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These images that need no word expression and logical reasoning, even need no brain-racking search for the archetypes, are a kind of self-cultural sediment. They may have multiple and cultural relations or collisions with a declining national spirit at present, but the paintings themselves not only act as a representation of dominant cultural traits of our nation, but are also my attempts to continue stone inscriptions and brick engravings by those ancient people through knife scraping and line engraving in cold and gray tone, not only a visual sediment of my own obscure emotion, but also a kind of exterior exposition of my personal art spirit.
这些无须用言词、逻辑去表达、推理、甚至去挖空心思搜寻的形象，是自我的某种文化的积淀，或许与时下民族气性衰微与潦落的状况有着多层面的文化上的关联与冲突，但画面本身不仅成为民族强势文化特质的某种形式上的渲染，同时也希籍冷灰色调下的刀刮、线刻能够成为古人碑帖、砖刻痕迹的某种延续，既是自我内心晦涩情绪的视觉沉淀，也是个人艺术精神的某种外化的诠释。
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What happened, as well as it can be put into words, was this.
所发生的情况，如用言词尽可能清楚地表达出来是这样的。
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Worcestershire：伍斯特郡 (名)
woozy 头昏眼花的, 糊涂的 (形) | Worcestershire 伍斯特郡 (名) | word 用言词表达 (动)