- 更多网络例句与浮世绘相关的网络例句 [注：此内容来源于网络，仅供参考]
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One of the highlights of the Japanese works of art on show at TEFAF on Paper will be an extremely rare original 1920 Hashiguchi Goyō print on the stand of Galerie Tanakaya from Paris.
在"TEFAF纸本作品展"的日本美术作品中，桥口五叶（Hashiguchi Goyō）作于1920年的一幅极为罕见的浮世绘原作令人瞩目。
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The result is a gripping portrait of Jacksonian America in all its wild variety, from its model farms to its grungy boarding-houses, from its Fourth of July parades to its filthy streets full of copulating pigs.
于是该书就成了描绘杰克逊时代美国形形色色众生相的浮世绘：从标致的农场到脏丑的板房，从七月四日的游行到四处满是交媾猪猡的大街小巷。
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Impressionist painter but a more thorough study of Oriental art of expression lines, he very much appreciate Japan Katsushika Hokusai's "Ukiyo-e."
但比印象派画家更彻底地学习了东方艺术中线条的表现力，他很欣赏日本葛饰北斋的"浮世绘"。
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This kind of operation led to the low quality works and it nearly drew Ukiyo-e prints to its end fifty years in advance. Fortunately, Katsushika Hokusai and Utagawa Hiroshiga save this backwardness of Ukiyo-e prints.
浮世绘的商业操作模式，导致了一些作品的低俗粗陋和模仿抄袭之风，这类不良品质差点提前五十年结束了浮世绘的生命，幸亏葛饰北斋和歌川广重的出现给了浮世绘一次挽救。
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La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.
大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即"天人和一"、"弦外之音"以及"以象立意"等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。
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As for Ukiyo-e prints, Suzuki Harunobu reached his prime time at his late years. For example 《Romantic Voluptuous Little Pretty》,《the Eight Scenes of Beauty's Chamber》《Romantic Beauty Mirrors》, this group of three of beauties are very famous. Kitagawa Utamaro had unique aesthetic appreciation, presenting women's charming and grace. Another artist Toshusai Sharaku didn't created many works. He appeared only for a short period of time, just like a shooting start crossing the sky. Katsushika Hokusai's "the Thirty-six Scenes of Fuyue" was the beginning of the popularity of Ukiyo-e prints. His work absorbed the factors of western world. Many of his works presented grandeur in front of people. The works of Utagawa Hiroshiga were also outstanding. His works revealed a sort of " Japanese complex".
浮世绘方面，铃木春信的创作旺盛期是在晚年，《风流艳色小豆人》、《风流闺室八景》和《荡女鉴镜图》三组美人画非常著名；喜多川歌磨有着独到的审美意识，展示女性的妩媚动人和优雅神态；役者绘大师东洲斋写乐的作品不多，仅仅出现在一个极短的期间，犹如历史夜空中一闪而过的彗星；葛饰北斋的"富岳三十六景"是浮世绘风景画流行的开端，作品吸取西洋的绘画元素，大多雄伟壮丽；歌川广重的"名所绘"出类拔萃，画中流露一种"日本情结"。
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They are different but also share something in common.
浮世绘和扬州八怪分别产生在日本和中国，它们有着不同点和共同点。
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Ukiyo-e has far-reaching influence on impressionists and post-impressionists of France in the middle and the last of nineteenth century.
日本浮世绘版画对19世纪中后期法国印象派、后印象派艺术家产生了深远的影响，这一影响在西方艺术由现实主义向现代主义的转型过程中发挥了十分重要的作用，浮世绘版画不仅为欧洲绘画风格的演变提供了一条可选择的道路，而且帮助前卫艺术家们将他们的&反叛理论&付诸实践。
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This year's creation — a pair of grassy reproductions of famous woodblock prints from Hokusai's 36 Views of Mount Fuji — has begun to appear.
这些图画包括日本的浮世绘、西方名画如《蒙娜丽莎》等。他们今年种植了一幅日本著名浮世绘画家葛饰北斋的《神奈川冲浪里》。
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As for Ukiyo-e prints, Suzuki Harunobu reached his prime time at his late years. For example 《Romantic Voluptuous Little Pretty》,《the Eight Scenes of Beauty's Chamber》《Romantic Beauty Mirrors》, this group of three of beauties are very famous. Kitagawa Utamaro had unique aesthetic appreciation, presenting women's charming and grace. Another artist Toshusai Sharaku didn't created many works. He appeared only for a short period of time, just like a shooting start crossing the sky. Katsushika Hokusai's "the Thirty-six Scenes of Fuyue" was the beginning of the popularity of Ukiyo-e prints. His work absorbed the factors of western world. Many of his works presented grandeur in front of people. The works of Utagawa Hiroshiga were also outstanding. His works revealed a sort of " Japanese complex".
浮世绘方面，铃木春信的创作旺盛期是在晚年，《风流艳色小豆人》、《风流闺室八景》和《荡女鉴镜图》三组美人画非常著名；喜多川歌磨有着独到的审美意识，展示女性的妩媚动人和优雅神态；役者绘大师东洲斋写乐的作品不多，仅仅出现在一个极短的期间，犹如历史夜空中一闪而过的彗星；葛饰北斋的&富岳三十六景&是浮世绘风景画流行的开端，作品吸取西洋的绘画元素，大多雄伟壮丽；歌川广重的&名所绘&出类拔萃，画中流露一种&日本情结&。
- 更多网络解释与浮世绘相关的网络解释 [注：此内容来源于网络，仅供参考]
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sadist：虐待狂
除了浮世绘,日本的春宫画尚可,也足够谈资,只可惜这东西虽好,却实在不登大雅之堂,何况里面人的姿势过于夸张,人看后容易产生日本男人都是"虐待狂"(sadist)的感觉,说出来也有损男人形象,当然放弃不用.
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Synecdoche, New York：<纽约浮世绘>
The Great Buck Howard | Synecdoche, New York | My Sister's Keeper
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Caravaggio：浮世绘
91 My Name Is Joe 我的名字叫乔 | 92 In Which We Serve 海神 | 93 Caravaggio 浮世绘