文学的

基本解释 (translations)

literary

与文学的相关的网络例句 [注：此内容来源于网络，仅供参考]

Meanwhile, Foreign Literature is a part of Chinese literature study rather than a part of colonialism of post-colonialism literature, which undeniably embodies the connotation and value of cosmopolitism.

外国文学研究是一种整体性的、综合性的文学研究。外国文学研究不能是殖民文学或后殖民文学的一部分，而应该是中国的文学研究的一部分，这种文学研究应该包含世界性的意义和价值。

The general points are as follows:first, investigating literature from the angle of humanity and making use of Marxist humanitarianism spirit to explain the modern value in ancient literature;second,using psychoanalysis to inquire into Mankind's spirit world and analyze writers' cultural character;third, strengthening the culture consciousness, seeking from the perspective of culture about the cultural influence on the literature ontic characteristic and aesthetic form,also paying attention to the interaction between literature and culture,and so on;fourth, returning to thing-in-itself of literature and groping for the interior law of literary development,thus building up the inner research of literature.

第三，文化意识增强，强调从文化的视角考察文化对文学本体特征、美感形式的影响；也注重文学与文化的互动，文化在文学中的表现和文学对文化的作用。主要考察了政治文化视角、民俗学和文化人类学方法的运用，以及儒家思想、道家思想、佛教、道教等文化现象与文学的关系。第四，文学研究回归文学本体，探索文学演进内在规律，文学的内部研究得到加强。

To produce the tremendous impact, make people not at just enjoy the single medium of literature expression means, to the literature of enjoy the way of request also more and more high, now orotund medium and and portrait medium to the work is after carrying on a stereoscopic sex packing regard the writing medium as principle of reading method even let people accept easily, and this kind of newly arisen culture- network the culture melted the meeting the main characteristic of the current public culture, at the same time have its oneself of new characteristics- the freedom of the creations, civilian, and have the ego of performance terrace, thus make some common netizen also really done the author, even is famous, got the similar treatment of master of literature, this text not only did the simple discussion to the basic concept of the literature of network, still thorough of to network literature of development did the simple outlook, this is because the network literature hases already dissolve to go into our life in the middle, if ever of traditional writer still has no accredit network literature, but ignore you how to think, the network literature have already walk to go into us living in the middle.

目前互联网传播速度快，交互性强，和容量大的特点，对传统文学的结构方式，故事情节，形象手段美学欣赏等都产生极大的冲击，使人们不在只是欣赏单媒体的文学表达手段，对文学的欣赏方式的要求也越来越高，现在声音媒体和和图象媒体对作品进行全位立体性包装后以文字媒体为主的解读方式更让人们容易接受，而这种新兴的文化--网络文化融会了当前大众文化的主要特征，同时有着其自身的新特点--创作的自由性，平民性，以及有自我的表现平台，从而使一些普通的网民也着实做了作者，甚至是出名，得到了文学大师一样的待遇，本文不仅对网络文学的基本概念做了简单的讨论，还深入的对网络文学的发展做了简单的展望，这是因为网络文学已经溶入了我们的生活当中，即使有的传统作家还没有认可网络文学，但是不管你怎么想，网络文学已经走入了我们生活当中。

Currently the Internet dissemination speed quick, hand over with each other sex strong, and the characteristics for have great capacity, to the structure method of the tradition literature, story details, image means the esthetics enjoys etc. to produce the tremendous impact, make people not at just enjoy the single medium of literature expression means, to the literature of enjoy the way of request also more and more high, now orotund medium and and portrait medium to the work is after carrying on a stereoscopic sex packing regard the writing medium as principle of reading method even let people accept easily, and this kind of newly arisen culture- network the culture melted the meeting the main characteristic of the current public culture, at the same time have its oneself of new characteristics- the freedom of the creations, civilian, and have the ego of performance terrace, thus make some common netizen also really done the author, even is famous, got the similar treatment of master of literature, this text not only did the simple discussion to the basic concept of the literature of network, still thorough of to network literature of development did the simple outlook, this is because the network literature hases already dissolve to go into our life in the middle, if ever of traditional writer still has no accredit network literature, but ignore you how to think, the network literature have already walk to go into us living in the middle.

