现代性的

基本解释 (translations)

modernistic

与现代性的相关的网络例句 [注：此内容来源于网络，仅供参考]

The thinkers of the Lunyu School fully expressed their persistence of individualism and their reconsideration in literary modernity Yet the persistence and escape existed side by side, this mode of behavior and thinking indicated that the self-subject of the modern scholars was illusive and was hard to carry on when the modern scholars were covered by the powerful tradition and deeply controlled by modernity's consciousness of time Chapter Two Reconsidering on the character of modernity with leisure ampleness, resisting the human alienation caused by modern materialism and mechanism with humor, reaffirming the space of self-expression, which formed the humor, the leisure, the modern, and the aesthetic spirit implication of Lunyu School But the modern scholar's powerful inclining to the tradition made Lunyu School's aestheticism draw close to live in seclusion And its aesthetic modernity is also discounted for that reason Chapter Three It is the emotion and the leisure manner owning by the middle aged people that help to bring about Lunyu School's essay's adjusting in main key and moving massively in theme Lunyu School changed the way for "gaining the experience of life"in the twenties'prose It went from highly enthusiastic writings to reserved life-concerning and recite with appreciation in everyday life

第一章 三十年代左翼文学以其"新"、"进步"和"时代性"确立了自己的合理性地位，而时代思潮的转换、文艺与政治的日益密切使五四自由知识分子所坚持的个人主义成了"落伍""颓废"的表征。论语派自由思想者充分表达了对个人主义的执着、对文学现代性的反思，但坚持与逃逸并存的行为与思维模式表明现代士子在忧生伤世的强大传统笼罩下和一往无前的现代性时间意识的深刻控制下，个人主体的难以为继和虚幻性。第二章以闲适的余裕对奔竞躁进、汲汲功利、一往无前的现代性特征进行反思，以幽默对抗现代物质主义机械主义对人灵智的异化，重申自我表现的空间，构成论语派幽默闲适的现代性审美精神内涵。但现代文人对于传统的强大趋同力，则使论语派审美主义向隐逸文化靠拢，其审美现代性由此大打折扣。第三章中年情感与闲适气度直接促成论语派散文基调上的调整及主题的大幅横移，在趣味、游戏、幽默、闲适中改变了二十年代散文"问世"的径路，从意兴湍飞的激扬文字走向了沉潜适世的生命关怀与日常人生的吟味与咀嚼。

Among that, the core of modernity includes the mechanism of the modernity, that is how does the modernity run; the prices of the modernity, which means what does the people pay for the mechanism; the enervation of the modernity, that is the exhibition and reason of the enervation.

其中，"现代性"的思想核心包括："现代性"的机制，即"现代性"是如何发挥作用的；"现代性"的代价，即在"现代性"的机制的运作下，人类为此付出了何种代价；"现代性"的削弱，即"现代性"正走向衰弱的原因和表现。

Discontinuity is an essential feature of the modernity, and primary prerequisite that we launch studying about modernity too; Three motive force mechanisms of modernity—Separation of time and space, disembedding mechanism, reflectivity in knowledge.Modernity has four basic institutional dimensionality :Capitalist, industrialism, military power and surveillance.

现代性的基本特征是断裂，而且也是我们展开对现代性研究的首要前提；现代性有三个动力机制：时空的伸延和分离、脱域机制、对知识的反思性；现代性有四个基本的制度性维度：资本主义、工业主义、军事力量和监督体系，由此所导致的全球化也有四个维度：世界资本主义体系、民族国家体系、国际劳动分工和世界军事秩序。

Modernity is approached from the two aspects of ideological idea and institution, and with the focus on the differentiation of the inspection of modernity and the introspectiveness of modernity, it is pointed out that the interaction and development of the two parts helps to establish rational modernity.

本文从思想观念和制度两个层面对"现代性"作了新的阐释，着重分辨了反思现代性和现代性的反思性，指出它们二者的交互发展有助于理性现代性的建立。

This character, toge the r with the secular modernity, enlightening modernity, reflectional modernity and aes the tic modernity, constitute the multiple aspects of modernity.

这一特性与世俗现代性、启蒙现代性、反思现代性、审美现代性等，共同构成现代性的多重因素。

The denominating of Socialist Modernity not only remedies the failing of the west concept of Mod...

社会主义现代性的命名，不仅可以在现代性概念系统内部弥补西方现代性概念之不足，直接呼应潜藏于西方现代性理论内部的、尚处于萌芽和预想状态的社会主义现代性言述，而且能够从理论上揭示与描述20世纪中国文学文论为社会主义事业服务这一特殊而本质的现代性规定。

The denominating of Socialist Modernity not only remedies the failing of the west concept of Modernity in response to the discourse of Socialist Modernity in an undeveloped stage which hides behind the west concept of Modernity,but also uncovers and describes in theory the character of Modernity serving the socialism in Chinese literature and literary theory of the 20th century.

社会主义现代性的命名，不仅可以在现代性概念系统内部弥补西方现代性概念之不足，直接呼应潜藏于西方现代性理论内部的、尚处于萌芽和预想状态的社会主义现代性言述，而且能够从理论上揭示与描述20世纪中国文学文论为社会主义事业服务这一特殊而本质的现代性规定。

With the changes from advocating enlightening to introspecting it, the cultural modernity fissions to aesthetic modernity, which formed the conflict between aesthetic modernity and enlightening modernity, which is so-called "the conflict of the two modernities".

