- 更多网络例句与旋律的相关的网络例句 [注：此内容来源于网络，仅供参考]
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There is usually a 3rd -key added in the opening of the second theme, and sometimes a new theme is composed. Then, the subordinate key is reached before the end of exposition. 5 Silence of one whole bar is frequently utilized, which not only brings profound expressive significance, but also is important to the architectonics of these sonatas. 6 The harmonization in the variation, which is the method of applying different keys to the same melody, is handled in those Andante movements. By this way, the same melody appears in variable colors of harmony, which can not only avoid dull repetition, but also keep the lyrical nature and the completeness of melody. 7 Chromatic method is applied in the periods of development, and chromatic深层线条becomes the provident feature in some periods of development. 8 Atlas motive is put to use in c minor and A major sonatas, and a lot of "sigh" tones and c sharp minor are both preferred in those three sonatas. 9 The emotional factor of "wanderer" is the roots of thoughts for the intense conflict of music.
他通常在副部的开始加入一个三度的调性，有时再加入一个新主题，最后在呈示部结束之前到达属调； 5、较多地运用整小节的休止，使其不仅具有深刻的表情意义，而且在结构乐曲中起到了不可或缺的作用； 6、舒伯特在慢板乐章中运用同一旋律异调配置的和声变奏方式来构成音乐的段落，使同一个旋律在不同的和声色彩里闪现，既避免了单调的重复，又保持了旋律的抒情性和完整性； 7、展开的段落中习惯运用半音化的发展手法，半音阶式的深层线条成为某些展开段落的显著特点； 8、c小调和A大调奏鸣曲中都运用了"阿特拉斯"动机，三首奏鸣曲中运用了大量叹息的音调，并倾向于~#c小调的运用； 9、"流浪者"的情感因素是音乐强烈冲突的深刻思想根源。
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In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.
音乐结构上，通过作品曲式结构与古典协奏曲典型曲式结构的对比，总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新，展现了肖邦在协奏曲创作的继承和创新精神；旋律上，主要围绕作品旋律的歌唱性和色彩性进行论述，充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征；节奏上，通过对第三乐章的节奏分析，展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏，阐述作品的民族特色，并追溯特征节奏的原形，进一步揭示肖邦创作的民族本质和素材来源；和声上，从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手，分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。
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The quality or state of being melodious; melodiousness.
富有旋律的性质或状态；旋律
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Understand basic music reading and notation. be able to read down a song just given the chord chart and melody. know how to read tablature, and how to read and write chord tablature. be able to write an idea down in manuscript form (in other words, be able to notate a melody).
懂得基本的音乐读物及乐谱，能在只给了和弦图和旋律的情况下读懂一首歌曲，知道怎样读六线谱，并知道怎样读写六线谱的和弦，能够在谱纸上写下一些动机（换句话说，能够谱写旋律）。
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Know how to read tablature,and how to read and write chord tablature.
懂得基本的音乐读物及乐谱，能在只给了和弦图和旋律的情况下读懂一首歌曲，知道怎样读六线谱，并知道怎样读写六线谱的和弦，能够在谱纸上写下一些动机（换句话说，能够谱写旋律）。
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On which basis it's a success, ten songs which show off Martin's effortless instinct for thrillingly direct melody, a talent long since lost by rivals like Stipe and Bono.
其中十首歌曲均显示了Martin不费吹灰之力就能找到动听旋律的本能，那些旋律总能让人为之激动。而作为同行，Stipe与Bono（U2主唱）早就失去了这个天赋。
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First, it is in the judgment of melody factors, such as the melody mode how tonal?
首先，它表现在对旋律因素的判断能力上，如旋律的调式调性如何？
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Hittner , and I understand has beenpublished in London ,which head and tail-pieces , accompainments , and all the resined airs of Europe music ; tothat it ceafes to be a specimen of the plain melody of China.
据我所知，这段旋律已被加上了引子、尾声、伴奏和欧洲音乐的一切技法在伦敦发表了，但它已不再是中国人那纯朴旋律的音乐。
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In the second chapter, Musical element analysis, the author starts with melody. On the one hand, the author analyzes the overall characteristic of the melody of Chopin"s scherzos; On the other hand, the author analyzes development technique of the melodic in Chopin"s scherzos.
在第二章音乐要素分析中，首先从旋律入手，一方面分析了肖邦谐谑曲旋律的总体特征，另一方面分析了肖邦谐谑曲旋律的发展手法。
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Field's Nocturnes, published under that title between 1812 and 1836, were based on a format of singing melody, much ornamented, over accompanying bass patterns to fill in the harmony ---- obviously Chopin's departure point.
JOHN FIELD于1812和1839发表的作品都是基于演唱旋律的模式，华丽而并非用低音模式来使旋律协调——这显然就是肖邦的起点。
- 更多网络解释与旋律的相关的网络解释 [注：此内容来源于网络，仅供参考]
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col canto：依旋律的速度而伴奏
Cadenza 裝飾奏 | Col Canto 依旋律的速度而伴奏 | Colla Parta 隨主要的部分(或獨奏部分)而伴奏
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melodic：旋律的
quintet 五重奏 | melodic 旋律的 | harmonic 和声的
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melodic：有旋律的
melodeon 簧风琴 | melodic 有旋律的 | melodics 旋律学
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melodious: a.1：旋律优美的,悦耳的 2.(有)旋律的,有乐曲的
tedious: a.单调乏味的,令人生厌的,冗长罗唆的 | melodious: a.1.旋律优美的,悦耳的 2.(有)旋律的,有乐曲的 | capricious: a.变化无常的,变幻莫测的,任性的,刚愎自用的,忽发奇想的
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melodist：旋律美妙的作曲家
旋律的rhythmicrhythmical | 旋律美妙的作曲家melodist | 旋律美妙地melodiously
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melody：旋律
10.>(上海音乐出版社,1988年第一版)只收录"旋律"(Melody)条目,解释为:一连串音的有组织的进行. 旋律的性格和效果决定于其调式、节奏及音高布局. 通过以上各种辞典对"旋律学"和"旋律法"的解释,我们可以看出,
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Perfect Day：(完美的一天.跟歌词一样.旋律的韵味...自己体会吧
20.long long way to go (卜是所有人都喜欢.高潮很爽.男声很美.) | 21.Perfect day (完美的一天.跟歌词一样.旋律的韵味...自己体会吧.) | 22.Rhythm of the Rain (绿箭口香糖的歌.轻快的音乐.忽忽...安逸.)
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rhythmically：規律的,旋律的
rated speed 額定速率 | rhythmically 規律的,旋律的 | redundant 重複,累贅
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ariose：如歌的, 旋律的
arillus | 一层假种皮 | ariose | 如歌的, 旋律的 | arioso | 咏叹调的, 好听的 咏叹调
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rhythmless：无旋律的
rhythmize 予以节奏 | rhythmless 无旋律的 | rhythmocatechism 律动传教法