斯特劳特

基本解释 (translations)

Strout

与斯特劳特相关的网络例句 [注：此内容来源于网络，仅供参考]

But that the philharmonic orchestra performs everywhere , performing at every time declares all obscurely on the playbill "with being commanded " by Mr. Strauss Strauss, is which one Strauss to appear on the scene , three brothers also to only have that moment mounting a platform in at last knowing just now by after all. On a costume ball in February , 1863, the sponsor announces to audience: The dance party will by Mr. Strauss conductor , because of, three Strausses have all come time the midnight.

施特劳斯乐团到处演奏，每次的演出海报上都含糊其词地宣称"将由施特劳斯先生指挥"，而到底是由哪一位施特劳斯出场，三兄弟也只有在最后登台的那一刻才知道。1863年2月的一次化装舞会上，主办人向观众宣布：舞会将由施特劳斯先生们指挥，因为，午夜时三位施特劳斯都来了。

For a double class of herbology--Gryffindor and Hufflepuff--Professor Sprout has twenty pairs of earmuffs ready.

格兰芬多和赫奇帕奇一起上草药学课的时候，斯普劳特教授准备了20副耳罩。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

He had seen Nicholas Kraut, attended by a slim, neatly-dressed youth .

他看见了尼古拉斯·克劳特，旁边有一个身材细高，衣着整齐的年轻人。

The music always includes pieces from the Strauss family ( Johann Strauss I , Johann Strauss II , Josef Strauss and Eduard Strauss ), with occasional additional pieces from other mostly Austrian composers including Joseph Hellmesberger, Jr., Josef Lanner , Wolfgang Amadeus Mozart , Carl Otto Nicolai , Emil von Rezniek , Franz Schubert , Franz von Suppé, and Karl Michael Ziehrer .

维也纳新年音乐会的音乐经常是出自施特劳斯家庭（老约翰·施特劳斯，小约翰·施特劳斯，约瑟夫·施特劳斯以及爱德华·施特劳斯），有时候还加入一些其他奥地利作曲家的音乐（如赫尔梅斯伯格 Jr，约瑟夫·兰纳，莫扎特尼古拉等等）。

Prof. McGonagall – Transfigurations; Prof. Moody – Dark Arts Defense; Madam Pomfrey – Nurse; Prof. Sinistra– Astronomy; Prof. Snape – Potions; Prof. Sprout - Herbology

麦格教授–变形课；穆迪教授–黑魔法防御术；庞弗雷夫人–护士；辛尼斯塔教授–天文系；斯内普教授–魔药；斯普劳特教授-草药

JENNIFER :There's always the example of Toulouse-Lautrec.

珍妮佛：这是典型杜鲁斯。劳特瑞克例子。（法国印象派画家，其貌不扬。

Although the bend fame that Joseph · Strauss assumes is inferior to "king Johann · Strauss, of his elder brother waltz" Karajan still is fond of Joseph · Strauss comparatively this composer , he already melts because of Joseph · Strauss with "Beethovenian" music giant writing gimmick to enter the waltz middle having arrived at the Strauss clan.

虽然约瑟夫·施特劳斯作的曲名气不如他的哥哥&圆舞曲之王——约翰·施特劳斯，&但卡拉扬还是比较喜欢约瑟夫·施特劳斯这名作曲家，因为约瑟夫·施特劳斯他已经将音乐巨人&贝多芬&的写作手法融入到了施特劳斯家族的圆舞曲中。

The entire Herbology class should have feinted at the sound of the Mandrakes. Seamus and Sprout have an entire conversation with them on.

整堂植物学课都应该被曼德拉草的声音盖住，但是Seamus和斯普劳特教授却进行了完整的对话。

As I understand it,Madam Sprout has a very healthy growth of Mandrakes.

据我所知，斯普劳特夫人正在种植着大量的曼德拉草。

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