无伴奏的

基本解释 (translations)

unaccompanied  ·  secco  ·  seccos

与无伴奏的相关的网络例句 [注：此内容来源于网络，仅供参考]

Like the portrait on the back of the CD--Bareilles in strappy black dress and lace-free high-tops--the piano-playing chanteuse combines the sweet with the scruffy.

Sara进入了UCLA（加利福尼亚大学洛杉矶分校），并在那里成为了一个无伴奏合唱团Aqaken里的一员。

It should be noted that in the same period the main body of European art music consisted of monophonic (single-part) chanting.

值得注意的是，在同一时期，欧洲主要的艺术音乐还仅仅是单音调的无伴奏合唱(即以教皇格利高里命名的无伴奏合唱)。

It should be noted that in the same period the main body of European art music consisted of monophonic (single-part) chant ing.

值得注意的是，在同一时期，欧洲主要的艺术音乐还仅仅是单音调的无伴奏合唱(即以教皇格利高里命名的无伴奏合唱)。

However, when he transcribed string music for the keyboard (as in the first movement of the Sonata for Unaccompanied Violin in C Major or the entire Partita for Unaccompanied Violin in A Minor), he added a number of these ornaments for emphasis.

然而，当他将弦乐改编成键盘乐时，（如：小提琴无伴奏C大调第一乐章奏鸣曲或小提琴无伴奏A小调变奏曲），为强调重音，他增加了许多这样的装饰音。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

This acclaimed debut album makes a remarkable and unique fusion, as Martin Swan and Talitha MacKenzie mix the "mouth music"-- puirt-a-beul -- of Gaelic Scotland with the polyrhythms of Africa, aided by the liberating influence of keyboard technology and samples.

Mouth Music 是一个新兴的团体，系苏格兰当代重要的、深具影响力的乐队之一；原先由 Martin Swan 和 Talitha MacKenzie组成，他们将盖尔音乐的唱腔(包括传统的 mouth music，一种无伴奏的歌唱形式以口技来制造各种不同的效果)和非洲的打击乐及舞乐相混合，形成一种极特殊的乐风。

Chaconne in d minor by Bach(The six non-accompaniment sonatas and suites,second suite,No.5) is one of the most glorious works of violin in Baroque times.

巴赫《6首无伴奏的奏鸣曲和组曲》第二组曲第5首d小调&恰空&是巴洛克时期小提琴文献中最光辉的曲目之一。

We started singing glees and duets: Lo, the early beam of morning .

我们唱起来了，无伴奏的男声合唱，二重唱。

In the past couple of years, she would wait in the audience seat when they sang a capella songs. This is the first year she started to sing alto with the choir.

往年当他们唱无伴奏的歌曲时，Vivian都是坐在台下等，从今年开始，她也加入了合唱团的行列，唱的是女中音。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

与无伴奏的相关的网络解释 [注：此内容来源于网络，仅供参考]

a cappella：无伴奏合唱

>已经记载古希伯来时期的合唱,大卫(公元前1013一前973年在位),说明训练有素的古老以色列合唱音乐已经存在,基本特征:1)大量单音(monophony)音乐,11世纪开始出现从单音转向复音的复调音乐织体;2)无伴奏合唱(a cappella),排斥女性,唱诗班都是男性;

a cappella：無伴奏合唱曲

一、 无伴奏合唱曲(a cappella):不用任何乐器伴奏的合唱曲,即为无伴奏曲. a Capplela此字是由Cappella(圣咏家)演变而来,是古代圣咏歌队员们聚集在教堂唱歌的意思. 德文Kapell除了圣歌队之意外,还有[乐团]的意思. 后来,无伴奏合唱曲,

a cappella：无伴奏合唱/两拍子的教堂音乐

A cappella 无伴奏合唱/两拍子的教堂音乐 | Madrigale 牧歌 | Barcarola 船歌

canto a cappella：无伴奏的音乐

27. canto 歌调 | 28. canto a cappella 无伴奏的音乐 | 29. canto primo 首席女高音

a capriccio：无事先准备的,随意发挥的

a cappella无伴奏合唱 | a capriccio无事先准备的,随意发挥的 | accentato加重音的,加重的

a capriccio：无事先预备的,随意发挥的

a cappella无伴奏合唱 | a capriccio无事先预备的,随意发挥的 | accentato加重音的,加重的

nursery school：幼儿园

小孩子从二岁起即在幼儿园(Nursery School)接受音乐教育,他们在听、唱童谣中慢慢地学习与成长,到了小学一、二年级阶段,学生已能一对一地表演轮唱(无伴奏的),三年级即开始简单的二、三部无伴奏合唱;最后到了中学(相当于我们的国三到高三的阶段;

unaccommodating：板板六十四

unaccommodated /不适应的/不适合的/无必需品的/ | unaccommodating /板板六十四/ | unaccompanied /无伴侣的/不伴随...的/无伴奏的/

unaccompanied：无伴奏的

unaccommodatedtothehotweatherinsummer 不耐暑热 | unaccompanied 无伴奏的 | unaccompaniedluggage 非随身携带的行李 不随身行李

Madrigals：牧歌(意大利的多声部声乐作品,通常无伴奏)

Key concepts:主要音乐概念: | Madrigals牧歌(意大利的多声部声乐作品,通常无伴奏)、 | Dances舞蹈、