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In The Big Typescript, this dichotomy is detailed in his analysis of the temporal, spatial and genitive expressions, resulting in the distinction between the unspeakable"memory-time"(Ged〓chtniszeit) and the speakable"physical time", and that between the unspeakable"visual space" and the speakable"Euclidean space", etc;(4) From another perspective, the destruction of the conception of the "phenomenological language"could also be seen as the logical consequence of the radicalization of the one and the same conception, since this destruction does reinforce rather than weaken RLF's original intention of distinguishing the physical system from what are given in phenomena by demonstrating the incompatibility between this intention itself and the insistence on the speakability of the phenomena, which gives birth to the illusion of the"phenomenological language";(5) Nevertheless, what the radical distinction between the sense-data and the physical language (as the unique possible language) implies, according to Wittgenstein, is not that the latter has nothing to do with the former, but that the association between the two does not follow the"original sample-copy"pattern but the"screen-presenting-filmoperation"pattern, which indicates that phenomenon itself can be aroused by or included in-rather than to be described by-the physical language/system;(6) Thus Wittgenstein leads us to depart from the obsolete ambition of representing the immediately given data perfectly for a new destination where a comprehensive "perspicuity" of the"grammar"should be required and where his later philosophy is coming into being.
在《大打字稿》中，这一二分法在他对于时间表达式、空间表达式与人称表达式的分析中得到了细化，并导致了他对于"记忆时间"与"物理时间"的区分，以及对于"视觉空间"与"欧几里得空间"的区分，等等；(4)从另一个视角来看，维氏对于"现象学语言"观念的拆解也可以被视为同一观念在被加以彻底化后所导出的必然后果，因为这一拆解工作实际上乃是加强了，而不是削弱了他在写作《略论逻辑形式》时就已怀有的信念，即：必须将物理系统严格地区分于在现象中被直接给予的东西。换言之，维氏在这一拆解工作中所做的，只不过就是暴露了这一信念本身与对于现象之"可说性"的坚执之间的固有矛盾罢了——而所谓"现象学语言"的幻相，亦正是导源于上述坚执；(5)然而，根据维氏的本意，感觉予料与物理语言之间巨大的逻辑差异却并不意味着后者与前者毫无关联，而只是意味着两者之间的关系并不遵循着所谓的"原本—摹本"模式，而遵循的乃是"屏幕呈现—胶片运作"模式。
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So in the effect of the vision redeeming, these person who are reachless in the masses mind now can blow on the face and scan carefully by the audience.
他的个人立场和态度，首先体现在对&摹本&的选择上。
- 更多网络解释与摹本相关的网络解释 [注：此内容来源于网络，仅供参考]
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independent of：独立于
柏拉图认为存在者两个世界:"理型世界"与"摹本世界"(或"智性世界"与"感觉世界"),理型是摹本的原型,摹本的存在和意义源于理型,而理型则独立于(independent of)摹本,其完美性不受"摹本"的任何影响.
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resemblance: n.1：相似,形似 2.摹本,肖像
reputed: a.1.驰名的 2.被一般认定的,普遍认为的 | resemblance: n.1.相似,形似 2.摹本,肖像 | resentment: n.1.仇恨,怨恨 2.[心]愤慨
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FACSIMILES：复印本,摹本
7.comic strip: 连环漫画 | 8.facsimiles:复印本,摹本 | 9.factitious:认为的,做作的[注]与artificial同义
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anile：衰老的,糊涂的
facsimile 摹本 | anile 衰老的,糊涂的 | senile 年老的
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Fact-finding：实地考察,实情调查,实情调查的
facsimile 摹本 | fact-finding 实地考察,实情调查,实情调查的 | factor 独立经纪人,赊账式经纪商
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reputed: a.1：驰名的 2.被一般认定的,普遍认为的
repudiate: v.1.拒绝,否定,驳斥 2.断绝往来,脱离关系 | reputed: a.1.驰名的 2.被一般认定的,普遍认为的 | resemblance: n.1.相似,形似 2.摹本,肖像
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reputed: a.1：驰名之 2.被一般认定之,普遍认为之
repudiate: v.1.拒绝,否定,驳斥 2.断绝往来,脱离关系 | reputed: a.1.驰名之 2.被一般认定之,普遍认为之 | resemblance: n.1.相似,形似 2.摹本,肖像
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resentment: n.1：仇恨,怨恨 2.[心]愤慨
resemblance: n.1.相似,形似 2.摹本,肖像 | resentment: n.1.仇恨,怨恨 2.[心]愤慨 | resignation: n.1.辞职,放弃 2.听任,顺从,屈从
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resentment: n.1：仇恨,怨恨 2.愤慨
resemblance: n.1.相似,形似 2.摹本,肖像 | resentment: n.1.仇恨,怨恨 2.愤慨 | resignation: n.1.辞职,放弃 2.听任,顺从,屈从
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simulacrum：拟像
这里,他区分了"摹本"(copy)与"拟像"(simulacrum)(又译类象)的不同. 摹本之所以存在,表明还有个原作,摹本无非是对原作的模仿,即使赝品也可从中获得一种有关被模仿对象的现实感. 而拟像则不同,它是没有原作的摹本. 比如流水线上出来的汽车,