- 更多网络例句与演奏爵士乐相关的网络例句 [注：此内容来源于网络，仅供参考]
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Mainly in solo jazz improvisation and the development of itself, with more and more attention, and increasing the performance of brass instruments and the solo in arranger exploration indicates the arrival of the era of swing.
以独奏为主的即兴演奏也随爵士乐本身的发展而受到越来越多的重视，日益增多的演奏铜管乐器的独奏者以及在编曲方面的探索预示了摇摆乐时代的到来。
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The next reviewed book to use is "How to play the piano despite years of lessons" by Cannel and Marx, which is not a book about technique; instead, it teaches how to play jazz, popular songs, or from fake books.
另一本做了书评的可用来练习的书，是坎耐尔和马克思的《多年钢琴课学习后如何演奏钢琴》，这本书不是谈演奏技巧的，而是教你如何演奏爵士乐，流行歌曲，或者按照抓谱集演奏的。
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The kind of bar British diplomats frequented in colonial southeast Asia, Opulent oriental chic, salon couches draped with fox pelts, a walk-in humidor, cognac, and an abundance of thick candles and antiropes, Membership nets access to the third floor--hoi polloi is relegated to floor two, where a stage hosts live jazz.
以前在东南亚殖民地区，英国外交官常去的那种酒吧，东方的华丽风格，用狐狸毛皮装饰的沙龙长椅，一间直接进入的保湿烟室，优质白兰地酒和许多大蜡烛和羚羊皮。会员才能进入三楼；而普通顾客只能待在二楼，这里有一舞台现场演奏爵士乐。
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I still keep a picture of Jr. Walker and me doing a riff together.
我现在仍然留着和小沃克一起即兴演奏爵士乐的一张照片。
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Ryan Kisor, one of the best jazz trumpeters in the world, was born April 12th, 1973 in Sioux City, Iowa. He began playing in a local dance band by the age of ten, began classical lessons at 12, met and was inspired by Clark Terry at 15 (while attending the latter's summer jazz camp) and played with various high school all-star bands. In November of 1990 he won the Thelonius Monk Institute's trumpet competition at the age of just 17, beating out the likes of Nicholas Payton and Marcus Printup. After graduating from high school in 1991, he went to the Manhattan School of Music and later studied with Lew Soloff among others. He has recorded fairly extensively both as a leader and sideman and with small and large groups. Among the highlights; the Mingus Big Band (which still plays every Thursday night at "The Fez" under Time Cafe in NYC's east village), the Michel Camilo Big Band (which although only existed for the purpose of recording the album,"One More Once," was arguably one of the best latin big bands recorded in recent memory), the Lincoln Center Jazz Orchestra, Gerry Mulligan, Wynton Marsalis, Wycliffe Gordon, Horace Silver, and Walter Blanding.
Ryan Kisor，美国著名爵士小号演奏家，1973年4月3日生于美国爱荷华州，10岁开始学习小号演奏，1990年在美国竞争最为激烈的爵士乐比赛——Monk国际爵士乐大赛（International Thelonious Monk Jazz Competition）中击败像Nicholas Payton和Marcus Printup这样的高手获得优胜，当时年仅17岁。1991年中学毕业后，被著名学府曼哈顿音乐学院录取师从Lew Soloff先生学习小号，在学期间加入Mingus大乐队，年纪轻轻便以惊人的深厚实力成为独当一面的独奏小号手。19岁时以首张专辑《One For Miles》正式出道，而后自1994年至今一直为世界著名爵士小号演奏大师Wynton Marsalis领衔的林肯中心爵士乐团的常任小号演奏家，同时Kisor先生还受聘加入卡内基音乐厅爵士乐团以及David Matthews率领的曼哈顿爵士乐团，杰出的演奏技巧及艺术水准受到世界乐坛之瞩目，曾受邀多次出访全球各国，每次均毫无保留的展现了其精湛的演奏实力，让世界各地的广大乐迷感受到其小号的魅力。
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He played into his nineties.In 1995,after suffering two strokes,he received an award for artistic excellence at Manhattan's first Jazz at Lincoln Center Awards gala,then performed a swinging rendition7） of Goodman's Air Mail Special on the vibraphone.
进入90岁后，汉普顿仍然坚持演出。1995年，在两次中风后，他在曼哈顿首届爵士乐音乐节上获优秀艺术家奖，并在林肯艺术中心颁奖演出中用颤音琴演奏了古德曼一首强节奏爵士乐风格的Air Mail Special。
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He started playing piano when he was three and trumpet at five, performing in a dance band when he was 13. Towner studied classical guitar in Vienna and played with classical chamber groups in the mid-60s. After moving to New York in 1969, Towner worked with Jimmy Garrison, Jeremy Steig, and Paul Winters Winter Consort (1970-1971). In the latter group, Towner first met up with Collin Walcott, Glen Moore, and Paul McCandless, and in 1971 they broke away to form Oregon, a highly versatile group that ranges from jazz and free improvisations to folk music.
