无主题的

基本解释 (translations)

subjectless

与无主题的相关的网络例句 [注：此内容来源于网络，仅供参考]

This mode of thinking that has no theme, no melody and atonal, its expressiveness is unquestionable.

这种无主题、无旋律、无调性的思维逻辑，表现力无可置疑。

There is no compulsion and no common theme for the day.

并无强制的一天，没有共同的主题。

So as to challenge those that make the reader an anti-hero, a fall guy, an unabashed hedonist, a prisoner of an identity theme or of an unconscious, or a willful inventor of meanings.

以反诘把读者说成是反英雄，恬不知耻的享乐主义者，某一先入主题或无意识的囚徒，或随心所欲的意义发明家。

These theorists for whom criticism is essentially an elucidation of an author's purposes have felt compelled to provide their own accounts of reading so as to challenge those that make the reader an anti-hero, a fall guy, an unabashed hedonist, a prisoner of an identity theme or of an unconscious, or a willful inventor of meanings.

这些视批评根本上为作者意图阐说的理论家，感到不得不呈上他们自己对阅读的看法，以反诘把读者说成是反英雄，恬不知耻的享乐主义者，某一先入主题或无意识的囚徒，或随心所欲的意义发明家。

I regard, therefore, the Roman horror of Intestacy as a monument of a very early conflict between ancient law and slowly changing ancient sentiment on the subject of the Family.

因此，我认为罗马人对于"无遗嘱死亡"的恐惧，说明了在古代有关"家族"这个主题的法律与古代人对于家族的情感慢慢地发生改变这两者之间很早就发生了冲突。

In order to better express the theme of "rootlessness", Bellow selected and arranged the narrative materials brilliantly throughout this entire novel.

为了更好的表现"无根"的主题，贝娄在叙事上做了精妙的选取和安排，本文就试图从叙事方面来剖析这部小说，全文共分为五个部分：第一部分简要介绍索尔·贝娄及《只争朝夕》，由作家文化身份及小说内容角度揭示小说"无根基"的主题。

The exhibition, curatorless and themeless, is nonetheless linked with each artist's personal perspective and their attitude towards the contemporary.

虽然无策展人，无主题，但还是从各自的角度紧密地和对现实的态度有所联系。

Your coming calls me to the most delightful subject in the world, to help both you and myself to rejoice in that adorable Deity whose infinite Being is an infinity of mere love, an unbeginning, never-ceasing, and for ever-flowing Ocean of Meekness, Sweetness, Delight, Blessing, Goodness, Patience and Mercy; and all this as so many streams breaking out of the Abyss of the universal Love, Father, Son and Holy Ghost, a triune Infinity of Love and Goodness, for ever and ever giving forth nothing but the same gifts of Light and Love, of Blessing and Joy, whether before or after the Fall, either of angels or of men.

我要给你们一个这世界最光明主题的呼召，这可帮助你，我喜乐的敬拜那有无限的爱，无始无终，有海洋般广大、温柔、甜蜜、荣耀、福分、良善、忍耐和恩慈的神，所有这些能震撼地狱广大的爱，也就是圣父、圣子、圣灵三一的神无限的慈爱和良善，除非有福和喜乐的爱和光在堕落的天使和人前后，否则他们毫无力量。

Your coming calls me to the most delightful subject in the world, to help both you and myself to rejoice in that adorable Deity whose infinite Being is an infinity of mere love, an unbeginning, never-ceasing, and for ever-flowing Ocean of Meekness, Sweetness, Delight, Blessing, Goodness, Patience and Mercy; and all this as so many streams breaking out of the Abyss of the universal Love, Father, Son and Holy Ghost, a triune Infinity of Love and Goodness, for ever and ever giving forth nothing but the same gifts of Light and Love, of Blessing and Joy, whether before or after the Fall, either of angels or of men.

我要给你们一个这世界最光明主题的呼召，这可帮助你，我喜乐的敬拜那有无限的爱，无始无终，有海洋般广大、温柔、甜蜜、荣耀、福份、良善、忍耐和恩慈的神，所有这些能震撼地狱广大的爱，也就是圣父、圣子、圣灵三一的神无限的慈爱和良善，除非有福和喜乐的爱和光在堕落的天使和人前后，否则他们毫无力量。

There were no significant facilitating effects to the retention of signaled information in the overuse of text signals condition, but there were in the selective use of text signals condition. Experiment 3, in which 2 small experiments contained, studied the effects of reader-based factors. Experiment 3a examined the effects of the familarity to the text topics and the readers' reading levels. Experiment 3b explored the effects of cognitive style and the intention to use the text signals. The results were as the follows: There were no significant difference between the signaled and unsignaled conditions in the circumstance of high familarity to the text topics, but there were significant differences between them in the circumstances of lower familarity to the text topics. There were no significant differences between the signaled and unsignaled conditions for the field-independent participants, but there were for the field-dependent participants. All the participants with different reading levels were helped by the text signals.

