无意象的

基本解释 (translations)

imageless

与无意象的相关的网络例句 [注：此内容来源于网络，仅供参考]

Realism has been improved to the realm of symbolism through creation of symbolic images, which in turn make the novels powerful and profound as well as realistic and natural. The stress laid on the settings helps get rid of trace of design in plots, and deepen the profound implications, which as a result, endow the works with particular profoundness, severity and significance. Through the analysis of the souls of the characters, a secret door deep in people's psyche has been opened and people's sub-consciousness, unconsciousness, abnormal consciousness and other complicated psychic phenomena have been revealed. Consequently a new and spacious aesthetic space is opened.

它通过象征意象的树立，"把现实主义磨练到了象征的境界"，使作品在真实可感、自然贴切之中显示出超常的力度和强度；它通过突出情境、淡化情节的设计，深化了作品广阔深厚的意蕴，赋予作品独到的深刻性、严峻性和巨大的意义；它通过心灵深处的剖析，打开了人们心理深层幽闭的大门，揭示出人们潜意识、无意识、变态意识之中种种复杂的心理现象，开拓出内心世界幽深廓大的审美视界。

I have no intentional of like you, you let so much me move the comity later affection imperceptibly to me.

我没有故意象你，你对我无微不致的喜爱让我没有能力区别分析好我们之间的友谊。

Her symbolic images, her exquisite languages, her plotless narration all show her individuality as a writer.

她的象征的意象，她的优美的语言，她的无情节叙述无一表现了她作家的个性。

Through discerning of words, Laozi uses the words full of imagoes such as"big words","enantiosis"and"contrary enantiosis". He names"Tao"as "bigness".

通过对词语的辨别，《老子》采用&意象&的语词，譬如&大言&、反语和对反语，以&大&为&道&命名，而&大&则是&无&的意象。

The color film demolishes the genial old tavern to a greater extent than bombs ever could: the film exterminates its imago.

彩色电影对亲切的老客栈的摧毁，比炸弹可能做的有过之而无不及：这种电影消灭了它的意象。

There is in fact between image and thought no opposition but only the relation of a species to the genus that subsumes it.

意象与思维之间的关系：在意象与思维之间并无对立，而只存在一种种与其所属的属之间的关系。

The 4different finishings show no salient differences over 3 sets of transparent image such as "concise－chaotic","light－heavy","liking－hating", while showing salient differences over 8 sets of transparent image such as "sparkling－cloudy","delicate－rough","shining－dusky","technological－traditional","natural－artificial","open－close","cool－warm" and "soft－hard".

4种不同表面处理在「简洁的－杂乱的」、「轻盈的－笨重的」、「喜欢的－讨厌的」三组意象上无显著差异，而在「晶莹的－混浊的」、「精致的－粗糙的」、「亮丽的－暗淡的」、「科技的－传统的」、「自然的－人工的」、「开放的－封闭的」、「凉爽的－温暖的」、「柔和的－坚硬的」八组透明意象上呈现显著差异。

Jung also called them dominants, imagos, mythological or primordial images, and a few other names, but archetypes seems to have won out over these.

Jung亦将他们称呼为显性、无意识意象、虚构或原始印象，以及一些其他的名字。但原型似乎最被接受。

First of all, Chinese unique geographical surroundings result in cultivation civilization, in which people's living and production were utterly influenced or even controlled by sun and such disasters as floods and droughts caused by sun made our ancestors much more dread and hate the moon. On the contrary, in the view of our ancestors, moon not only is beneficial to the growth of crops, but brings about brightness, coolness and enjoyment, which in turn makes moon much more popular than sun. As a carrier of national emotion, mythology also contributes to the development of "valuing moon above sun"in that the collective unconscious of hating sun but loving moon reflected in mythologies such as "Hou Yi Shot the suns"and "Chang E's fly to moon"easily finds its expression in the course of selecting poetic images. Philosophically,"masculine"and "feminine"are realized in many aspects of social life, but the trinity of sun, monarchy and father, which is identical with "masculine"dominates the political and ethical field while the trinity of moon, mother and daughter, which represents "feminine", plays a leading part in culture and art. So far as poetry is concerned, the image of moon has an overwhelming superiority. Aesthetically speaking, the moon spirit has been embodied in several ways. Moon is both the origin and the summit of such aesthetic standards as softy, sweetness and clearness, so it is reasonable that the image of moon has been regarded as aesthetic object in poetry much more frequently than the image of sun.

