 西涅玛斯科普型立体声宽画面影戏,变型镜头式宽画面影戏 | cinerama, Cinerama 西涅拉玛型立体声宽画面影戏,全景影戏 | title 片名

flicker：画面闪烁

倍频扫描可减少画面闪烁(Flicker)现象. 面反转驱动的作用为,当资料写入构成每个画面中的画素时,都能保持相同的极性,具有拉升画面对比度(Contrast Ratio)的效果,而这也是为何D5面板在对比度上优於D4面板的缘故.

horizontal flip：画面左右对换

Crop 长(上下左右) | Horizontal Flip 画面左右对换 | Vertical Flip 画面上下相反

frame, picture：画面(电影的一系列画面中的单独一个)

medium shot 中景 | frame, picture 画面(电影的一系列画面中的单独一个) | 影片类型 films types

montage：蒙太奇/画面剪辑;画面合成

editing,cutting 剪接 | montage 蒙太奇/画面剪辑;画面合成 | recording, sound recording 录音

MS splash screen on startup：微软在启动画面

Splash screen启动画面 | * MS splash screen on startup微软在启动画面 | * MS splash screen on shutdown微软在关机画面

Carrier splash screen on startup：承运人启动画面

* MS splash screen on shutdown微软在关机画面 | * Carrier splash screen on startup承运人启动画面 | * Carrier splash screen on shutdown承运人对关机画面

steadiness：平滑照相机拍摄的运动画面,或者完全锁定一个画面

ReGrain,添加胶片感觉的颗粒度效果 | Steadiness,平滑照相机拍摄的运动画面,或者完全锁定一个画面 | RigRemovel,消除画面上不需要的前景物体

UnCover Down：第一张照片,自动往下面移动,而第二张照片在画面中渐渐出现

UnCover Up 第一张照片,自动往上面移动,而第二张照片在画面中渐渐... | UnCover Down 第一张照片,自动往下面移动,而第二张照片在画面中渐渐出现. | UnCover Left 第一张照片,自动往左边移动,而第二张照片在画面中渐渐...