波德莱尔

基本解释 (translations)

Baudelaire

与波德莱尔相关的网络例句 [注：此内容来源于网络，仅供参考]

I hope it will be better in the future. Such as Baudelaire and the modernity of art, Apollinaire and the modernism art, Breton and surrealist paintings, they are all the perfect fusion of poet and art.

波德莱尔与艺术的现代性，阿波利奈尔与现代主义艺术，布勒东与超现实主义绘画，都是诗人与艺术结合的完美范例。

In the cultural context of China, not only Benjamin's works , but also his background, just as his Jewish birth, the friendship with Gershom Scholem, Theodor Wiesengrund Adorno and Bertolt Brecht, the same status with Charles Baudelaire, the same personal passion of collection with Eduard Fuchs, the same dumpish contemplation with Kafka, and his suicide are all texts which can be interpreted endlessly.

在中国学者的视野中，不仅本雅明的著述，一切有关本雅明的背景：他的犹太家庭出身、他与朔勒姆、阿多诺、布莱希特等人的友谊、他与波德莱尔相同的"文人"处境、与爱德华·福克斯相同的"收藏家"嗜好、与卡夫卡相通的痛苦思索，以及他在纳粹迫害下于通往自由之路上的自杀行为等都是可被无限阐释的文本。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

Not only Homer, Dante, Goethe, not only Aristotle, Plato, Epictetus, not only Rabelais, Cervantes, Swift, not only Walt Whitman, Edgar Allan Poe, Baudelaire, Villon, Carducci, Manzoni, Lope de Vega, not only Nietzsche, Schopenhauer, Kant, Hegel, Darwin, Spencer, Huxley – not only these but all the small fry in between.

不仅读过荷马、但盯歌德、柏拉图、埃庇克泰德，不仅读过拉伯雷、塞万提斯、斯威夫特民不仅读过瓦尔特·惠特曼、埃德加·艾伦·坡、波德莱尔、维荣、卡尔杜齐、曼佐尼、洛卡·德·维加，也不仅读过尼采、叔本华、康德、黑格尔、达尔文、斯宾塞、赫胥黎—他不仅读过这些人的著述，还读过夹在这些大人物之间的所有小人物的作品。

Not only Home r, Dante, Goethe, not only Aristotle, Plato, Epictetus, not only Rabelais, Cervantes, Swift, not only Walt Whitman, Edgar Allan Poe, Baudelaire, Villon, Carducci, Manzoni, Lope de Vega, not only Nietzsche, Schopenhauer, Kant, Hegel, Darwin, Spencer, Huxley – not only these but all the small fry in between.

不仅读过荷马、但盯歌德、柏拉图、埃庇克泰德，不仅读过拉伯雷、塞万提斯、斯威夫特民不仅读过瓦尔特·惠特曼、埃德加·艾伦·坡、波德莱尔、维荣、卡尔杜齐、曼佐尼、洛卡·德·维加，也不仅读过尼采、叔本华、康德、黑格尔、达尔文、斯宾塞、赫胥黎—他不仅读过这些人的著述，还读过夹在这些大人物之间的所有小人物的作品。

Not only Homer, Dante, Goethe, not only Aristotle, Plato, Epictetus , not only Rabelais, Cervantes, Swift, not only Walt Whitman, Edgar Allan Poe, Baudelaire, Villon, Carducci, Manzoni, Lope de Vega, not only Nietzsche, Schopenhauer, Kant, Hegel, Darwin, Spencer, Huxley ?

不仅读过荷马、但丁、歌德、柏拉图、埃庇克泰德，不仅读过拉伯雷、塞万提斯、斯威夫特民不仅读过瓦尔特？惠特曼、埃德加？艾伦？坡、波德莱尔、维荣、卡尔杜齐、曼佐尼、洛卡？

In the cultural context of China, not only Benjamin's works , but also his background, just as his Jewish birth, the friendship with Gershom Scholem, Theodor Wiesengrund Adorno and Bertolt Brecht, the same status with Charles Baudelaire, the same personal passion of collection with Eduard Fuchs, the same dumpish contemplation with Kafka, and his suicide are all texts which can be interpreted endlessly.

