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From his point of view, the meaning of a word is subject to its own context. To free the word from its context is regarded as a countermovement of the process of the classic 'construction', and he names it 'deconstruction'. The 'deconstruction' provides a broad yet inane space for the individual word to acquire its intended meaning. Just as Hegel said when the void of a word inclines to infinity, its intended meaning approaches nothingness.
德里达认为，任何信息的寓意都从属于其自身的上下文关系，将信息从上下文关系中解放出来被看作是经典"结构"过程的一种反作用，称之为"解构"，"解构"为信息个体的自身寓意权力提供了一个辽阔但却是空泛的空间，正如黑格尔所说的，信息的空泛程度趋向于无限时，实际寓意趋向于零。
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The Stairs were such as whereon Jacob saw [ 510 ] Angels ascending and descending, bands Of Guardians bright, when he from Esau fled To Padan-Aram in the field of Luz, Dreaming by night under the open Skie, And waking cri'd, This is the Gate of Heav'n [ 515 ] Each Stair mysteriously was meant, nor stood There alwayes, but drawn up to Heav'n somtimes Viewless, and underneath a bright Sea flow'd Of Jasper, or of liquid Pearle, whereon Who after came from Earth, sayling arriv'd, [ 520 ] Wafted by Angels, or flew o're the Lake Rapt in a Chariot drawn by fiery Steeds.
那阶梯，像是雅各离开以扫，逃往巴旦亚兰去的途中，在路斯的野地里露夜时梦见的，一队队灿烂的天使卫士上去下来，醒后叫道："这是天门。"阶梯的每一级都蕴含着神奇的寓意，也不永久固定在那儿，时常被拉到天上去，踪影全无。下面是一片似从碧玉或珍珠的溶液流漾而成的，晶莹的海，后来从地球上来的，必经此海，要么由天使驾帆，要么乘火马拉的轻车飞越水面而来这里。
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apostrophe：顿呼
5.拟人化棗拟人化(Personification)描写无生之物有如生物:6.顿呼棗顿呼(Apostrophe)乃讲论不存在的事物:7.夸张法棗夸张法(Hyperbole)乃夸大之词:8.舛词棗舛词(Irony)是反面说法:9.寓意棗寓意(Allegory)是扩大的暗喻:10.比喻棗比