Ralph Towner是爵士乐手中少数完全专注于空心吉他演奏的当代杰出吉他手之一，他的角色位置就像是就如同另一位大师Joe Pass一般，持续不断专注于演奏技巧与特色，致力于探索空心吉他声音发展的各种可能性，其演奏特色总是带有一股十分特出的气质，既融入了爵士乐与古典音乐，时而也有世界音乐的元素在里头，但是表现出来的结果常常是干净、细腻而充满想像的。
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Anyone with a knowledge of basic chords, and guitar scale fingerings can dig right in and start learning to play jazz right away.
与和弦的基本常识的人，可以挖掘和吉他指法正确的规模，并开始学习演奏爵士乐的时候了。
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At these parks, musicians may play well-known classical music, like the Brahms symphony. Or they may play folk music, jazz or popular music.
在这些公园，音乐家们演奏久负盛名的古典音乐，如勃拉姆斯的交响乐；或者演奏民乐、爵士乐或者流行音乐。
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These instruments had long been popular with military marching bands,and jazz musicians took what they liked to play jazz.
这些乐器长久以来都是军乐队最喜欢使用的，爵士乐手就从中挑选他们喜欢的来演奏爵士乐。
- 更多网络解释与演奏爵士乐相关的网络解释 [注：此内容来源于网络，仅供参考]
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double bass：倍大提琴
"交叉" 大概指该贝司有3种不同的演奏模式:它可以当作直立(upright)贝司,拨奏或用弓演奏,作电贝司. 注:直立(upright)贝司是个新词,想来指交响乐队或爵士乐用的倍大提琴(Double Bass),有别与斜挎在胸前的电贝司.
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BASSO CONTINUO：持续低音
开头钢琴、套鼓、贝斯以类似持续低音(basso continuo)的手法,顽固地重复演奏一个伴奏的乐句. 德斯蒙稍后加入,以中音萨克斯风富磁性的低音域演奏这个爵士乐极知名的迷人旋律(我在美国至少听过两个爵士乐的广播节目以此曲作为开播主题),
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Hard Bop：硬波普爵士乐
CHRIS CONNOR 西岸爵士乐(WEST COAST JAZZ)20世纪50年代诞生以精心构思的对位、流畅灵巧的编曲、丰富的颤音、压抑的情感见长,要求照"谱"宣科,少有即兴演奏,作风严谨CHET BAKER,BOB COOPER,HAMPTON HAWES 硬波普爵士乐(HARD BOP)存在于1955年到1960年间保留了强有力的波普元素,
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Duke Ellington：艾灵顿公爵
>("C-JAM BLUES")是爵士乐世纪大师、作曲家和钢琴家艾灵顿"公爵"(DUKE ELLINGTON)的手笔. "JAM"在英语里是个多义词,在爵士乐里有着特定的含义,它是特指在一些小场合进行的爵士乐即兴演奏,强调其自由即兴、临场多变、随意铺陈的特点,
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Moldy Fig：一句摩登的术语,形容早期对爵士乐狂热的歌颂者
Mickey Mouse:指管弦乐演奏一种伤感的音乐,或描写其他各型奇腔怪调的音乐. | Moldy Fig:一句摩登的术语,形容早期对爵士乐狂热的歌颂者. | Off Beat:离拍,弱拍,非强拍.
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fusion：爵士乐 )
融合爵士乐(Fusion) 混合了两种或两种以上音乐形式的爵士乐,爵士摇滚 就是如此. 特约演奏(Gig) 爵士乐现场演出. 硬博普乐(Hard bop) 50个年代博普乐的一大进展,情感更加深沉,蓝调影响更多于原始博普乐的影响.
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Lesson 11 One good turn deserves another：礼尚往来 46 时态小结
Lesson 10 Not for jazz 不适于演奏爵士乐 41 被动语态(1) | Lesson 11 One good turn deserves another 礼尚往来 46 时态小结 | Lesson 12 Goodbye and good luck 再见,一路顺风 50 一般将来时
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West Side Story, Andre Previn：最佳爵士乐歌手
最佳节奏布鲁斯女歌手 "Let the Good Times Roll," Ray Charles | 最佳爵士乐歌手 West Side Story, Andre Previn | 最佳爵士乐演奏 Blues and the Beat, Henry Mancini
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Ragtime：繁音拍子
繁音拍子(Ragtime)是一种采用黑人旋律 依切分音法(Syncopation)循环主题与变形乐句等法则 结合而成的早期爵士乐 盛行於第一次世界大战前後. 其发源与圣路易斯与纽奥尔良 而後美国的南方和中西部开始流行 它影响了纽奥尔良传统爵士乐的独奏与即兴演奏风格.
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Polyrhythm：复合节奏
* 复合节奏(Polyrhythm) 两个或两个以上彼此冲突的节奏同时演奏. * 拉格泰姆乐(Ragtime) 爵士乐问世之前出现的一种切分音乐曲或称粗劣参差的音乐. * 节奏(Rhythm) 音乐或强或弱、或长或短的节拍的组织. 节奏是爵士乐与众不同的特色之一.