在中国学者的视野中，不仅本雅明的著述，一切有关本雅明的背景：他的犹太家庭出身、他与朔勒姆、阿多诺、布莱希特等人的友谊、他与波德莱尔相同的&文人&处境、与爱德华·福克斯相同的&收藏家&嗜好、与卡夫卡相通的痛苦思索，以及他在纳粹迫害下于通往自由之路上的自杀行为等都是可被无限阐释的文本。

The work's theme, the Golden Age , also a traditional one, evoking the dawn of humanity in a realm of ideal harmony with nature, is inspired, like Luxe, calme et volupté, by Baudelaire 's L'Invitation au voyage *.

这项工作的主题，黄金时期，也是一个传统，唤起了与自然和谐的理想境界人类的曙光，灵感一来，像豪华，卡尔梅等特Volupte，由波德莱尔氏欧莱雅邀请金航程*。

The difference is that "Correspondence" asa theory is put forward by Baudelaire, which is a theory of philosophy-aesthetics, while "Symbol" as an ism is expressed by Verlaine, Rimbaud and Mallarme after Baudelair, which is a doctrine reduced to a practical level.

其区别在于，前者由波德莱尔提出，而后者是波德莱尔去世后由魏尔伦、兰波和马拉美等所表征出来的；前者是一种哲学美学理论，而后者是一种下降到可操作层面的&主义&。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，&超验&与&妙悟&的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

与波德莱尔相关的网络解释 [注：此内容来源于网络，仅供参考]

allegorical：讽喻

本雅明说:"波德莱尔的天才,靠忧郁滋养,是讽喻 (allegorical) 天才. 由于波德莱尔,巴黎第一次成为抒情诗的题材. ......讽喻天才投向这座城市的目光,揭示的是深刻的异化. "(The Arcades Project, 21页)巴黎市的现代化,是拿破仑三世授意,

Barthes,Roland：罗兰.巴尔特(法)

Barrett,Michele 巴雷特.米歇尔 | Barthes,Roland 罗兰.巴尔特(法) | Baudelaire,Charles 波德莱尔

Baudelaire：波德莱尔

尼采的前辈爱默生(Emerson)就是这样的人,波德莱尔(Baudelaire)也是. 尽管这时期的很多文学型知识分子认为自己已经超越了浪漫主义,但他们仍同意席勒(Schiller)的观点认为:人类的进一步成熟有赖于康德称之为"审美"的东西而不是他称之为"伦理"的东西.

Baudelaire,Charles：波德莱尔

Barthes,Roland 罗兰.巴尔特(法) | Baudelaire,Charles 波德莱尔 | Baxandall,Lee 李.巴克桑达尔

BDR","CMA CGM BAUDELAIRE：达飞波德莱尔

"TSX","TSINGTAO EXPRESS","青岛快航","HLC" | "BDR","CMA CGM BAUDELAIRE","达飞波德莱尔","CMA" | "BZT","CMA CGM BIZET","达飞比才","CMA"

Claire Danes：主 演:克莱尔.丹妮丝

导 演:理查德.艾尔 Richard Eyre | 主 演:克莱尔.丹妮丝 Claire Danes | 鲁波特.埃弗雷特 Rupert Everett

Decadent：颓废者

第三,自我中心的;第四,好奇心旺的. 这四点准确地概括了比亚兹莱的风格. "恶与悲中的美"是颓废者(Decadent)追求的极致. 他们宣称要"发掘恶中之美",波德莱尔要从"悲哀中提炼金子",而王尔德则把"悲哀当作唯一的真理".

Guin Sard Rhineford：高安.萨德.莱因福特

苏西亚.海默 Sochie Heim ソシエ.ハイム | 高安.萨德.莱因福特 Guin Sard Rhineford グエン.サード.ラインフォード | 莉莉.波尔加诺 Lily Borjarno リリ.ボルジャーノ

George Santayana：桑塔亚那

但是,由一些与摄影沾边的名人如,奥利弗.温德尔.霍尔姆斯(Oliver Wendell Holmes)、乔治.桑塔亚那(George Santayana)和查尔斯. 波德莱尔(Charles Baudelaire )撰写的文章往往最让人喜出望外--查尔斯.

Podgorica：波德戈里察

铁路的主要目的地是Bar-波德戈里察(Podgorica)(首都) -贝尔格莱德(Belgrade)(贝尔格莱德, 波德戈里察(Podgorica )-尼克希奇(Niki)和波德戈里察(Podgorica) -斯库台(Skadar) –(Albania阿尔巴尼亚).土耳其: 购买午夜特快(Midnight Express)来到土耳其,