- 更多网络例句与没落人物相关的网络例句 [注：此内容来源于网络，仅供参考]
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The art of fiction, as Jane Austen knew it, declined from her through Scott, and Bulwer, and Dickens, and Charlotte Bronte, and Thackeray, and even George Eliot, because the mania of romanticism had seized upon all Europe, and these great writers could not escape the taint of their time; but it has shown few signs of recovery in England, because English criticism, in the presence of the Continental masterpieces, has continued provincial and special and personal, and has expressed a love and a hate which had to do with the quality of the artist rather than the character of his work.
jane的小说技巧，在她之后就开始没落了，Scott， and Bulwer， and Dickens， and Charlotte Bronte， and Thackeray， and even George Eliot(这些都是Jane之后的作家，你可以在金山上查到详细的资料)都没怎么采用她的风格，因为欧洲人骨子里有着狂热的浪漫主义，而这些伟大的作家也没有能够摆脱他们时代的感染。在英国，也没有什么恢复的迹象，面对着欧洲大陆上的伟大作品，英国的评论依然本土化，特殊化，个人化，他们对于作家表现出了强烈的爱，憎，而不是对于他们的作品人物。
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The writer grasped veraciously the despondent and downfallen character of the figures in her novels. She portrayed an obsolete, closed and downfallen "memory" of the flaccid and common people in the times of transition with her unique realization of life. With a desolate and sharp angle of view of "appreciation of ugly", she wrote her works in a pose of anti-heroism and romanticism and took love affairs and marriage as cutting points reflecting a common, eternal and desolate tragic life under the desolate background elaborately built by her.
作家准确地把握了人物封闭于其中的那种生活的颓丧、没落的特征，以其独特的人生感悟，以反英雄主义和浪漫主义的创作姿态，以苍凉犀利的"审丑"视角，以男女婚恋关系为切入点，在精心营造的苍凉背景下，演绎了普通、软弱的凡人在时代转折之际古旧的、封闭的、没落的生活"记忆"，反映了普遍的、永恒的、苍凉的悲剧人生。
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The exhibition, curated by Ana Carmen Lavin, pretends to make a study of El Greco in his historic context, as well as a reading of the space and time in which his rediscovery was made at the beginning of the 20th Century.
该展览策划为Ana Carmen Lavin。格列柯是一位天才而又非常复杂的人物。他的作品像一块多棱镜，曲折地反映了西班牙16世纪下半叶动汤的西班牙社会和没落的旧贵族的精神危机。
- 更多网络解释与没落人物相关的网络解释 [注：此内容来源于网络，仅供参考]
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centralism：中央集权
这一时期历史剧主题一般是拥护中央集权(centralism),谴责封建暴君(tyrant). 在>(Henry IV)中,莎士比亚成功塑造了文学史上的经典喜剧人物--福斯塔夫(Falstaff),他是一个肥胖、机智、乐观和爱吹牛的没落骑士,
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Illusions：幻覺
这种以心理挂帅的进化法,未免太"愣头青"了一点,后来被其他学派批评是"幻觉"(illusions)而逐渐没落. 到了20世纪中期,新进化论出现了. 代表人物是怀特和斯图尔德,他们俩分别提出"普遍进化论"(universalsvolution)和"多线进化论"(multilinealsvolution),