随着从鼓吹启蒙到反思启蒙，文化现代性又裂变出审美现代性，从而形成审美现代性与启蒙现代性的对抗，这就是学界所谓的&两种现代性之争&。

Itpossesses the following three characteristics:Thoroughness,based on pure"Ontology",which is characterized by non-objective thought and non-anthropological horizon,it bothexternally and internally transcends modernity;Constructiveness,the task of transcendingmodernity is not to advocate destructive post-modernity,which is in the condition of puretexts,like vacuum,but to re-construct lively"pre-modernity";Actuality,the practicality of thechannels of saving modernity——"thinking"and"poetizing"——determines the actuality ofhis critique.

此种批判具有三个特点：一、彻底性，即非表象性的思维与超人类中心主义的视域所构建的纯&存在&论外在而又内在地彻底超越了现代性；二、建设性，即超越现代性的后果不是倡导纯然破坏性、文本化的后现代性，而是在回归中重建积极的、活生生的&前现代性&；三、现实性，即拯救现代性、回归&前现代性&的途径——&诗意之思&、&思性的诗&——是实实在在地为人所秉有、运作与实现，这决定了他的批判蕴涵有深厚的现实意义。

To be brief, the English romanticism on the one hand further pushes ahead the project of modernity in the artistic or aesthetic field, but on the other hand it also launches a vehement aesthetic critique of modernity, thus resulting in the birth of aesthetic modernity; the Chinese romantic movement represented by the Creation Society is characterized by a different Janus'face: like English romanticism, it is a significant artistic articulation of the principle of subjectivity (which is the kernel of modernity) in its initial stage, yet influenced by the interaction of individual enlightenment and the national salvation, a pair of conflicting themes typical of China's modernity project, the Creation Society gradually turns to the left and consequently not only radically politicizes its romantic spirit but also ironically suppresses the search of modernity.

简言之，英国浪漫主义思潮一方面在艺术和审美领域内进一步推进了现代性工程，而另一方面又反戈一击，对现代性工程进行了猛烈的审美批判，从而催生了现代性之另一对立性形态——审美现代性的最早萌芽，并因此而造成了现代性的分裂；以创造社为代表性个案的五四新文学中的浪漫主义思潮在中国的现代性语境下则又呈现出另一种两面性：一方面，创造社的初期也象英国浪漫派一样，通过在艺术和审美领域内竭力弘扬现代性的主体性原则，从而积极地推进了新文化运动所致力构建的现代性工程，但另一方面，个体启蒙和民族救亡两大中国现代性主题的纠结使得创造社在后期逐渐将其前期的启蒙浪漫主义进行了民族主义化和意识形态化，从而放弃了对现代性作更深入的追求。本文在结构上总共分为八章三部分。

与现代性的相关的网络解释 [注：此内容来源于网络，仅供参考]

abyss：渊

事实上施特劳斯认为海德格尔的最大贡献恰恰在于他以彻底的"知性真诚"第一个指出在现代性下"伦理是不可能的",从而以最大的勇气面对一个基本"事实"即西方现代性的底下是一个虚无主义"深渊"(abyss),而其他人如新康德主义文化哲

Auschwitz：奥斯威辛

"奥斯威辛"(Auschwitz)之后,关于现代性的诗性幻想彻底破灭. 西方许多思想家,如法兰克福学派的马尔库塞,对极权主义进行了反思与批判. 在他们看来,极权主义并非传统的政治形态,而是现代性的产物. 极权主义不遗余力地排斥异质性因素,

consensual：同感的

"全球现代性的到位"与西方某些民族国家的文化主导之间不存在必然的联系**他甚至不惮于提倡某种"宽厚的普遍主义":"我这里所说的'宽厚的普遍主义', 是指这样一种意识: 可能存在着某种同感的( consensual) 价值观, 它是在这个公共的基础上建构起来的"29**登上现代性话语的平台,

embed：镶嵌

借用汪晖推崇的伟大思想家卡尔.波朗尼(Karl Planyi)惯用的术语,中国现代性的创制、发生和展开,它面临的危机以及蕴含的活力,都"镶嵌"(embed)在东西方文化交往的过程中,[55]正如他明确指出的:"就中国的'现代性'问题而言,

Modernism：现代性

为此,也许我们倒真的需要重新认真而深入地反观、反省与反思一下自近代以来之所谓"启蒙运动"(enlightenments)以及近、现代以来乃至于当下之仍流行着的所谓"历史主义(historicism)"问题、"彻底历史主义(radical historicism)"问题、"现代性(modernism)"问题及所谓"后现

modernistic：现代性的

modernist 近代主义者 | modernistic 现代性的 | modernistic 现代主义的

modernistic：现代主义的

modernistic 现代性的 | modernistic 现代主义的 | modernistneoteric 现代人

modernity：现代性

又确立了描述物像的大小高低,每个人对色彩的不同感觉,又给这一物像涂抹了感觉不同的颜色,这固然是以\"我\"为中心,以科学思维为基础,对于方位、比例、色彩的判断--用时髦的话来说是\"现代性\"(modernity)的产物,据说是科学和客观--其实,

modernity：现代性的东西

modernity 现代性 | modernity 现代性的东西 | modernlanguageversionmoderntranslationcontemporarytranslation 今译

Expos：世界博览会

在<<重大事件与现代性>>(Mega-events and Modernity)的专著中,Roche主要从社会学的角度,以奥运会(Olympics)和世界博览会(Expos)这两种最重要的重大事件为例,以不断发展的全球文化为背景,广泛而深入的研究了重大事件与现代性的关系(Roche M.,