实验3 对不同主体因素条件下文章标记效应进行了研究，分2个分实验，实验3a以高中二年级学生为被试，研究了文章主题熟悉程度与阅读水平对文章标记效应的影响，实验3b以初中二年级学生为被试，探索了读者不同的认知方式与标记利用的意向对文章标记效应的影响，实验3结果发现，读者的阅读水平、对文章主题的熟悉程度、认知方式和利用标记意向等因素影响着文章标记效应，在文章主题熟悉的条件下，有无文章标记无显著差异，但在主题不熟悉条件下，有文章标记的效果显著优于无标记的效果；对场独立被试而言，有无标记无显著差异，但对场依存被试来说，有标记条件显著优于无标记条件；文章标记对不同阅读水平被试都有显著促进效应；文章标记利用意向对场独立与场依存被试都有显著促进效应。

与无主题的相关的网络解释 [注：此内容来源于网络，仅供参考]

black comedy：黑色喜剧

②通常用象征、暗喻的方法表达主题; ③缺乏时间感,人物没有因剧情发展而改变,也没有传统戏剧应有的结局,剧中人物无目的地存在; ④以喜剧形式,来表严肃的悲剧主题,因此有时也被称为"黑色喜剧"(black comedy),令人觉得比悲剧更绝望,

Divine Grace：神父的祷告/转服事或者牧师就能听到

09 Great honor 无上荣耀/首都北门的城堡 | 10 Divine Grace 神父的祷告/转服事或者牧师就能听到. . | 11 Theme of Morroc 梦洛克主题

fervor：热情

而过度、无节制是一种自我个性完全的展示,像热情(FERVOR)主题是打破所有公认的模式和行为来创作有趣味的内衣,而偶像(IDOLS)主题则代表着"偶像幻想"、匪夷所思的自我风格.

Handmade：手工

Cisma之前的作品>(Handmade)没有那么华丽,却同样怪诞. 故事的主题是无报答的爱,我们跟随镜头进入男主角头脑中的疯狂环境,"令人厌恶"的隐喻从始至终敲打着着你的神经. 一只苍蝇能让你多抓狂?

Re：重新

由无印良品发起的Muji award设计比赛来到第三年,与前两届颇有几分玄妙的主题"隅"(sumi)和"重新"(Re)相比,今年的主题比较好理解--"发现无印良品(found muji)",即通过设计师的个人化视角,去发现身边物品的优点,

Topic：题目

-matter,Subject 可能有"主题"(theme)之义,但也可解为"题目"(topic), 这里应是后者为妥;matter 为"材料"则不会有歧义. 但不论是"主题之材" 还是"标题之材",反正是艺术创作的"材料",不应是艺术创作的"内容", 则是无异议的事.

subjectless：无主题的

subjectivity /主观性/ | subjectless /无主题的/ | subjects /科目/

predecessors：前任

在"新"的情形下,带有述谓化主题(the predicated subject)的作为一个(孤立的)个体,有别于它的前任(predecessors),它既没有特定的指涉对象,也无特定的结果;在"现代"的情形下,它与一系列类似现象发生关联而且被置于一个封闭的、现象消失的新世界的对立面进行理解③.

SUPREMES：至 高无上

开始,她们只是作为韦尔斯、马文.盖伊等人的伴唱,后来改名"至高无上"(Supremes),才独立录制唱片. 戴安娜.罗斯的嗓子清澈、委婉,很适合"至高无上"所表现的青少年爱情的主题. 因此,她的声音有"甜美的索尔"之称. 1965年,

Allegro non troppo：不太快的快板

第一乐章: 不太快的快板 (Allegro non troppo) 协奏曲的开始部分令人印象深刻. 铜管以响彻云霄的四个下行音符反覆三次后,弦乐部在钢琴强劲的和弦伴奏下,奏出了庄严而熟悉的主题. 第二乐章: 单纯的行板(Andante semplice) 第二乐章以纯真无邪的旋律,