中华民族所处的独特的地理环境孕育出了农耕文明，在农业社会中，太阳对人们的生产生活具有绝对的控制与影响，因日而起的水旱灾害更加深了先民对太阳的畏惧与仇恨；而月亮在先民心中，不仅能促进农作物的生长，而且带来了与太阳相反的皎洁、清凉、闲适，所以月亮比太阳受到更多的欢迎；神话是是民族情感的载体，&后羿射日&与&嫦娥奔月&所映射的恨日爱月的集体无意识，在诗歌意象的选取中自然地流露出来，有助于&重月轻日&现象的形成；哲学上的&阴&&阳&范畴在人们社会生活的多个方面均有体现，但与&阳&直接同一的&日—君—父&三位一体控制了政治、伦理领域；而代表&阴&的&月—母—女&则在文化、艺术领域占据了突出地位，具体到诗歌中，则是月亮意象完全压倒日意象；审美上的月神精神，在月亮意象上得到了多方面的反映，月亮既是阴柔美、恬静美、澄澈美等艺术审美准则的来源，也是其最高体现，月亮意象自然比日意象更多地进入诗歌审美领域，成为审美对象。

These two major prototype image construct the key contents of make-up that indude individual unconscious and collective unconscious .

这两大原型意象构筑了人类在化妆层面的个人无意识和集体无意识的核心内容。

与无意象的相关的网络解释 [注：此内容来源于网络，仅供参考]

anima：女性潜倾

4 "原型父母"的形象由于孩提时对双亲的感受而产生,类似于个人对异性感受的潜在意象;"男性潜倾"( animus )指女子集体无意识中的男性体现;"女性潜倾"( anima )指男子集体无意识中的女性体现;"阴影"( Schatten )原型指个人心中被压抑的消极或阴暗因素.

animus：男性潜倾

4 "原型父母"的形象由于孩提时对双亲的感受而产生,类似于个人对异性感受的潜在意象;"男性潜倾"( animus )指女子集体无意识中的男性体现;"女性潜倾"( anima )指男子集体无意识中的女性体现;"阴影"( Schatten )原型指个人心中被压抑的消极或阴暗因素.

archetypal images：原型意象

"荣格用原型意象(Archetypal images)来描述原型将自身呈现给意识的形式. 但是荣格也一直努力区分原型与原型意象的不同. 原型本身是无意识的,我们的意识无从认识它;但是可以通过原型意象,来理解原型的存在及其意义. 于是,

carefree：无忧无虑

比如,我并不认为阴影和无意识是"无忧无虑"(carefree)的. 大会的最后,是乔.帕斯卡关于"像与不象:意象的本质"的报告. 乔说他的报告意在引起争论. 他提出了这样一种观点,"熟悉先于陌生",让我想起了茹丝.斯特劳斯(Ruth Strauss)的一篇论文,

DESPERATE：绝望

我感觉到自己渐渐失去了对文字的控制能力,根本无法我文字捕捉到脑中一瞬而逝的意象. 偶尔拼命写几个字,言不及义,悲痛得要命,却持续不了多久. 以前是悲观,后来是绝望(DESPERATE) 而现在是麻木. 麻木也好,不会有多大苦痛,即使迫害再深,亦无多大欣喜,即使垂青再意外.

grey：灰色

也与"skill"或"technique" 等职业技能无直接关系,而是一种难登大雅之堂的"旁门"手段,故该词组可意译为"unsound ability";但在上下文提供明确暗示的情况下,保留"灰色"(grey)的原语文化意象,然后与"trick"(指某些习惯性的"旁门"手段)搭配,

grey：灰色的

点评:"灰色技能"既不是"灰色的"(grey)的,也与"skill"或"technique" 等职业技能无直接关系,而是一种难登大雅之堂的"旁门"手段,故该词组可意译为"unsound ability";但在上下文提供明确暗示的情况下,保留"灰色"(grey)的原语文化意象,

versification：诗律

尽管意象派诗歌在当时确实堪称"新潮诗",但是这些新潮诗本身并没有激进到完全废除韵律(rhyme)的程度,在强调自由诗的同时也追求不完美韵(imperfect),并没有把自由诗降格为无体诗,更不极端反对诗律(versification)及做诗的基本法则(rules),

imageless thinking：无意象思维

无意象思维:无意象思维(imageless thinking)没有意象参与或不需意象参与的思维. 19世纪末和20世纪初,在O.屈尔佩领导下的符兹堡学派,与W.冯特和E.B.铁钦内的正统派心理学,就思维过程是否必须以意象为基础这一问题,从理论上和经验事实上展开了长达15年的争论.

Archetypes：原型

荣格把在集体无意识基础上形成的普遍的思维模式命名为"原型"(archetypes)或"原型意象". 荣格论及如下四种最初的模式:一是人格面具(persona),即指一个人公开展示的一面. 二是阿妮玛(anima) 和阿妮姆斯(animus),前者是男性心理中女性的因素,