- 更多网络例句与批评家相关的网络例句 [注：此内容来源于网络，仅供参考]
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An Austrian critic criticized Brod's viewpoint of connectin g the castle's ruling directly with mercy which is a religious concept in the postscript of the first edition of The Castle. In doing so, Brod gave a precedent to those critics who want to find religious symbols and other symbols in the novel and comprehend Kafka's illusion by theological explaining. In translating art images directly into the languages of theology, philosophy and psychology, it was certain that Brod would lower the value of Kafka's art.
奥地利批评家海因茨·波里策批评布罗德在《城堡》第一版后记中"把城堡的统治直接同慈悲这个宗教概念联系起来的"论点，为那些"想在这部作品中寻找宗教的和其他的象征，并给予神学的解释来理解卡夫卡的幻想"的批评家开了一个先例；布罗德"将艺术的图像直接翻译成神学的、哲学的和心理学的语言"的做法，必然会使其"艺术价值变得平淡"。
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But, just like other critics of his time, Empson's theory and his practical analysis, as latter critics concerned, had no really scientific qualities; on the other hand, affected by his own poetic character, Empson also realized the limit of analysis itself when he reasoned about the poetic effects.
但是燕卜荪的理论阐释与分析实践，和这一时期其他新批评家一样，在后代批评家看来，并不具有真正意义上的科学性；另一方面燕卜荪自己始终受到诗人气质的影响，在对文本进行审美解读时，也意识到分析本身所具有的限度。
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Matzke and Gross state that many creationist critics define macroevolution as something that cannot be attained, as these critics describe any observed evolutionary change as "just microevolution".
马兹克和格罗斯声称，持创世论的批评家将宏进化界定为不能达到的东西，因为这些批评家将任何观察到的进化改变都描述为"只是微观的进化"。
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He is not only a romantic poet and a literary critic, but a metaphysician, a political theorist and a social critic.
柯勒律治（1772—1834）是一位多面的思想家，他不但是浪漫派诗人和文艺批评家，而且是哲学家、政治理论家和社会批评家。
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Through the analysis of the ancient Greek mythology " Philoctetes", he put the text, the author and the reader into an interactive perspective where the privilege of the writer and critics is replaced with equality. As part of social intellectuals, literary critics should break the theoretical barriers to better serve the public.
他用古希腊菲罗克忒忒斯神话诠释了批评家在文本、作家和读者之间的关系和相互作用，瓦解了文学家和文学批评家的特权，还作品的真实面目于普通大众读者，使文学批评走出理论的局限，完成服务公众的使命。
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Critics on the right called Avedon radical chic; those on the left dismissed him as chic, period.
右派的批评家说Avedon是时髦的激进派；左派的批评家则只说他不过是追求时髦的角色罢了。
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Several large retailers have sele cted Aroca City as the site for huge new stores, and these are certain to draw large numbers of shoppers from neighboring municipalities, where
这种让步式的否定在阅读文章里到处都是：即作者是考虑了批评家对的一面的基础上否定批评家的话，这样否定的力度就大啦。
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Several large retailers have sele cted Aroca City as the site for huge new stores, and these are certain to draw large numbers of shoppers from neighboring municipalities, where 8 D7 Y; i2 ~%$ j
这种让步式的否定在阅读文章里到处都是：即作者是考虑了批评家对的一面的基础上否定批评家的话，这样否定的力度就大啦。
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Material wealth is a symbol that you've made it critics are subject to this unwritten law and when you've made it, people will read your work.
你所获得的物质富裕是你成功的象征--批评家们也遵循这个不成文的规则--当艺术家成功了，人们就会来理解你的作品（批评家就会来写你的作品）。
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The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.
本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。
- 更多网络解释与批评家相关的网络解释 [注：此内容来源于网络，仅供参考]
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apologist: critic：辩护者:批评家
43.antipathy: benevolence 憎恶:仁爱 | 44.apologist: critic 辩护者:批评家 | 45.appealing: noisome 引起兴趣的:令人不快的
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aristarch：批评家
arista 刺 | aristarch 批评家 | aristarchy 贤能者治国
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armchair critic：闭门造车的批评家, 不做调查研究的批评家 不负责任的批评家
injuriously 伤害地, 有害地 | armchair critic 闭门造车的批评家, 不做调查研究的批评家 不负责任的批评家 | detector block 检查块
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critic：批评家
其实关于"身份"这个概念原本没有什么特别的地方,通常我们说艺术领域中有不同的身份--"画家"(painter)、"批评家"(critic)、"策展人"(curator)、"收藏家"(collector)、"画廊经纪"、"艺术博物馆"等等,这些都是指不同的职业方向,
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criticaster：批评家
critically 批评地 | criticaster 批评家 | criticastry 无价值批评
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criticaster：小批评家
criticaster 无价值的批评家 | criticaster 小批评家 | criticcommenterreviewer 批评家
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criticaster：无价值的批评家
criticaltensionnervousintensestrainedtenseintensiontensenesstensity 紧张 | criticaster 无价值的批评家 | criticaster 小批评家
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criticaster：无价值的批评家/小批评家
critically /批评性地/用钻研眼光地/精密地/ | criticaster /无价值的批评家/小批评家/ | criticise /批评/吹毛求疵/非难/
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The literary critics should be as objective as possible in analysis and judgement：文学批评家在分析和评价时应尽量不偏不倚
1. 我们必须接受客观事实. ... | 2. 文学批评家在分析和评价时应尽量不偏不倚. The literary critics should be as objective as possible in analysis and judgement. | 3. 人们为实现第九个五年规划的经济目标而努力...
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Skeptics and Critics：怀疑论者和批评家
The Fruits of Globalization全球化的果实 | Skeptics and Critics怀疑论者和批评家 | 2 Warning Ignored: Latin America's Crises 2警告忽视:拉美的危机