目前互联网传播速度快，交互性强，和容量大的特点，对传统文学的结构方式，故事情节，形象手段美学欣赏等都产生极大的冲击，使人们不在只是欣赏单媒体的文学表达手段，对文学的欣赏方式的要求也越来越高，现在声音媒体和和图象媒体对作品进行全位立体性包装后以文字媒体为主的解读方式更让人们容易接受，而这种新兴的文化--网络文化融会了当前大众文化的主要特征，同时有着其自身的新特点--创作的自由性，平民性，以及有自我的表现平台，从而使一些普通的网民也着实做了作者，甚至是出名，得到了文学大师一样的待遇，本文不仅对网络文学的基本概念做了简单的讨论，还深入的对网络文学的发展做了简单的展望，这是因为网络文学已经溶入了我们的生活当中，即使有的传统作家还没有认可网络文学，但是不管你怎么想，网络文学已经走入了我们生活当中。

The first part states in a comprehensive way the research on Zhou Zuoren so as to define the purpose, methodology and significance of the dissertation. The second part analyzes the experience of Zhou's self-culture creation from a personal angle-Yue culture in Zhejiang gave Zhou a perceptual knowledge of folklore, while the idea of world folklore gave him a rational cognition of folk' culture. The combination forms a dual folklore. The third part observes Zhou Zuoren's examination of literarure from folklore's perspective as well as its pioneering significance. The fourth part explores in a further way Zhou's perspective of folk culture, and analyzes the method he has established to conduct literary criticism from the angle of folklore as well as his research on Chinese Culture. The fifth part analyzes the impacts folklore theory and folk culture have on the formation of Zhou' literary ideas, focusing more his folklore interpretation and humanism perspective about the origin and hist ory of literature, also his literary aesthetic standards about "ordinary humanism" and "loving amusement" from the position of folklore. The sixth part expounds Zhou's achievement in combining literature and folklore and explores the consistency of their focus on human, thereby presenting a complete picture of Zhou's literature. The last part generalizes the revelation drawing from the research done in this dissertation.

本文分为六章：第一章综述周作人研究的历史与现状，从而确定本文的研究目的、方法及意义；第二章从社会、时代背景、区域文化传统和个人文化选择的角度，阐释周作人选取民俗学视角观照文学的原因，侧重分析周作人自我文化建构的心路历程——浙江越文化传统的浸润给周作人以民俗学的感性认识，而世界民俗学的理念赋予他注重民间文化的理性精神；第三章考察周作人的民俗学研究及先锋意义；第四章进一步探讨周作人的民俗文化观，分析他确立的从民俗文化角度进行文学批评的方法，兼及他从民俗学视角进行的中国文化研究；第五章分析民俗学理论及民俗文化观在周作人文学思想生成中的影响，着重论述周作人关于文学起源和文学发展史的民俗学阐释、文学的民俗人性观，以及从民间立场出发所具有的"平凡的人道"、"有情的滑稽"等文学审美原则；第六章从创作实践方面，探讨周作人文学作品的民俗文化意蕴，进一步论述周作人将文学与民俗结合在一起的实绩，并揭示二者以"人"为核心的内在精神的一致性，从而呈现出周作人较为完整的文学风貌；最后是余论，指出这一研究的启示。

People Literature led and standard the development direction of Chinese contemporary literature,influenced and witted its formation and development.

本文选择《人民文学》作为研究对象，以中国当代文学为背景，对《人民文学》创刊至今的发展历程进行整体观照和细致梳理，通过对《人民文学》与中国当代文学内在关系的深层探讨，以期从《人民文学》这一窗口探视中国当代文学的发展变迁。

The influence of regional culture to Donggan literature have three facets:literary language,folk custom,effects of writer. Donggan literature under infulunce of regional culture has enlightment singnificance for study of world literature of China.As far as second part is concerned, Middle-Asia Donggan literature and Chinese Hui literature have common cultural oringin.Their development are different directions of Chinese ancient Hui literature.To analyze the common images of two nationalities,such as "moon","cattle" and"Ahong",we can see the relationship between them.We also have new opions of two nationalities\' development,if we take their literature as mutual refrence system. There are comparability between Middle-Asia Donggan literature of Chinese origin and literature of Russian emigrants in China ,though they have geographical long-distance. Chinese culture and Russian culture have influenced these two literature.They can not only display profound influence of Russian culture and Chinese culture collision,but also display various artistic forms of Russian literature and Chinese literature exchang in the 20th century.

就下编内容具体而言，中亚东干族的文学和中国回族的文学有共同的文化渊源，它们是中国古代回族文学在20世纪以来发展的两个不同向度，解读两族文学中共有的&月亮&、&牛&、&阿訇&意象，能发现两族文学间千丝万缕的联系，如果以互为参照系的方式观照两族文学，我们还会对两族文学的发展产生全新的理解；中国俄裔侨民作家群和中亚华裔东干作家群虽然地理上相隔遥远，但他们的文学存在可比性，中国俄裔侨民文学与中亚华裔东干文学都受中国文化和俄罗斯文化影响，这两个侨民作家群的文学不仅能显示中、俄文化碰撞对20世纪侨民文学的发展影响深远，也能显示20世纪的中、俄文学交流存在多种艺术形式；美国非裔黑人文学与中亚华裔东干文学虽然分属于不同的文化谱系，但存在可比性。

