男性的

基本解释 (translations)

male  ·  masculine  ·  virile  ·  Male  ·  masc.

与男性的相关的网络例句 [注：此内容来源于网络，仅供参考]

The comparison of T score: The T score between male and female displayed that the vifrilismfeminization score in males was higher than in females （52.17±8.19, 37.44±8.69）. According to the age, the patients were divided into the 16- 25 old group and 26-35 old group. No significant difference was found in T score in male, but the feigned, partial and dementia praecox had significant difference in female （P〈 0.05）, and those at 16-25 years old had high scores.

分比较：男女T分之间比较显示男性的男性化-女性化分高于女性（52.17 8.19，37.44 8.69）：按不同年龄分为16-25岁及26-35岁两组，男性不同年龄组间T分无显著性差异，而女性不同年龄组间T分在装坏、偏执、精神分裂症量表分有差异（P〈0.05），以16-25岁的得分较高；按不同文化程度分为中学及大学两组，T分均无显著性差异。

Disinter the crisis of traditional authority masculine visualize, discuss how to cast away the criterion of man. How to response their instinct demand more freely and come back to themselves which haven't been melted by patriarchy?

发掘出传统男性权威形象潜在的危机，探讨男性如何抛弃传统的男性标准，更自由地回应自己天性中的本能要求，回到未受父权制文化浸染的自我，实现男性的更为人性化的生存。

Through the depiction of words and deeds of the disabled men, Zhang has deeply explained the dejected and obscene mind of the men characters, and denied the right image of man in the religious society, thus exposing men's weakness and evil of humanity, which is self-centered, foppish, despicable and cheeky.

张爱玲通过对其小说中的精神残障的男性人物及男性的形体动作与语言的细致描绘，深刻诠释了其小说文本中男性人物形象的委顿、浮浪的内心世界，彻底否定了宗法社会中男性的正统身份。张爱玲以此揭示出了男性自我或纨绔或卑劣或无耻的人格缺陷和人性恶的本质。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

That is to say, males adopted the taboo narratives in the public domain displayingtheir "misogyny" in order to prevent the enhancement of women\'s social position,meanwhile strengthened the status of the male gender superiority. Secondly, males areidentified with women\'s changing social position: the contract responsibility systemstressed the importance of labor cooperation among family members.

土族女性初步的现代性觉醒引起了男性相应的"文化反应"：第一、男性对女性现代性突围的焦虑与警觉，这是一种集体的焦虑，即在公共领域男性采取禁忌叙事的方式去公开表现自己的"厌女症"，从而抑制女性社会地位的上升，强化男性的优势性别地位。

The types of the images of women created by ShiZhecun contains the type of chastity imagined by man"s personally thought, the type of tradition imagined by men"s collective unconscious, the type of deregulation in a androcentric society, the type of stunner which were pursued by men and defeated them, the type of which came from mens anxiety and fear.

这些女性形象主要包含了以下几个类型：男性个人化想象中的贞节女性、男权社会集体性规约下的传统女性、男权社会中的违规女性、既是男性的欲望追逐对象又成为男性迷失标记的尤物女性以及男性焦虑恐惧心理下所产生的妖魔女性。

Females will clump and allopreen males in nonbreeding plumage if a red male is not present, but may act aggressive towards other females and brown males if a red male is present.

女性将丛和allopreen男性在nonbreeding羽毛，如果一个红色的男性是不存在，但可能的侵略行为，对其他女性和男性的布朗，如果一个红色的男性是目前的。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

In the 19th and 20th centuries,with women's awakening,women's movement,social history development and the occurrence of the historical view of "from the downside to the upside",women's image and history,that is,herstory,was studied,which is a great progress of human's self-image.

男性的欲望、男性的意愿、男性的价值观，成为叙事的主要准则。因此在几乎所有的历史著作里，充斥其间的是男性的语言、男性的概念、男性的业绩；而女性，只有作为男性的附属品偶尔露面。

And, they added, the fact that men are more turned on by women in red also confirms that , although men like to think that they respond to women " in a thoughtful and sophisticated manner , it appears that at least to some degree their preferences and predilections are, in a word, primitive ."

此外，研究人员称，&男性易被红衣女性吸引&的研究结果进一步证明：尽管男性认为他们对待女性&体贴稳重&，但至少从某种程度上讲，男性的喜好和偏爱用一个词来说就是---原始。

与男性的相关的网络解释 [注：此内容来源于网络，仅供参考]

berdache：北美印第安人男性的异装癖者或同性恋者

berceuse | 摇篮曲, 催眠曲 | berdache | 北美印第安人男性的异装癖者或同性恋者 | bere | 大麦的一种

Males：男性的

13.length:长度 | 14.males:男性的 | 15.females:女性的

masculine：男性的

这一事实揭示在"男性的"(masculine)与"女性的"(feminine)之间存在着根本的不对称:男人界定的是人,而不是女人,这种不平衡可以追溯到>. 女人散布在男人中间,没有自己单独的历史,没有自然的团结;她们也不像其他受压迫团体那样结合在一起.

mister：加在男性的姓氏前面

fourteen 十四 | fifteen 十五 | mister:加在男性的姓氏前面

stag party：男性的聚会

33. blast 喧闹的宴会 | 34. stag party 男性的聚会 | 35. hen party 女性的聚会

tribade：女子同性恋, 扮男性的女性

sail yard 帆桁 | tribade 女子同性恋, 扮男性的女性 | cell fusion 细胞融合

tribade：扮男性的女性

tribade 女子同性恋 | tribade 扮男性的女性 | tribalchief 酋

Love unexpressed is sacred.It shines like gems in thegirl is boldness：真正的爱最初的表白是男性的羞怯和女性的大胆

Love is frail at birth,but grows stronger with ag... | Love unexpressed is sacred.It shines like gems in thegirl is boldness 真正的爱最初的表白是男性的羞怯和女性的大胆 | He who loves well is consumed i...

vira：男性的

virga 贞洁的 | vira 男性的 | volatila 易挥发的

virile：男性的

viridity 鲜绿 | virile 男性的 | virilism 男性化现象