The influence of regional culture to Donggan literature have three facets:literary language,folk custom,effects of writer. Donggan literature under infulunce of regional culture has enlightment singnificance for study of world literature of China.As far as second part is concerned, Middle-Asia Donggan literature and Chinese Hui literature have common cultural oringin.Their development are different directions of Chinese ancient Hui literature.To analyze the common images of two nationalities,such as "moon","cattle" and"Ahong",we can see the relationship between them.We also have new opions of two nationalities\' development,if we take their literature as mutual refrence system. There are comparability between Middle-Asia Donggan literature of Chinese origin and literature of Russian emigrants in China ,though they have geographical long-distance. Chinese culture and Russian culture have influenced these two literature.They can not only display profound influence of Russian culture and Chinese culture collision,but also display various artistic forms of Russian literature and Chinese literature exchang in the 20th century.

就下编内容具体而言，中亚东干族的文学和中国回族的文学有共同的文化渊源，它们是中国古代回族文学在20世纪以来发展的两个不同向度，解读两族文学中共有的&月亮&、&牛&、&阿訇&意象，能发现两族文学间千丝万缕的联系，如果以互为参照系的方式观照两族文学，我们还会对两族文学的发展产生全新的理解；中国俄裔侨民作家群和中亚华裔东干作家群虽然地理上相隔遥远，但他们的文学存在可比性，中国俄裔侨民文学与中亚华裔东干文学都受中国文化(来源：A82BacC论文网www.abclunwen.com)和俄罗斯文化影响，这两个侨民作家群的文学不仅能显示中、俄文化碰撞对20世纪侨民文学的发展影响深远，也能显示20世纪的中、俄文学交流存在多种艺术形式；美国非裔黑人文学与中亚华裔东干文学虽然分属于不同的文化谱系，但存在可比性。

Literature as a structure of language, as a system of norms, as a social institution, these important theories reveal the modes of existence of literary work of art from the microperspective to the macroperspective systematically. We should understand literature in a system of culture and value, the ontological situs of literature is both autonomous structure of language and heteronomous system of norms, literature is a social institution in a culture-value system.

导入时间之维和&规范&这一价值概念，目的表明，单个文学艺术作品在拥有自身独特的结构方式的同时，又属于某种文学传统，一种文学的&规范系统&，正是这些文学规范或约定俗成的文学惯例，决定了什么是文学作品，并以此构成文学作品存在的&他律性&特征。

After fully and profoundly surveying the popular literature in recent 20 years, the author demonstrates the characteristics of popular literature, some factors influencing it and the impetus of its change to the existing views on literature; the author also observes that the shift in the model of popular literature criticism and popular literature in itself have some affinity and irreconcilement with the literary field in and the society in transition.

详细在社会转型的背景下，中国文学发生了并继续发生着变迁。作为表征，大众文学在新时期以来蓬勃兴盛，成为文学领域中令人注目的场域。本文对当代近20年的大众文学进行深入全面的考察，试图探讨大众文学的特征，分析影响大众文学的一些因素，大众文学变迁对既有的文学观念的冲击，大众文学批评的模式转换以及大众文学与文学场同整个转型时期的社会场的同构和冲突的关系。

与文学的相关的网络解释 [注：此内容来源于网络，仅供参考]

Well, to us he was just the old codger who taught Medieval literature：对我们来说就是教中世纪文学的怪老头

C. S. Lewis?|是C.S.刘易斯吗 | Well, to us he was just the old codger who taught Medieval literature.|对我们来说就是教中世纪文学的怪老头 | But I came to know him very well.|不过我和他非常熟络

cultivate a fondness for literature：培养对文学的爱好

● 培养对文学的爱好 cultivate a fondness for literature | ● 追求个人爱好 follow one's personal liking | ● 有良好的业余爱好 have a good hobby

lettered：精通文学的

lettered 有教育的 | lettered 精通文学的 | letteredscholarly 有学问的

literary：文学的

尤其是在后现代文化语境中,"文学"(Literature)和"文学的"(Literary)同样成为了问题. 值得认真辨析近来,美国后现代理论家大卫.辛普森(David Simpson)认为,当今世界出现了所谓裁已成为我们时代主导的模式,

physiographic：地文学的

physiographer 地文学者 | physiographic 地文学的 | physiographical 地文学的

philobiblic：爱好文学的

phillygenol 连翘脂素 | philobiblic 爱好文学的 | philobiblic 爱书的

philobiblic：爱书的/爱好文学的

phillyrin /连翘甙/ | philobiblic /爱书的/爱好文学的/ | philodendron /爱树木的人/

physiographical：地文学的

physiographic 地文学的 | physiographical 地文学的 | physiography 地文学

physiographical：地文学的,地形学的

geological 地质学的 | physiographical 地文学的,地形学的 | delineated 描绘

literary postmodernism：文学的后现代主义

linguistics 语言学 | literary postmodernism 文学的后现代主义 | literary studies 文学研究